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Édouard ManetLa Barricade - Lithograph by Edouard Manet - 18711871
1871
About the Item
Rare and beautiful lithograph by Edouard Manet .
"La Barricade " illustrates a group of soldiers executing a band of rebels on a street corner. This artwork deals with a subject inspired by the events of the civil war in Paris. Very good conditions, but with small ripples on the higher center.
2nd State : With lettering, bottom center, "Imp.Lemercier et Cie., Paris".
The composition of this lithograph repeats the figure grouping used in the "Execution of Maximilian ",a painting by Manet dated 1867-1868 with several important differences; for example, the format has been changed from a horizontal to a vertifcal shape and also the number of the soldiers is different (6 in the lithograph, 8 in the painting).
In the "Execution of Maximilian" there is the echoes of Goya's "Executions of May 8, 1808". The relationship to the artwork by Goya became stronger in "La Barricade" where Manet seized on the ironic reference in Goya's picture to the theme of light.
The lithograph is glued on the sheet with the printed central inscription "Imp. Lemercier et C.le, Paris". In very good conditions, except for corrugated paper and some thinnings of paper on the higher margin. Including a black cardboard passepartout attached with tape on the cardboard sheet (cm. 64 x 48.8).
Edition of approximately 50 prints.
References : Harris: 71; Moreau-Nelaton: 82; Guérin: 76; Rosenthal: pp. 86-88 and 157-158; Hanson: n. 115 p. 131; Isaacson: n. 34 p. 40; Wilson 1977: 72; Wilson 1978: 80, New York 1983: 125; Fisher: 54.
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1871
- Dimensions:Height: 25.4 in (64.5 cm)Width: 17.33 in (44 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: J-471071stDibs: LU650310830142
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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