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Walasse TingFIVE GEISHA WITH FANS Signed Lithograph Asian Women Shoji Screen, Lime Yellow1981
1981
About the Item
FIVE GEISHA WITH FANS is an original hand drawn lithograph printed on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. FIVE GEISHA WITH FANS is a freely expressed Chinese Ink Brush drawing of five robed women standing behind a Shoji screen, wearing colorful flower blossoms in their teal blue hair, blue and green kimonos, holding colorfully decorated fans across a neon fluorescent lime yellow background. Small details include a grasshopper, colorful parrot, and lush bouquet of flowers all adding to the appealing combination of visual delights.
Print size - 21 x 29 inches, unframed, excellent condition, pencil signed by Walasse Ting
Edition size - 200
Year published - 1981
About the Artist - Walasse Ting was born in Shanghai, China in 1929. In 1953 Walasse moved to Paris where he met contemporary artists such as Pierre Alechinsky, Asger Jorn and Karel Appel. While in Paris he also became affiliated with the artistic group COBRA, which was formed by Appel, Jorn and others to promote the avant-garde art movement. In 1963 he left Paris and resettled in New York City, and there he met other artists such as Sam Francis, Tom Wesselman and Claes Oldenberg. During the 1960s, Walasse's style developed from one of expressionism to pop-art, often depicting nude women painted in bright, vibrant color schemes. In 1970 Walasse won the Guggenheim Fellowship Award for drawing.
He shared a studio with Vivian Springford, and they had a clear influence on each other’s work.
He is the author of thirteen books, including All in My Head (1974), and his most celebrated work, One Cent Life (1964), which contains 62 original lithographs made by 28 European and American artists, with 62 poems by Walasse Ting set in multi-colored inks. The 172-page collection was written by Walasse Ting and edited by Sam Francis. Among the more notable lithographs in the book include work by Walasse Ting, Pierre Alechinsky, Karel Appel, Joan Mitchell, and Andy Warhol. The book is considered a visual manifesto of 1960s culture.
Throughout the 1980s and 1990s, Ting divided his time between Amsterdam and New York. After a long struggle with a brain injury, Walasse Ting died in NewYork in 2010.
His work can be found in permanent international collections such as the Guggenheim Museum, the Museum of Modern Art in New York City, the Art Institute of Chicago, the Tate Modern Museum in London, Centre Pompidou in Paris, and the Hong Kong Museum of Art.
Artist statement:
“ When I see a beautiful woman I see flowers. Its beauty makes me feel intangible, melancholy, love, refreshed, different and reborn. I want to use different colors to express my inner feelings and emotions in my paintings. I’ve spent all my life painting, to express a sense of freshness just like a new spring. Women, cats, flowers, and birds in my paintings all represent the beauty in that freshness.”
About the Artist - Walasse Ting was born in Shanghai, China in 1929. In 1953 Walasse moved to Paris where he met contemporary artists such as Pierre Alechinsky, Asger Jorn and Karel Appel. While in Paris he also became affiliated with the artistic group COBRA, which was formed by Appel, Jorn and others to promote the avant-garde art movement. In 1963 he left Paris and resettled in New York City, and there he met other artists such as Sam Francis, Tom Wesselman and Claes Oldenberg. During the 1960s, Walasse's style developed from one of expressionism to pop-art, often depicting nude women painted in bright, vibrant color schemes. In 1970 Walasse won the Guggenheim Fellowship Award for drawing.
- Creator:Walasse Ting (1929, American, Chinese)
- Creation Year:1981
- Dimensions:Height: 21 in (53.34 cm)Width: 29 in (73.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent condition, unframed, never been mounted, pencil signed, inscribed P.P.(Printers Proof) aside from edition of 200, from the master printers private collection, print documentation/COA provided.
- Gallery Location:Union City, NJ
- Reference Number:1stDibs: LU83232692251
Walasse Ting
Walasse Ting was a Chinese-American visual artist and poet. His colorful paintings have attracted critical admiration and a popular following. Common subjects include nude women and cats, birds and other animals.
Ting was born in Shanghai in 1929. He left China in 1946 and lived for a while in Hong Kong, then settled in Paris in 1952. There, he associated with artists such as Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group, CoBrA.
In 1957, Ting moved to the United States, and settled in New York, where his work was influenced by Pop art and Abstract Expressionism. He began primarily as an abstract artist, but the bulk of his work since the mid-1970s has been described as popular "figuratism," with broad areas of color painted with a Chinese brush and acrylic paint. He lived in Amsterdam in the 1990s, but regularly moved between there and New York.
Ting is the author of 13 books, including All in My Head (Walasse Ting & Roland Topor, 1974) and One Cent Life (E.W Kornfeld, 1964), a portfolio of 62 original lithographs by 28 artists, including Andy Warhol, Roy Lichtenstein, Tom Wesselmann, James Rosenquist, Asger Jorn, Pierre Alechinsky, Karel Appel, Kiki Kogelnik, Joan Mitchell and Sam Francis.
Ting won the Guggenheim Fellowship Award for drawing in 1970. His works can be found in the permanent collections of many museums worldwide, including the Guggenheim Museum, New York; Museum of Modern Art, New York; Art Institute of Chicago; Tate Modern, London; Centre Pompidou, Paris; and the Hong Kong Museum of Art, among others. He was sometimes referred to by his Chinese name "丁雄泉" or its various romanizations : Ding Xiongquan or Ting Hsiung-ch'uan.
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(Biography provided by Graves International Art)
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