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1960s “The Search” Collector's Guild Ltd. Etching After Alberto Giacometti,

1960

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Lithograph " Still life with Plums "numbered 195/275 and signed by Agostini
By Tony Agostini
Located in Pasadena, CA
Lithograph " Still life with Plums "numbered 195/275 and signed by Agostini Tony Agostini was a French painter who was born in 1916. Tony Agostini's work has been offered at aucti...
Category

Early 20th Century Modern Figurative Prints

Materials

Lithograph

Nude original Lithograph EA by Alain Bonnefoit
By Alain Bonnefoit
Located in Pasadena, CA
Original Lithographe EA (Epreuve d'Artiste ) Alain Bonnefoit’s trademark female nudes reflect both Western and Eastern art historical influences. A painter, engraver, and sculptor, B...
Category

Late 20th Century Modern Figurative Prints

Materials

Lithograph

Nude original Lithograph EA by Alain Bonnefoit
By Alain Bonnefoit
Located in Pasadena, CA
Original Lithographe EA (Epreuve d'Artiste ) Alain Bonnefoit’s trademark female nudes reflect both Western and Eastern art historical influences. A painter, engraver, and sculptor, B...
Category

Late 20th Century Modern Figurative Prints

Materials

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BREKER (Arno). Postdam, publisher of Eduard Stichnote - ZEICHNUNGEN
Located in Pasadena, CA
BREKER (Arno). Postdam, publisher of Eduard Stichnote - Berlin, printing stick by Sauer et consort, see folio in sheets in a publishing box with 10 prints of nude sketches, all signe...
Category

1930s Art Deco Figurative Prints

Materials

Archival Paper

Jean-Michel Basquiat "The Nile" Large Screenprint Poster, Framed
By (after) Jean-Michel Basquiat
Located in Pasadena, CA
After Jean-Michel Basquiat, El Gran Espectaculo ( The Nile ) Christie's NYC, 2023. Large Screenprint poster printed on Arches Paper. Natural wood custom frame, hq plexiglass Size is ...
Category

Late 20th Century Neo-Expressionist Figurative Prints

Materials

Screen

Boardwalk of Atlantic City lithograph by Melanie Taylor
Located in Pasadena, CA
Melanie Taylor Kent "Boardwalk of Atlantic City" Signed Numbered Lithograph Art. Wow this is an amazing signed and numbered print 166/500 of the At...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

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Guardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...
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New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
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A bright and silvery impression with warm plate tone by a female icon of the Union Square group. New York: Associated American Artists, 1943. Etching on cream wove paper, 5 7/8 x 3 ...
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Interiors I: Family Reunion — A penetrating scene with a hidden homage to Eadwea
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Located in Middletown, NY
Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...
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La Bella Venezia
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(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...
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