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Georges RouaultL’Ane - Original Etching and Aquatint by G. Rouault - 19271927
1927
$2,116.81
$2,822.4225% Off
£1,568.30
£2,091.0725% Off
€1,800
€2,40025% Off
CA$2,898.12
CA$3,864.1525% Off
A$3,260.65
A$4,347.5325% Off
CHF 1,727.62
CHF 2,303.4925% Off
MX$40,264.86
MX$53,686.4825% Off
NOK 21,178.76
NOK 28,238.3425% Off
SEK 20,349.86
SEK 27,133.1525% Off
DKK 13,695.46
DKK 18,260.6225% Off
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About the Item
L’Ane is an original lithograph, realized by Georges Rouault in 1927, hand signed, Ambroise Vollard's stamp, trial proof of the first state, printed in 10 copies.
Included a frame.
In very good conditions.
The artwork demonstrates a man-donkey creature dressed in suit formally and with a glasses.
Georges Henri Rouault (1871-1958) was a French painter, print-maker artist, his artworks are often associated with Fauvism and Expressionism. He is well-known for paintings dedicated to courts, clowns and prostitutes. He was inspired by spirituality and knowledge of medieval stained glass to produce resonating portraits, religious scenes and also landscapes and still lifes.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
- Creator:Georges Rouault (1871-1958, French)
- Creation Year:1927
- Dimensions:Height: 19.69 in (50 cm)Width: 13 in (33 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1065041stDibs: LU65036165902
Georges Rouault
Executed in 1937, Carlotta belongs to a group of portraits of members of society. Unlike Picasso and Toulouse-Lautrec, who portrayed these individuals with pathos, Rouault’s approach was unapologetic and raw. In the present work several layers of pigment can be discerned; the build-up of translucent and opaque layers of paint creates a three-dimensionality that characterizes the artist’s strongest work. Furthermore, the work is highlighted by the deep swaths of black delineating the subject, representing a signature element of Rouault’s portraiture of this period.
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