Bartolomeo Pinelli

Departure of the Holy Father from Rome - Etching by Bartolomeo Pinelli - 1850

1850

The Holy Father - delivery of French troops -is an original Hand-colored etching artwork realized after the Italian artist Bartolomeo Pinelli in 1850. With the description of artwor...

The Holy Father's arrival in Cesena is an original Hand-colored etching artwork realized after the Italian artist Bartolomeo Pinelli in 1850. With the description of artwork on the...

Th Departure - (Original Title: In Partenza - Il General Radet Fa Partire) is an original hand-colored etching realized by the Italian artist Bartolomeo Pinelli in 1850. With the description of artwork on the lower in Italian. Very good conditions. Engaging Italian artwork...

The Pope is an original Hand-colored etching artwork realized after Italian artist Bartolomeo Pinelli in 1850. With the description of artwork on the lower i...

Title: Neapolitan Pilgrims Etching - 1819 Pinelli & Bridgens Print Description: This evocative 1819 etching, titled "Pilgrims, Costumes of Naples," captures a poignant moment of dev...

"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...

Travel Print: Going to Rome by Vetturino, 1820s Hand-Colored Engraving This delightful hand-colored engraving depicts a lively scene titled "Going to Rome by Vetturino," offering a ...

"The Marriage of Saint Margaret and King Malcolm" is an etching by Scottish artist Alexander Runciman. There is an engraved signature with the artist's monogram followed by "pinxit et fecit," indicating that Runciman both designed the original drawing and likely executed the etching on the metal plate. On the left, a young woman with a halo in fine dress stoops slightly and gathers her skirts as she leans over to accept the ring that the man on the right is reaching to place upon her finger. He is also young, dressed finely, and wearing a crown. Between them, a church official with a pointed hat and a long flowing beard recites the appropriate prayers for the occasion, while onlookers crowd in the background. The tiled floor demonstrates the use of one-point perspective, and the church appears to be in the Gothic style. Art size: 8 3/4" x 7 1/4" Frame size: 26 1/2" x 22 3/8" Alexander Runciman (Edinburgh 15 August 1736 – 4 October 1785 Edinburgh) was a Scottish painter of historical and mythological subjects. He was the elder brother of John Runciman, also a painter. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. His brother John accompanied him, but died in Naples in the winter of 1768–69. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...