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Félix BracquemondLe Duc d'Urbin - Etching on China Paper After Tiziano Vecellio1870
1870
About the Item
Le Duc d'Urbin is a black and white etching on Chine paper attached, by Félix Bracquemond, after Tiziano.
This modern artwork representing the noblemen with his child in an official pose is realized with a sure touch.
This original print was printed by A. Salmon, Paris, as the notes under the image reports.
In excellent conditions: as good as new, except for some minor stains on the lower margin and beyond the marginal line of the matrix. White cardboard passepartout included, cm 30.5 x 22.5
Original Title: Le duc d'Urbin et son fils
Reference: Béz., 322
Félix Bracquemond (Paris, 1833 - Sèvres, 1914)
Félix Bracquemond was a French painter, also known as Auguste Joseph Bracquemond. He played an essential role in the renewal of the art of engravings encouraged by Édouard Manet, Edgar Degas and Camille Pissarro.
- Creator:Félix Bracquemond (1883 - 1914, French)
- Creation Year:1870
- Dimensions:Height: 12.01 in (30.5 cm)Width: 8.86 in (22.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1006871stDibs: LU65033919852
Félix Bracquemond
Fe´lix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted The´ophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste-Camille Corot. After having been attached to the Se`vres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with E´douard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of Officer of the Legion of Honor in 1889. Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed, it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th-century art. He married French Impressionist artist Marie Bracquemond in 1869. He died in Se`vres.
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