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Félix BracquemondSarcelles - Etching by Félix Bracquemond - 1870s1870s
1870s
About the Item
Sarcelles is a black and white etching realized by Félix Bracquemond (1833–1914) in 1870s.
Titled in the lower.
Image size: 29cmx22.5cm.
Very Good condition.
Signed in the late in the upper right.
Realized by Cadart for the "Société des Aquafortistes.
Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
- Creator:Félix Bracquemond (1883 - 1914, French)
- Creation Year:1870s
- Dimensions:Height: 14.18 in (36 cm)Width: 20.67 in (52.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1524541stDibs: LU650315624672
Félix Bracquemond
Fe´lix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted The´ophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste-Camille Corot. After having been attached to the Se`vres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with E´douard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of Officer of the Legion of Honor in 1889. Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed, it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th-century art. He married French Impressionist artist Marie Bracquemond in 1869. He died in Se`vres.
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