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Giovanni Benedetto CastiglioneBearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)1645-1650
1645-1650
About the Item
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50
Etching on laid paper
152 x 184 mm.; 6 x 7 1/4 inches
References:
Bellini 45
Bartsch 52
Notes:
A fine, early impression of the 3rd State of this intriguing composition which, in many ways, is similar to a number of portraits of Rembrandt.
- Creator:Giovanni Benedetto Castiglione (1609 - 1609, Italian)
- Creation Year:1645-1650
- Dimensions:Height: 6 in (15.24 cm)Width: 7.25 in (18.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU36532707041
Giovanni Benedetto Castiglione
Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van Rijn's etchings, Castiglione probably invented the monotype. Also admired for his fluent brush drawings in oil on paper, Castiglione influenced artists throughout Europe and virtually every Italian printmaker who followed. Despite his easy-going nature, his last works were intense, ecstatic compositions, reminiscent of Gian Lorenzo Bernini's contemporary style.
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Watermark:
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Provenance:
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M. Menge (Lugt 1893a).
References:
Hollstein 16
Notes:
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Concerning the provenances of this etching:
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![Les Plaisirs du Bal [before 1st State] (The Pleasures of the Ball)](https://a.1stdibscdn.com/archivesE/upload/a_3653/1523031811466/Watteau_after_The_Pleasures_of_the_Ball_master.jpg?width=240)
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Etching printed with tone
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Provenance:
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Karl Herweg (not in Lugt)
References:
Godefroy 19 IV/VII
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Notes:
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Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state.
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Watermark:
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References:
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Category
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