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Keith HaringKeith Haring Artist Signed Exhibition Poster 'Into 84' for Tony Shafrazi Gallery1984
1984
$3,500
£2,644.83
€3,054.14
CA$4,890.72
A$5,426.67
CHF 2,842.61
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NOK 36,156.96
SEK 34,130.63
DKK 22,776.60
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About the Item
Keith Haring (1958–1990)
'Into 84' / Tony Shafrazi Gallery, 1984
Lithograph in colors
Plate signed lower right, signed in silver ink lower right on figures foot
Sheet 35⅛ in H × 23⅛ in W In vintage frame (overall with frame) 35.5in H x 23.5in W x 1in D
This work is from the edition published for the exhibition, Keith Haring: 'Into 84' 12/3/83 - 1/30/84, Tony Shafrazi Gallery, New York. In 1983, Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company to collaborate on projects together. For this project, Haring utilized Jones' body as his canvas.
Reference: Catalog Raisonne Gundel #11.
A copy of this poster is part of the permanent collection of Smithsonian National portrait Gallery (Object# NPG.2011.70)
- Creator:Keith Haring (1958-1990, American)
- Creation Year:1984
- Dimensions:Height: 35.5 in (90.17 cm)Width: 23.5 in (59.69 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall slight, but uniform fading to paper. Paper is laid down to mat. Vintage metal frame with surface scratches. Broken glass shown in 'framed' photo lower left has since been replaced with acrylic.
- Gallery Location:San Rafael, CA
- Reference Number:Seller: 111-4661stDibs: LU1084110391212
Keith Haring
Keith Haring began experimenting with his bold, graphic lines and cartoon-inspired figures on the walls of New York City subway stations in the early 1980s. He called them his “laboratory,” places to develop a radical new aesthetic based on an ideology of creating truly democratic public art.
Haring’s paintings, prints and murals address the universal themes of death, love and sex, as well as contemporary issues he experienced personally, like the crack-cocaine and AIDS epidemics. They derive much of their impact from the powerful contrast between these serious subjects and the joyful, vibrant pictographic language he uses to express them, full of dancing figures, babies, barking dogs, hearts and rhythmic lines, as well as references to pop culture.
To make his art even more accessible, in 1986, Haring opened the Pop Shop in Soho. In a foreshadowing of today’s intermingling of art and fashion, the shop sold merchandise and novelty items featuring imagery by Haring and contemporaries like Kenny Scharf and Jean-Michel Basquiat. While his works sometimes included text, for the most part, he chose to communicate through drawing.
“Drawing is still basically the same as it has been since prehistoric times,” Haring once declared. “It lives through magic.”
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Literature: Keith Haring: Posters (Prestel pub.)
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In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing.
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Keith Haring dancer. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.
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