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Francisco GoyaNo Hay Quien lo Socorra - Etching by Francisco Goya - 18631863
1863
$1,771.76
£1,331.22
€1,500
CA$2,439.73
A$2,730.51
CHF 1,429.32
MX$33,170.76
NOK 18,148.79
SEK 17,126.49
DKK 11,416.49
About the Item
No hay quien lo socorra is an original artwork realized by the great Spanish artist Francisco Goya in 1810.
Original Etching on paper.
The artwork belongs to the famous series "Los Desastres de la Guerra" realized during the years of the Independence Spanish War and published for the first time in 1863 and representing the horrors and the despair of the War.
Titled on the lower central margin "No hay quien lo socorra" (Nobody help them). Numbered on the upper left corner. Etching N. 60.
Good conditions.
A couple of adults and one of children, all dead or in agony, lying on the ground for starvation, provoke the desperation of a poor hungry man who brings his hands on his face. The effects of hunger, visible in the skeletal incision of the extremities, have produced this terminal situation. The pathetic nature of the scene has been reinforced by Goya presenting these destitute people in the middle of a desert, far from the charitable centers of the cities and other types of aid. With the background obtained from the aquatint burnishing, the impression of a dawn is created, that poor people will never see.
- Creator:Francisco Goya (1746 - 1928, Spanish)
- Creation Year:1863
- Dimensions:Height: 9.26 in (23.5 cm)Width: 12.6 in (32 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1015131stDibs: LU65034413181
Francisco Goya
Francisco José de Goya y Lucientes (1746-1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His works often contained a social message, like in his "Disasters of War" series. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time.
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