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Charles MeryonCity Landscape - Original Etching by C. Meryon - 18661866 (Early 20th Century Edition)
1866 (Early 20th Century Edition)
$531.48
£400.12
€450
CA$732.14
A$819.95
CHF 427.84
MX$10,015.37
NOK 5,443.34
SEK 5,131
DKK 3,425.46
About the Item
City Landscape is an Original Etching realized by Charles Meryon in 1866.
The artwork is in good condition included a cream colored cardboard passpartout (35.5x46 cm).
No signature, printed by the chalcography of the Louvre, realized between the ed of 19th and the early 20th century.
Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he suffered from colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also suffered from mental illness, dying in an asylum.
- Creator:Charles Meryon (1821-1868, French)
- Creation Year:1866 (Early 20th Century Edition)
- Dimensions:Height: 8.78 in (22.3 cm)Width: 11.03 in (28 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1298101stDibs: LU65039798242
Charles Meryon
Charles Méryon was a French engraver, painter, draftsman and poet. He lived an adventurous life and traveled often as a Marine before dedicating himself exclusively to engraving from 1848. He engraved 72 plates on Paris, some of which, like Tour de l’Horloge, published by the important Parisian magazine L’Artiste. He realized mainly architectures, seascapes, scenes with ornithological subjects and some portraits. His prints are characterized by a rigorous game of intersecting lines, by a precision deserving of a naval draftsman, by a bold chiaroscuro with dramatic effects and romantic fantasies. He often included captions in verses in his engravings.
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