Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Giovanni Brunetti da Ravenna
Head of Woman - Original Etching by Giovanni Brunetti da Ravenna

1821

About the Item

“Testa muliebre” (Head of a woman) is a beautiful black and white burin and etching on paper, realized by the artist Giovanni Brunetti da Ravenna, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Gio. Brunetti incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XIII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. Original title: Testa muliebre maggiore del naturale di bizzarra acconciatura creduta di Berenice Regina d'Egitto Translated Title: A woman's head greater than the natural one with a bizarre hairstyle believed to be that of Berenice, queen of Egypt This old master’s original prints shows a beautiful piece of the Borghese's collection represented in a neoclassical style with a bizzarre haistyle. In excellent conditions with some light signs of the time with some sporadic minor stains along the lower margins, some thinning of the paper on the left margin, a usual and imperceptible yellowing of the paper on the margins, this wonderful etching has preserved still today his beauty and his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Bernardino Nocchi (Lucca, 1741 - Rome, 1812) Bernardino Nocchi moved to Rome in 1769 with his colleague Stefano Tofanelli, entering the school of Niccolò Lapiccola where he developed a baroque style with neoclassical suggestions. Bernardino Nocchi was noticed by Pope Pius VI, who in 1780 entrusted him with the painting of the Sacred Apostolic Palaces and then in 1785 with the Print Room of the Vatican Library. But he also works outside the capital, in Gubbio where in 1797 he realizes the transit of St. Joseph in the Church of San Secondo, in Spoleto, in Lucca and in Catania. Returning to Rome, Nocchi painted some of his best paintings: Prince Camillo Borghese in 1799, The apotheosis of Saint Prudenziana, Saint Novato and Saint Timothy in 1803 and Pius VII in 1807.
  • Creator:
  • Creation Year:
    1821
  • Dimensions:
    Height: 23.23 in (59 cm)Width: 17.33 in (44 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: M-1015731stDibs: LU65034441021

More From This Seller

View All
Portrait after Raphael - Original Etching by Thomas Holloway - 1810
By Thomas Holloway
Located in Roma, IT
The portrait after Raphael is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category

1810s Modern Figurative Prints

Materials

Etching

Suite de Vases - Original Etching By Jacques François Saly - 1750s
Located in Roma, IT
Suite de Vases is an original artwork realized by the French artist Jacques François Saly (1717-1776) Etching print. drawing on the back, 1750 c. Passepartout cm 21x22,5 Good cond...
Category

Mid-18th Century Modern Figurative Prints

Materials

Etching

Ex Libris Eklubi - Original Etching - Mid-20th Century
Located in Roma, IT
Ex Libris Eklubi is an original Contemporary Artwork realized in the 20th Century. Original Ex Libris. Original B/W Etching on ivory-colored paper. Hand-signed in pencil on the lo...
Category

Mid-20th Century Modern Figurative Prints

Materials

Etching

A Nohant-Vico - Etching by Joseph François Villevieille - 1870s
Located in Roma, IT
A Nohant-Vico is an artwork realized by Joseph François Villevieille in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of...
Category

1870s Modern Figurative Prints

Materials

Etching

Environs De Varennes En Argonne - Etching by Alphonse Beaujouint - 1870s
Located in Roma, IT
Environs De Varennes En Argonne  is an artwork realized by Alphonse Beaujouint in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the ini...
Category

1870s Modern Figurative Prints

Materials

Etching

Presée - Etching by François Chifflart - 1870s
Located in Roma, IT
Presée is an artwork realized by F. Cifflart in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Ca...
Category

1870s Modern Figurative Prints

Materials

Etching

You May Also Like

The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching

Windsor
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman catalog 186 state .xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 25 5/8). Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Toning in the image, otherwise good condition. Signed in pencil. Housed in a 22 x 28-inch archival mat, suitable for framing. Born in 1818, Sir Francis Seymour Haden was an etcher, collector and surgeon. He studied at the Derby School, Christ’s Hospital and University College in London. He also studied at the medical schools of the Sorbonne in Paris and at Grenoble. He became a member of the Royal College of Surgeons in 1842 and he was made a fellow in 1857. He was an honorary surgeon to the Department of Science and Art from 1851 to 1867 and in 1847 he settled into a private practice. Haden was a vice-president of the obstetrical society of London and one of the founders of the Royal Hospital for Incurables in 1850. He was the first President of the Royal Society of Painter-Echers. In 1858, Haden encouraged James McNeil Whistler to work from nature and consequently, Whistler dedicated his first set of etchings entitled “French Set”, to Haden. The etchings were printed by Auguste Delâtre in Paris and marketed, with some help from Haden, in London. In 1859 Whistler settled in London and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of domestic scenes within Haden’s home, among them “Reading By Lamplight...
Category

Late 19th Century Modern Landscape Prints

Materials

Etching

Good Times I -- Couple Nude Figurative
By Weyman Lew
Located in Soquel, CA
Weyman Michael Lew is a painter and printmaker, born in San Francisco, California in 1935. Without over-mat, silver tone aluminum frame and plexi-glass. Imaqe, 22"H x 27"L. He studied at the University of California, and the San Francisco Art Institute from 1965 to 1966 with Artist Mary Joan Jay DeFeo. His works are in the collection of De Young Memorial Museum; the Institution of Arte Contemporary in Lima, Peru; the Western American Artists...
Category

1970s American Modern Nude Prints

Materials

Acrylic, Etching

On the Yard, plate 3.
By Arthur John Trevor Briscoe
Located in Storrs, CT
Laver 139, Hurst 246. 8 7/8 x 13 7/8 (sheet 11 1/2 x 16 1/4). Trial proof. No published edition. An extremely rich impression with plate tone printed on 'antique laid paper countermarked 'DS&Pine 17940 with a Strasbourg lily watermark. Signed and annotated 'trial' in pencil. An exceptional proof of the greatest rarity. Housed in a 16 x 20-inch archival mat, suitable for framing. In 1899 Briwcoe acquired a studio in Malden, Essex, and bought a 3-ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast, and through the Dutch waterways, constantly sketching and painting in both oil and watercolor. In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category

Early 20th Century Modern Figurative Prints

Materials

Etching

Moreau - Paris, At The Cinema - Original Etching
By Luc-Albert Moreau
Located in Collonge Bellerive, Geneve, CH
Moreau - Paris, At The Cinema - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris
Category

1920s Modern Portrait Prints

Materials

Etching

Maurice de Vlaminck - Paris' Souflot Street - Original Etching
By Maurice de Vlaminck
Located in Collonge Bellerive, Geneve, CH
Maurice de Vlaminck - Paris' Souflot Street - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Frere...
Category

1920s Modern Portrait Prints

Materials

Etching

Recently Viewed

View All