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Camille BryenComposition, Feuilles éparses, Camille Bryen1965
1965
$9,996
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£7,604.66
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€8,892.18
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CA$17,474.8120% Off
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NOK 101,841.98
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About the Item
Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis Broder, Paris, June 18, 1965. Excerpted from the folio (translated from French), This album was completed to print, June 18, 1965 in Paris. Original collective edition drawn of one hundred and fifty examples on vélin cuve de Rives, numbered 1 to 130 and I to XX. Some examples are intended for companions. All examples are signed by the artists on the colophons. The unique lithography of Wols, and the etching of Dominguez are their last engraved works. Apart from the edition it was drawn proofs on large margins on various papers, all justified and signed by the artists. The woods and coppers have been striped and the stones erased after the draw.
CAMILLE BRYEN (1907-1977) was a French poet, painter and engraver. Associated with the School of Paris, his work plays a part in the history of lyrical abstraction and tachisme.
- Creator:Camille Bryen (1907 - 1977, French)
- Creation Year:1965
- Dimensions:Height: 9.65 in (24.52 cm)Width: 7.87 in (19.99 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465215424952
Camille Bryen
Camille Bryen, pseudonym of Camille Briand, was born in Nantes on 17 September 1907. He was a member of the Nouvelle École de Paris and belonged to the currents of lyrical abstraction and tachism. In the years 1925-1927, Camille Briand was part of the Nantes bohemian scene, using the pseudonym "Aristide", no doubt in allusion to his illustrious namesake, also of Nantes origin. He appeared on the cover of the Revue nantaise in April 1927, portrayed by Henri Bouyer, with the comment: "Type nantais, le Bohème Aristide".
In the years 1925-1927, Camille Briand was part of the Nantes bohemian scene, using the pseudonym "Aristide", no doubt in allusion to his illustrious namesake, also of Nantes origin. He appeared on the cover of the Revue nantaise in April 1927, portrayed by Henri Bouyer, with the comment: "Type nantais, le Bohème Aristide".In 1948, he organised the first exhibition of "lyrical abstraction" in which Hans Hartung, Wols, Gérard Schneider and Georges Mathieu took part. He then turned to engraving and, in 1949, oil painting. In 1950, he published Héréphile and then turned away from literature to devote himself entirely to painting and engraving. From the 1950s onwards, Bryen regularly held solo exhibitions in France and abroad and took part in numerous salons, biennials and group exhibitions. In his work, always free of allusion, the discreet fields of colour, structured by fine sprays, create a poetic climate that ensures its originality. He died in Paris on 8 May 1977. As a tribute to Bryen, a stamp reproducing one of his works, Précambrien, was issued by the French Post Office on 14 September 1987 (value 5 francs). Bryen was one of the painters included in the exhibition "L'envolée lyrique, Paris 1945-1956" presented in Paris at the Musée du Luxembourg in 2006.
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