Framed Figurative Prints

This artwork titled "Hana" 1982 Is an original lithograph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 199/250 in pencil by the artist. With the blind stamp of the artist and printer. The image size is 19.5 x 26 inches, the sheet size is 22 x 30 inches, framed size is 33 x 41 inches. Custom framed in a dark wood frame, with fabric matting. the artwork is in excellent condition, the frame is in very good condition, it has minor restorations, barely visible. About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

ANTONIO FERNÁNDEZ REBOIRO Silkscreen of ALICIA ALONSO in the Ballet CARMEN 1970.....SPECIAL WINTER SALE PRICE....$790 Pop-Op Art original vintage silks...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. Image dimension 47.5x33.5 cm. It belongs to the suite "Contrastes", print...

"The Covered Wagon" On the Oregon Trail Prairie Schooner and Cattle Facsimile in oil or silk screen Oil print by Gilbert Ross Tonge (American, 1883 - 1970...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Duke Ellington Jazz Music Legend African American Grammys NY Times Published Al Hirschfeld (1903 – 2003) Duke Ellington Sight Size: 12 x 12 1/4 inches Etching with aquatint Signed ...

Star Island (2003), Edition 69/100. Silkscreen on paper. Signed, dated, and numbered on verso. Image: 30 x 30 cm. Sheet: 30 x 30 cm. BSS No. : E-2003-006. Catalogue Raisonne' No. : Y...

Signed and numbered 237/750 lithograph "Lady Wellington" by Barbara A Wood American artist Barbara A. Wood was prone to sickness as a child, and she spent most of her time painting o...

Serigraph on paper. Hand signed and numbered by the artist. Image size 35.5 x 20 inches. Frame size approx 49 x 32 inches. From the edition of 250. Certificate of authenticity i...

Pool Slide, from Richard Heeps Dream in Color series. This fun original artwork really shows Richard's unique eye as a photographer, creating this kitsch pop-art picture from an Amer...

Bats in the Belfry is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 135/275 (there were also 100 Roman and 20 A...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

"I Love Lucy" Lucille Ball Desi Arnaz TV Comedy Legends Emmy Awards Litho Emmys Al Hirschfeld (1903-2003) "I Love Lucy" Lucille Ball Desi Arnaz Lithograph on heavy paper, 1989 Sigh...

Sebastian Münster (German, 1488-1552) LA SITUATION DE LA VILLE DE ROME Antique Map of Rome, 1549 Possibly printed in 1964 Print on paper Publisher:...

"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition. The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left. There are four additional listings of David Roberts engravings of Egypt...

Richard Pettibone The Appropriation Print: Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 (Andy Warhol's Electric Chair, Frank Stella's Empress of India and Roy Lichtenstein's Spray) Silkscreen in colors on smooth wove paper Pencil signed and dated 1971 on the front Frame included: Elegantly floated and framed in a white wood frame under UV plexiglass in accordance with museum conservation standards Measurements: frame: 15 7/8 x 19 3/4 x 1 3/4 inches sheet: 12 1/4 x 16 inches This is one of Richard Pettibone's most iconic, popular and desirable prints done in 1970 - during the most influential era of the Pop Art movement. This homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. Pencil signed and dated recto. It was created in limited edition - though the exact number is not known. More about RIchard Pettibone: As a young painter, Richard Pettibone began replicating on a miniature scale works by newly famous artists, and later also modernist masters, signing the original artist’s name as well as his own. His versions of Andy Warhol’s soup...

Embellished serigraph on linen canvas. Hand signed, titled and numbered by the artist. From the edition of 85. Artwork size 55 x 42 inches. Custom framed as pictured. Frame siz...

"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...

AYAKO ROKKAKU (B. 1982) Untitled signed with artist’s signature, numbered and dated ’50/75 2012’ (lower edge) lithograph in colours, on wove paper 58.2 ×...

Kerry James Marshall May 15, 2001, 2003 Four color silkscreen on Arches 88 paper Pencil signed, dated and numbered 39/60 on the front. Bears printer's blind stamp Vintage frame incl...

Framed print of May 1, 1937, "Vogue" magazine cover by Carl Oscar August Erickson of a woman in a salmon-colored suit playing with a dog.

"Femme 5" Figurative Woodblock on Rice Paper Bold figurative composition by Shiko Munakata (Japanese, 1903-1975). A woman is shown in a squatting position, with her head tilted. She...

