Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Edouard Benedictus
'Poppy' — Art Deco Pochoir from the acclaimed portfolio 'RELAIS'

1930

About the Item

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design in the Pavillion de l'Ambassade Francaise at the important Exposition des Arts Decoratifs in Paris. Benedictus’ work is held in the collections of the Musee d'Orsay (Paris), Musee National des Beaux-Arts du Quebec, the U. S. Library of Congress, the Art Institute of Chicago, the Minneapolis Museum of Art, and the Victoria and Albert Museum (London). Benedictus is also credited with the invention of shatter-proof glass in 1903. Having accidentally knocked a beaker off of a shelf in his studio and seeing that the pieces were surprisingly still connected, he surmised that it had to do with the liquid nitrocellulose that the beaker contained. Some experimenting finally produced what he called "laminated glass," in which a layer of celluloid was bonded between two sheets of glass. He patented his invention in 1909, which became widely used during World War I; by 1919, Henry Ford was installing the glass in all of his automobiles. Refinements of the process led to the 1936 invention of polyvinyl butyral, today's basis for bulletproof glass. For his achievements in art and science, the French government awarded Benedictus a ‘Knight of the Legion of Honor’ and an ‘Officer of the Legion of Honor’.
  • Creator:
    Edouard Benedictus (1879 - 1930, French)
  • Creation Year:
    1930
  • Dimensions:
    Height: 14.38 in (36.53 cm)Width: 11 in (27.94 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1041901stDibs: LU532312113172

More From This Seller

View All
'Yvette Guilbert, SCALA' — Fin de Siècle, Paris
Located in Myrtle Beach, SC
BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone. A superb, richl...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

'Rain at Shinagawa, Ryoshimachi' — Showa-era Woodblock Print
By Kawase Hasui
Located in Myrtle Beach, SC
Kawase Hasui, 'Rain at Shinagawa, Ryoshimachi' from the series 'Selection of Views of the Tokaido', woodblock print, 1931. A very fine, atmospheric impression, with fresh colors; the...
Category

1930s Showa Figurative Prints

Materials

Woodcut

'Horse Attacked by Tiger' — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...
Category

1820s Romantic Animal Prints

Materials

Lithograph

'Encircled' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...
Category

1940s Surrealist Figurative Prints

Materials

Engraving

'The Sixth Avenue Spur, New York City '— American Expressionism
By Frederick K. Detwiller
Located in Myrtle Beach, SC
Frederick K. Detwiller, 'The Sixth Avenue Spur, New York City', lithograph, 1924, edition 20. Signed, dated, titled, and annotated 'Lith 20' in pencil. Inscribed 'To my Friend Herbert L. Jones' in pencil. Signed and dated, in the stone, lower right; initialed and dated '1927' in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with margins (7/8 to 1 1/4 inches); slight toning in the top left sheet edge, otherwise in good condition. Scarce. Image size 20 1/2 x 14 inches (521 x 356 mm); sheet size 22 1/2 x 16 inches (572 x 406 mm). Archivally matted to museum standards, unframed. ABOUT THE IMAGE The Sixth Avenue El was constructed in the late 1870s by the Gilbert Elevated Railway and reorganized as the Metropolitan Elevated Railway. By 1878, it was running from Rector Street to 58th Street. Soon after that, it was taken over by the Manhattan Railway Company, with three other Manhattan elevated train lines. The company built a connection, the ‘spur’ by which it turned west on 53rd Street to merge with the 9th Avenue El—paralleling the present-day route of the 6th Avenue subway. The Sixth Avenue El served the “Ladies Mile” shops (including the Siegel-Cooper emporium, whose building now houses Bed...
Category

1920s Ashcan School Figurative Prints

Materials

Lithograph

'Bridges of Florence' — Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category

1920s American Impressionist Figurative Prints

Materials

Etching

You May Also Like

Coleth : The Lovers of Venice Carnival - Original Art Deco pochoir
Located in Paris, IDF
Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...
Category

Early 20th Century Art Nouveau Figurative Prints

Materials

Gouache, Stencil

Three Models - Stencil by Paul Iribe - 1908
By Paul Iribe
Located in Roma, IT
Three Models is an original lithograph realized by Paul Iribe, signed. Sheet dimension: 31,5 x 27,5 cm. With Passepartout dimension : 69 x 49 cm. In excellent condition. Here the...
Category

Early 1900s Art Nouveau Figurative Prints

Materials

Stencil

Models with Toad - Stencil by Paul Iribe - 1908
By Paul Iribe
Located in Roma, IT
Models with Toad is an original lithograph realized by Paul Iribe in 1908, signed. Sheet dimension: 31 x 27,5 cm. In excellent condition. Here the artwork is one of the illustrati...
Category

Early 1900s Art Nouveau Figurative Prints

Materials

Stencil

Models on the Terrace - Stencil by Paul Iribe - 1908
By Paul Iribe
Located in Roma, IT
Pochoir. Signed on plate. One of the beautiful illustrations realized by Paul Iribe for "Les Robes de Paul Poiret" in 1908.
Category

Early 1900s Art Nouveau Figurative Prints

Materials

Stencil

Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich
By Jan Toorop
Located in Fairlawn, OH
Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich Drypoint, 1897 Signed lower right in pencil: J Toorop; by later hand Toorop's model for this print was Marguerite Adolphine H...
Category

1890s Jugendstil Figurative Prints

Materials

Drypoint

Portrait of Philip Andreevich Malavin.1899.Paper, lithography, 32x23 cm with def
By Leon Bakst
Located in Riga, LV
Portrait of Philip Andreevich Malavin.1899.Paper, lithography, 32x23 cm, restored: professionally reinforced edges. Leon Bakst. (1866-1924)
Category

1890s Art Nouveau Portrait Prints

Materials

Paper, Lithograph

Recently Viewed

View All