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Graham SutherlandMosque - Lithograph by Graham Sutherland - 19751975
1975
$322.47
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£245.04
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€272
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CA$452.54
CA$565.6720% Off
A$493.45
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CHF 256.47
CHF 320.5920% Off
MX$5,907.24
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NOK 3,253.06
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DKK 2,072.12
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About the Item
Mosque is an artwork realized by Graham Sutherland in 1975.
Colored lithograph.
It comes from the portfolio San Lazzaro et ses Amis. Hommage au fondateur de la revue XXe siècle published by XXe Siècle, Paris, in 1975.
Drawn on Arches vellum 575 ex .; the 75 ex. head includes a sequence of 9 lithographs signed and numbered. It was realized in addition 55 ex. for artists, writers, friends and collaborators of the twentieth century.
On the back, " Lithographie originale de Sutherland " is printed.
Good conditions.
Graham Sutherland (1903 – 1980) was an English painter, among the most significant exponents of the English avant-garde. He studied the engraving technique at the Goldsmiths’ College of Art. In 1931, he specialized in painting. His earlier style, inspired by English Expressionism, was influenced by other European artistic movements, such as Abstract Expressionism, Cubism, and Surrealism. His artistic practice is a synthesis among these Expressionist experiences and his own fantasy: gloomy manifestations, formal contortions, linear expansions, landscape visions.
- Creator:Graham Sutherland (1903 - 1870, British)
- Creation Year:1975
- Dimensions:Height: 14.18 in (36 cm)Width: 10.24 in (26 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1356431stDibs: LU650311306882
Graham Sutherland
Graham Sutherland OM was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry, and glass design. Printmaking, mostly of romantic landscapes, dominated Sutherland's work during the 1920s. He developed his art by working in watercolors before switching to using oil paints in the 1940s. A series of surreal oil paintings depicting the Pembrokeshire landscape secured his reputation as a leading British modern artist.
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