Tracey Emin HRH (Her Royal Highness) Royal Britannia, 2012 Signed, dated and numbered 141/200 in graphite on the front Polymer gravure on Zerkall paper Frame included Polymer gravur...

I Love Lucy Lucille Ball 20th Century TV Icon Emmy Award Mid-Century Modern Al Hirschfeld (1903 - 2003) Lucille Ball with Fur Stole and Purse, 1962 Plate size: 14 1/2 x 11 1/4 Paper...

Tristan Eaton released “Women of Marvel: The Portrait Collection”, in partnership with the comic industry titans Marvel Entertainment. Featuring 1,500 (1 of a kind) original fine-art...

Hand signed, numbered, and dated by the artist. Color lithograph on BFK Rives paper, with full margins. Image size: 8.5 x 12.25 inches. Sheet size: 11 x 14.75 inches. Published by Ma...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, Inscribed 'Life is Beautiful' with signature, edition, date and thumb print on verso...

"The Embrace" is an aquatint on paper, image size 13.75 x 16.75 inches, signed 'Picasso' lower right and annotated lower left, and framed in a Spanish-style, closed-corner, black and...

Howard Kanovitz Looking at Me (Signed twice with heart drawing and inscription), 1981 Colour Lambda print on vellum Pencil signed and annotated Artist Proof (AP) by artist on the fro...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

Hand-colored print of the engraving by Antoine Alexandre Joseph Cardon of the original painting by Gabriele Ricciardelli. Edizioni Pontevecchio. Lily logo and a brush with the inscr...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original watercolor and pencil on paper, titled in the plate at the top: “DIE TRAUM/BESCHAUTE” and signed and d...

Different worlds are melted together in the remarkable etches of Dutch artist Gea Karhof. Ancient cultures go hand in hand with 20th century icons. It is po...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...

Yoshitomo Nara and Hiroshi Sugito Untitled (2005), Edition 26/100. Lithograph in colours on wove paper. Image: 29.6 x 22.8 cm. Sheet: 42.7 x 33 cm. Framed: 47.6 x 37.7 x 2.4 cm. Hand...

I've Left My Love Far Behind. Their Smell, Every Memento…, 2010 by Takashi Murakami Offset print, signed and numbered by the artist 26 ³/₁₆ × 18 ³/₄ in 66.5 x 47.5 cm Edition 105/30...

Richard Prince It's a Free Concert Now (Artist Edition), 2015 12 inch 180 g heavyweight picture vinyl, 2-track one-sided LP with an interview and music by Richard Prince, exclusively...

Banksy's Barely Legal is a set of six screen prints on paper named after the Barely Legal exhibition held in 2006 in a warehouse in Los Angeles. From the unsigned edition and each numbered 59/500 (there are also 17 artist's proofs). Published by Modern Multiples Fine Art Editions, Los Angeles, with Pictures on Walls and the publisher's blindstamp. Pest Control authentication certificates included. The Barely Legal Set includes the following: Grannies (22.05 x 29.92 inches) Sale Ends (22.05 x 29.92 inches) Applause (29.92 x 44.89 inches) Trolleys (22.05 x 29.92 inches) Festival (22.05 x 29.92 inches) Morons (22.05 x 29.92 inches) About the Artist: Banksy (British, born 1974) is a contemporary street artist and activist who, despite his international fame, has maintained an anonymous identity. Aimed as a form of cultural criticism, the artist often targets established social and political agendas with his witty illustrations produced with stencils and spray paint in cities such as New Orleans, New York, and Paris. “The art world is the biggest joke,” he said. “It’s a rest home of the over privileged, the pretentious, and the weak.” Although details of the artist’s life are largely unknown, it is thought that Banksy was born in Bristol, United Kingdom, c. 1974, starting his career as a graffiti artist in the city. Better Out Than In, Banksy’s month-long residency in New York during October 2013, featured a man hawking the artist’s paintings for $60 a piece outside Central Park. In 2015, Banksy opened Dismaland Bemusement Park, a temporary art exhibition that functioned as a theme park. After a 36-day run, its workers and materials were sent to the Calais migrant camp in France to build additional housing. Among the artist's most famous stunts include his shredded painting: When a painting by Banksy was sold at auction for $1.4 million in 2018, a mechanism was triggered to cause the artwork to partially destroy itself, resulting in a new piece titled Love in the Bin (2018). The ongoing question as to who Banksy is continued to reach the headlines when in 2017 Robert Del Naja...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

ARTIST: Salvador Dali TITLE: Faust Cavalier et la Mort MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 44/95 MEASUREMENTS: 11.4" x 15.3" YEAR: 1969 FRAMED: Yes CONDITION...

