Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Christoph Jamnitzer
Grotesque with two hybrid gristly creatures facing each other

1610

Price:$1,044
$1,200List Price

You May Also Like

Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category

1820s Old Masters Landscape Prints

Materials

Etching

Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This is a framed 18th century Giovanni Battista Piranesi etching entitled: "Veduta interna del Sepocro di Santa Costanza, fabbricat...
Category

1770s Old Masters Interior Prints

Materials

Etching

The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category

1820s Old Masters Figurative Prints

Materials

Etching

19th Century Etching of the Ancient Caracalla Baths in Rome by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dei Grandi Avanzi delle Terme Antoniane, o di Caracalla" (The baths of Caracalla) was created by Luigi Rossini and included in his pu...
Category

1820s Old Masters Figurative Prints

Materials

Etching

Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...
Category

1820s Old Masters Figurative Prints

Materials

Etching

18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category

1770s Old Masters Figurative Prints

Materials

Etching

Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching

A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian's Villa
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Category

1770s Old Masters Figurative Prints

Materials

Etching

More From This Seller

View All
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
Category

1770s Old Masters Figurative Prints

Materials

Etching

Bacchanal
By Giovanni Andrea Podestà
Located in Fairlawn, OH
Bacchanal Etching, 1649 Inscribed in the square left: "Magnificentis/simo Principi/Paolo lorda/no. II Bracci/ani Duci/Aud. P.DDD/1640; Inscribed on right: Rome apud Franciscsum Saluucium Condition: Usual centerfolds from paper manufacture Plate: 10 3/8 x 15 1/2" Sheet: 11 1/2 x 16 1/2"; References: Bartsch XX.4 Sopher Plate 145 An impression of this image is in the collections of the Philadelphia Museum of Art and the National Gallery of Art, Washington An exceptionally rich impression in excellent condition. From Wikipedia, the free encyclopedia Putti as Allegory of Music Giovanni Andrea Podestà or Giovanni Andrea Podesta (1608 - c. 1674) was an Italian painter and engraver who was principally active in Rome. His principal subject matter is children playing in landscapes with classical objects. His works show the influence of Poussin's Arcadian landscapes and bacchanals, which were ultimately derived from Titian's bacchanals. Life Giovanni Andrea Podestà was born in Genoa. He was formed in Genoa with Giovanni Andrea de Ferrari and Domenico Fiasella according to the information provided by the contemporary Genoese biographer Raffaele Soprani. He is also recorded as an apprentice of Giovanni Battista Paggi in 1627. His presence is documented from in 1634 in Rome where he made drawings after the statues and ancient reliefs at the famous Giustiniani collection. These were subsequently engraved for publication in the 'Galleria Giustiniani'. The artist's career ran a course similar to that of the young Domenico Fiasella. In Rome his art evolved in contact with the works of Poussin, Andrea di Leone, Pietro Testa...
Category

17th Century Old Masters Figurative Prints

Materials

Etching

The Academy of Plato Plato and His Disciples
By Salvator Rosa
Located in Fairlawn, OH
The Academy of Plato Plato and His Disciples Etching and drypoint c. 1662, printed c. 1710 Signed in the plate lower left Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category

1660s Old Masters Figurative Prints

Materials

Etching

La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre
By Jacques Callot
Located in Fairlawn, OH
La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands) Etching, 1618 From: Varie Figure (16 plates) Condition: very good, aging Im...
Category

1610s Old Masters Figurative Prints

Materials

Etching

Les deux tures coifffes d’un turban avec une aigrette (The turban with crest)
By Jacques Callot
Located in Fairlawn, OH
Les deux tures coifffes d’un turban avec une aigrette (The two headdresses of a turban with a crest) Etching, 1618 From: Varie Figure (16 plates) Condition: Trimmed withing the plate...
Category

1610s Old Masters Figurative Prints

Materials

Etching

Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches
Located in Fairlawn, OH
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity Woodcut, 1491 Unsigned, as issued Published by Anton Koberger Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center. Condition: Very good for a 15h century woodcut, with the usual slight age stains Sheet size: 11 1/2 x 8 1/4 inches Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century. Michel Wolgemut Biography Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death. In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him. Woodcuts Michael Wolgemut, Danse Macabre, 1493 Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...
Category

15th Century and Earlier Old Masters Figurative Prints

Materials

Woodcut

Still Thinking About These?

All Recently Viewed