Items Similar to Le Chaos, from "Le Temple des Muses" - Original Etching by B. Picart
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Bernard PicartLe Chaos, from "Le Temple des Muses" - Original Etching by B. Picart1742
1742
About the Item
Black and white etching on wire rod paper, representing the myth of Chaos.
Plate from the volume “Le Temple des Muses”, published in Amsterdam in 1742 by Zacharias Chatelain. Capture (under the image) and author "B. Picart del. 1731" inscribed under the frame engraved on the lower left margin. In good conditions, except for a normal yellowing of the margins.
This was an illustrated book of Ovid's most popular fables published in 1733 in Dutch (Tempel der Zanggodinnen), in 1738 in English, and in 1742 in French by Zacharias Chatelain. The engravings had captions in four languages: French, English, German, and Dutch. The artists involved were Michel de Marolles, Bernard Picart, Jacques Favereau, Abraham van Diepenbeeck and Cornelis Bloemaert. A facsimile of the Dutch version was published in 1968.
The sixty engraved plates by Bernard Picart and others were a sort of fashionable mythological compendium, useful in the eighteenth century, when the fascination for Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750, the Neoclassical style dominated all artistic fields.
Bernard Picart (Paris, 1673 – Amsterdam, 1733), French engraver, well-known for his book-illustrations, including the Bible and Ovid. His most famous work is Cérémonies et coutumes religieuses de tous les peuples du monde, appearing from 1723 to 1743 and was defined: "an immense effort to record the religious rituals and beliefs of the world in all their diversity as objectively and authentically as possible" by Jonathan I. Israel.
Publisher: Amsterdam, Zacharias Chatelain
Image Dimensions: 35 x 25.4 cm
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
- Creator:Bernard Picart (1673 - 1733, French)
- Creation Year:1742
- Dimensions:Height: 17.96 in (45.6 cm)Width: 11.26 in (28.6 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:1740-1749
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,749 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Monaco, Monaco
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Ancient Roman Fresco - Original Etching By F. Cepparuli - Mid-18th CenturyBy Francesco CepparuliLocated in Roma, ITFrancesco Cepparuli, Ancient Roman Fresco, original etching hand watercolored. Mid-18th Century. original etching from the end of the 18th century, realized by Francesco Cepparuli. ...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Cave Rue de l'Enfer - Original Etching by Augustin André Lançon - 1871Located in Roma, ITCave Rue de l'Enfer is an original Etching realized by Augustin André Lançon in 1871. Rare etching belonging to the suite "Guerre de 1870 et Siège de Paris". Very good Conditions. ...Category
1870s Old Masters Figurative Prints
MaterialsEtching
- Collegio De Neofiti - Etching by Giuseppe Vasi - Late 18th CenturyBy Giuseppe VasiLocated in Roma, ITCollegio De Neofiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged mar...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Monastero e Chiesa di S. Apollonia-Etching by Giuseppe Vasi-Late 18th CenturyBy Giuseppe VasiLocated in Roma, ITMonastero e Chiesa di S. Apollonia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Si...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Giardino e Casino Pontificio - Etching by Giuseppe Vasi - Late 18th CenturyBy Giuseppe VasiLocated in Roma, ITGiardino e Casino Pontificio is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed ...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
- Archiginnasio della Sapienza - Etching by Giuseppe Vasi - Late 18th CenturyBy Giuseppe VasiLocated in Roma, ITArchiginnasio della Sapienza is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed ...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching
You May Also Like
- Church of St. Costanza, Rome: An 18th Century Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...Category
1770s Old Masters Interior Prints
MaterialsEtching
- Crucifixion: 18th Century Etching by Conrad Metz after Daniele da VolterraLocated in Alamo, CA"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...Category
Late 18th Century Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran MoleBy Giovanni Battista PiranesiLocated in Alamo, CA"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...Category
1760s Old Masters Figurative Prints
MaterialsEtching
- Piquier Allemand (German Pikeman) /// Old Masters Figurative Man Soldier AntiqueLocated in Saint Augustine, FLArtist: Armand Joseph Lallemand (French, 1810-1871) Title: "Piquier Allemand (German Pikeman)" Portfolio: Gazette des Beaux-Arts Year: 1866 Medium: Original Etching on cream laid pap...Category
1860s Old Masters Figurative Prints
MaterialsIntaglio, Etching, Laid Paper
- The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel ArtBy Michael BurghersLocated in Saint Augustine, FLArtist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...Category
1680s Old Masters Figurative Prints
MaterialsWatercolor, Engraving, Etching, Laid Paper, Intaglio
Recently Viewed
View AllMore Ways To Browse
Antique Book Prices
Antique Book Pricing
Greek Temple
Le Monde Antique
Antique Religious Book
Italian Framed Print Greek
Greek Muses
Israels Dutch
Neoclassical Artwork
Greek Ruins
Antique French Bible
Neoclassical Engraving Framed
Roman Ruins Framed
Antique Paper Sorter
Antique Style Bible
Antique English Bible
Antique Illustrated Bible
Ship Engraving Dutch