Items Similar to Que se la Llevaron! - Etching by Francisco Goya - 1799
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Francisco GoyaQue se la Llevaron! - Etching by Francisco Goya - 17991799
1799
$6,568.76
£4,888.06
€5,600
CA$8,975.72
A$10,118.67
CHF 5,363.21
MX$124,748.05
NOK 65,196.43
SEK 62,664.14
DKK 42,601.77
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Que se la Llevaron! is an original etching realized by Francisco Goya in 1799, from Los Caprichos series.
The artwork is the plate 8 (as printed on plate on the higher right margin) from the series Los Caprichos, first edition.
Good conditions.
Los Caprichos.
Put on sale the 6 February 1799, at the end of the last carnival of the century, Los Caprichos, first Goya’s printed cycle created as a unit, can be located in a period of transition in the artist’s life. Actually, in the last decade of the eighteenth century, there were some facts very important for Goya, as the illness and the hearing loss.
These engravings are made in 1797 in Madrid, after the artist’s stay in Andalusia, where he was guest of the Duchess of Alba.
In 1797 Gaspar Melchor de Jovellanos, the most important deputy of the spanish Age of Enlightenment and Goya’s protector, accepted the Ministry of Mercy and Justice and started to promote a splendid environment for the artistic expression. The same year, the first version of this set (72 engravings) was printed entitled as Sueño 1º Idioma Universal. In january of 1799, the definitive edition (80 engravings) of the Caprichos was published.
This cycle can be divided into two parts, each of these is introduced by a self-portrait of the artist.
In the first self-portrait, that anticipates 41 realistic scenes (2-42), Goya represents himself as a middle-class man who has a sarcastic vision of the world, the main subject of his Caprichos. In the second portrait, he images himself asleep amidst his drawing tools, with monsters behind him produced by the reason dulled.
The Caprichos are a strong aesthetic and social provocation; french poet Baudelaire said about Goya’s masterpiece: “ No one artist more than Goya dared the sense of the absurd possible. All these contortions, these bestial faces, these diabolic sneers are infused with humanity […] it’s impossible find the suture, the point of union between real and fantastic; it’s a line so unclear that also the finest analyst can’t draw, in an art that is, at the same time, so transcendent and natural”.
Francisco José de Goya y Lucientes (March 30th 1746 - Bordeaux, April 16th 1828), Francisco Goya, the Spanish painter and printer, was one of the rare artists that, through their work, not only gain the recognition and admiration of their contemporaries, but influence the development of future art.
Born in Fuentedetodos to a middle-class family originating from Aragona, he was the forth of six brothers.
Studying with José Buzàn y Martinez, and in Madrid under Velasquez, and entered the group of R. Mengs where he met Tiepolo. After going to Roma and Venice, he returned to Spain to paint the dome of Santa Maria of Pilar basilica in Zaragoza with frescoes showing Tiepolo's influence. In Madrid he was uncomfortable with his academic style, despite the fame gained in the king's court for his very lively style and refined artistic taste. He had started his most productive and busy period of his life. He returned to Zaragoza to paint frescoes in the cathedral (commissioned by Bayeu) but left the work incomplete and instead started to paint portraits and also started “Caprichos”.
Goya's main success was under the reign of Carlo IV but when the power of Ferdinandi VII increased under the French occupation, he went into exile in Bordeaux. In 1799 he painted the family portrait of Carlo IV and attracted the friendship of the king. Goya was close to the poor, something that is reflected in the “Desastres de la guerra” print, and to which he dedicated his work during his stay in France. Goya travelled to Zaragoza to paint the companies of the Spanish resistance, but left Spain for Bordeaux after the onset of deafness and painted the Milkmaid of Bordeaux. He died in Bordeaux in 1828.
- Creator:Francisco Goya (1746 - 1928, Spanish)
- Creation Year:1799
- Dimensions:Height: 8.47 in (21.5 cm)Width: 5.99 in (15.2 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:1790-1799
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1130051stDibs: LU65037298362
Francisco Goya
Francisco José de Goya y Lucientes (1746-1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His works often contained a social message, like in his "Disasters of War" series. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
1stDibs seller since 2017
7,546 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Roma, Italy
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLetter of the Alphabet Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions with some folding.
...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching by Carlo Oratij - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century.
Signed on the plate.
Good conditions.
...
Category
Late 18th Century Old Masters Figurative Prints
Materials
Etching
Head of Camel - Etching by Stefano Della Bella - 17th Century
By Stefano Della Bella
Located in Roma, IT
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt Camel head is an etching by Stefano Della Bella executed in 17th century.
Monogrammed “SDB fec.”
Plate 8,1x8,5...
Category
17th Century Old Masters Figurative Prints
Materials
Etching
Rest on the Flight into Egypt - Etching by Giambattista Tiepolo - 1750
By Giovanni Battista Tiepolo
Located in Roma, IT
This etching on laid paper is the 13th plate of the series of 27 entitled Idee pittoresche sopra la fugga in Egitto di Giesù, Maria e Gioseppe executed by Giambattista Tiepolo and pu...
Category
1780s Old Masters Figurative Prints
Materials
Etching
The Old Sporting School - Etching by Joseph Banks - 1837
Located in Roma, IT
The Old Sporting School is an artwork, realized by the artist Joseph Banks in 1837.
Etching colored. Titled and signed on plate .
Beautiful engraving with contemporary colouring. E...
Category
1830s Old Masters Figurative Prints
Materials
Etching
Bathsheba Receiving David's Letter - Etching after Adriaen Collae - 17th Century
By Adriaen Collaert
Located in Roma, IT
This etching, the prototype of which is attributed to Adriaen Collaert (ca. 1560-1618), is taken from the Theatrum Biblicum by Claes Jansz. Visscher, first published in Amsterdam in ...
Category
17th Century Old Masters Figurative Prints
Materials
Etching
You May Also Like
The Smoker at the Window by David Deuchar, after Ostade
By Adriaen van Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). The Smoker at the Window. Edinburgh: 1800. Etching on cream laid paper, 4 1/2 x 4 inches (119 x 100 mm), thread margins. Left top corner expertly r...
Category
19th Century Old Masters Portrait Prints
Materials
Etching
The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category
17th Century Old Masters Landscape Prints
Materials
Laid Paper, Etching
The Quacksalver
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Laid Paper, Etching
Study of a Head
By Wenceslaus Hollar
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler)
Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category
17th Century Old Masters Portrait Prints
Materials
Laid Paper, Etching
Study of an architectural devotional with a Sacred Heart and three Putti
Located in Middletown, NY
Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...
Category
Mid-18th Century Old Masters Figurative Prints
Materials
Laid Paper, Etching
A study of whimsical architectural elements: Satyr's, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
Category
Mid-17th Century Old Masters Figurative Prints
Materials
Etching, Laid Paper
