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Édouard ManetLe Chat et les Fleurs (from "Les Chats par Champfleury")1869
1869
$1,900
£1,459.12
€1,672.13
CA$2,674.73
A$2,996.29
CHF 1,561.34
MX$36,548.55
NOK 19,841.05
SEK 18,708.70
DKK 12,480.33
About the Item
Edouard Manet
Le Chat et les Fleurs (from "Les Chats par Champfleury")
1869
Etching and aquatint on Rives paper
Image: 6.25 x 5.125 (17.3 × 13 cm)
Plate: 8 x 6 inches (20.3 x 15.2 cm)
Sheet: 12.6875 x 8.4375 inches (32.2 x 21.4 cm)
Visible: 9.75 x 7.75 inches
Framed: 16 x 14 x 1 inches
Edition: from a posthumous edition, circa 1906
Signed in the plate
COA provided
Publisher: Libraire de la Societe Botanique de France
Ref.: Philadelphia Museum of Art; 1963-162-2 - Moreau-Nélaton 19, Guérin 53, Harris 65
**Black wooden frame with museum glass (anti-reflective / AR). Could ship without frame. Please inquire.
**Condition: Good; image intact, deep colors. No tearing, soiling, staining or creasing.
Tags: #EdouardManet, #FrenchPainter, #ModernArt, #Impressionism, #Realism, #ArtHistory, #19thCenturyArt, #ParisianLife, #Olympia, #TheLuncheonOnTheGrass, #AvantGardeArt, #ArtMasterpiece, #OldMastersInfluence, #BoldBrushwork, #ArtRevolutionary, #BarAtTheFoliesBergere, #ArtInnovation, #ManetLegacy, #PioneerOfModernArt, #ClassicArtworks
Édouard Manet (1832–1883) was a pivotal French painter who played a crucial role in the transition from Realism to Impressionism in 19th-century art. Known for his bold brushwork and modern subject matter, Manet’s works often depicted contemporary life, challenging traditional artistic norms. His early masterpieces, "The Luncheon on the Grass" (1863) and "Olympia" (1865), caused public uproar due to their unconventional depictions of the nude and frank portrayals of urban life, marking him as a groundbreaking figure in modern art.
Manet was deeply influenced by the Old Masters, but his approach to composition, lighting, and subject matter introduced a fresh perspective that influenced a generation of younger artists, including the Impressionists. Despite often refusing to exhibit with them, his friendship with artists like Claude Monet and Edgar Degas cemented his position as an essential link between academic art and the emerging avant-garde movements. Notable works like "A Bar at the Folies-Bergère" (1882) showcase his innovative use of reflection and perspective, capturing the vibrancy and ambiguity of modern Parisian life.
Over his career, Manet faced criticism and rejection from the traditional art institutions of his time, yet his work gained recognition for its pioneering qualities. He received significant accolades, including a posthumous retrospective at the École des Beaux-Arts in 1884, solidifying his legacy as one of the fathers of modern art. His daring approach to painting laid the groundwork for future movements and continues to inspire artists to this day.
- Creator:Édouard Manet (1832 - 1883, French)
- Creation Year:1869
- Dimensions:Height: 16 in (40.64 cm)Width: 14 in (35.56 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:*Black wooden frame with museum glass (anti-reflective / AR). Could ship without frame. Please inquire. **Condition: Good; image intact, deep colors. No tearing, soiling, staining or creasing.
- Gallery Location:Kansas City, MO
- Reference Number:1stDibs: LU608315213022
Édouard Manet
Edouard Manet (1832 – 1883) was a French painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time, and develop his own style that would be heralded as innovative and serve as a major influence for future painters. Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning. One was Emile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality."
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