PIERRE-AUGUSTE RENOIR (1841-1919) "Enfants jouant à la balle" Lithograph in colors, on Arches Ingres laid paper watermark MBM, 1900, from the edition of 200, published by Ambroise V...

Sammy Davis Jr Legendary Actor Singer Dancer African American 20th Century Litho Al Hirschfeld (1903-2003) "Sammy Davis" Hand-Signed, Limited-Edition Lithograph, A.P. XV/XV Sight s...

Float Like a Butterfly, Sting Like a Bee is lithograph on paper, 9.13 x 7.13" image size, paying homage to the great Muhammad Ali. From the edition of...

Luis Miguel Valdes (Cuba, 1949) "Dome", 2021 screenprint on heavy-weight paper Limited edition of 10 hand signed in pencil artwork: 21 x 15 in. frame: 24 x 18 in. Ref: 1G-2021-01

Lithograph realized after Fernand Léger in 1959, on Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and published by...

After Georges Braque (French, 1882-1963) "L'Oiseau d'Or," embossed cast-paper intaglio with 18K gold paint after Braque's Oiseau brooch design, unsigned, edition number 169/250, Siz...

Artist: Red Grooms, American (1937 - ) Title: Blewy II Year: 1972 Medium: Screenprint, unsigned Edition: 3000 Paper Size: 14 x 18 inches (35 x 45 cm) Frame Size: 19 x 25 inches Pri...

Roy Lichtenstein Two Paintings: Dagwood, 1984 is a vivid, colorful piece that demonstrates the clever work of Lichtenstein’s varied oeuvre. The work is c...

Lithograph on foil movie poster for the musical western movie "Paint Your Wagon" designed by Peter Max. These posters were distributed to exhibitors show...

Rome is original artwork realized by Michele Cascella in the mid-20th Century. Mixed colored oil painting on panel. Hand-signed on the lower right....

This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Artist: Doig, Peter Title: D1-2 Couloir 2 Series: D1 Zermatt Date: 2022 Medium: Giclee Print on Cotton Smooth Rag Unframed Dimensions: 44.75" x 35.4" Framed Dimensions: 48.25"...

Elegant nude by Suzanne Aubin Ledrew (American, b. 1942). The woman in this piece is seated, with her hand covering her face and head, turned partially away from the viewer. There is a lovely contract between the background and the figure, creating a negative shape out of the woman's body. Titled "WOMAN" in the lower center. Signed and dated "AUBIN LEDREW 74" in the lower right corner. Presented in a new grey mat with a wood frame. Image size: 12"H x 9"W Suzanne Addicott (nee Aubin Ledrew) (American, b. 1942) graduated from California College of the Arts with a BFA in Painting and Drawing. She is an artist and teacher at Studio9...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

Artist: Manuel Robbe (French, 1872-1936) Title: "Le Bouquet de Violettes (The Bouquet of Violets)" *Signed by Robbe in pencil lower right Year: 1903 Medium: Original Hand-Colored Etc...

Lithograph in colors on japon paper. Hand signed and numbered by Salvador Dali. Edition I LXIII/C. Sheet size 29.5 x 21.5 inches. Image size 23 x 15 inches. Frame size approx 34 x 24 inches. Catalogue Raisonné: Field 79-12, pp. 185. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Salvador Dalí (Spanish, 1904–1989) was a renowned Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (1931), arguably his best known work, visually manifests the strangeness of time, showing clocks melting in an idyllic landscape. “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams,” he once reflected. Born Salvador Domingo Felipe Jacinto Dalí i Domènech on May 11, 1904 in Figueres, Spain, he displayed a great aptitude for the visual arts as a teenager. Three years after his first exhibition at the age of 14, he enrolled at the Academia de San Fernando in Madrid. At school, he emulated many contemporary styles but also the works of Johannes Vermeer and Diego Velázquez. During his visits to Paris in the late 1920s, he was introduced to the Surrealist movement by René Magritte and Joan Miró. Though the concept of Surrealism was new to him, Dalí was already well versed in the psychoanalytic theories of Sigmund Freud. Dabbling in various projects throughout his long career, in 1942 he published the book The Secret...