Giuseppe Aloja

Ancient Roman Boats - Etching Giuseppe Aloja - 18th Century

Late 18th Century

Ancient Roman Fresco / Naval Battle from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th Century. Signed on the plat...

Ancient Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen in the 18th Century. Signed on the plate. Good conditions. The etching be...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions....

Roman Seascape Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Luigi Aloja in the 18th Century. Signed on the plate. Good conditions with some folding. ...

Title: 1757 Engraving of Inuit & Indigenous Peoples – Hudson Bay & Arctic Canoe Scene Description: This rare 1757 antique copperplate engraving presents two fascinating scenes depicting Indigenous life in Arctic Canada, focusing on the Inuit and other First Nations communities in the Hudson Bay region. Originally published in *Histoire Générale des Voyages*, the engraving provides an invaluable visual record of daily life, survival techniques, and traditional dwellings. The top illustration, titled 'Un Esquimau dans son Canot', depicts an Inuit paddling a sleek, narrow kayak through choppy waters, showcasing the remarkable boat-making skills of the Arctic peoples. The kayak, designed for hunting and efficient travel, is shown in its traditional form, reflecting centuries of adaptation to harsh northern environments. The bottom illustration, 'Esquimaux du côté du Nord-Ouest de la Baie de Hudson', portrays a male and female Inuit figure standing near an igloo, a crucial form of temporary winter shelter. The man holds a bow and arrows, symbolizing subsistence hunting, while the woman carries a small child. In the background, additional Indigenous dwellings, including conical tipis, suggest the presence of other First Nations groups living near the Hudson Bay coastline. The detailed hatching and shading techniques used in the engraving bring out the textures of clothing, landscapes, and architectural features, making this a historically and artistically significant piece. As an early European representation of Arctic Indigenous culture, it holds great value for collectors of ethnographic art, Canadian history, and antique travel prints...

PERELLE Family (17th Century) Building a Ship Original Engraving Signed in the plate On laid paper, 15.5 x 28 cm INFORMATION: This family of artists, led by Gabriel, the father, an...

Artist: William Henry Toms (English, c.1700-1765) Title: "Draught of a Galley" (Plate 13, Vol. III, page 131) Portfolio: La Spectacle de la Nature Year: 1737 Medium: Original Hand-Colored Engraving on laid paper Limited edition: Unknown Printer: Unknown, London, UK Publisher: Humphreys, London, UK Framing: Recently framed in a Regency style gold moulding with 100% cotton rag matting and 99% UV protective Museum Glass. The frame is an antique frame we've reused, originally built by Knoedler Gallery, New York, NY Framed size: 10.25" x 10.25" Sheet size (irregular margins): 6.63" x 8.25" Image size: 4.75" x 6.75" Condition: In excellent condition with strong colors and good margins Rare Notes: Comes from the 1737 volume edition of Noël-Antoine Pluche's "La Spectacle de la Nature", translated from the original French by Humphreys as "Nature Displayed". With two soft vertical folds within paper as issued. Various dealer reference numbers and an old price pencil inscribed in margins and on verso. Biography: William Henry Toms (c. 1700–1765) was an English engraver. He worked on portraits, book-plates, landscapes and prints of buildings. Among his works were the plates for Robert West's "Perspective Views of All the Ancient Churches in London" (1736–1739). In 1741, he worked with Thomas Badeslade on "Chorographia Britanniae or a New Set of Maps of all the Counties in England and Wales". The maps were republished on 29 September 1742, with additional place names. Among Toms's apprentices was the engraver and publisher John Boydell. W. H. Toms lived in Masham Street, London, and was the father of the painter Peter Toms. Toms died in 1765. Noël-Antoine Pluche (1688-1761) , known as the abbé Pluche, was a French priest...

Rare 18th-Century German Engraving of a Proa Sailing Canoe, c. 1780 This finely detailed 18th-century engraving offers a technical depiction of a traditional proa, a type of saili...