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Isabel BishopPutting on the Coat (front)1943
1943
$750
£572.62
€661.66
CA$1,052.86
A$1,173.52
CHF 615.71
MX$14,330.59
NOK 7,796.17
SEK 7,368.57
DKK 4,938.25
About the Item
Isabel Bishop (1902-1988), Putting on the Coat, etching, 1943, signed in pencil lower right and titled (Putting on Coat (front)) lower left margins. Reference: Teller 31. In excellent condition, printed on cream wove paper, with margins, 5 7/8 x 3 7/8, the sheet 7 5/8 x 4 5/8 inches, archival mounting with window mount.
A fine atmospheric proof impression, before the edition printed decades later and before the corners of the plate were burnished (and thus with a platemark set in strong relief), printed with a light veil of plate tone.
Provenance: Associated American Artists, with a copy of their signed certificate of authenticity attached to the mat.
This is one of a small number of proofs that Bishop personally printed in 1943. In 1981 an edition of 25 was printed; these were printed professionally and numbered I-XXV. Proof examples are highly coveted today; printed by Bishop herself, they tend to have an atmospheric character that the later impressions lack.
Bishop was of course a member of the Union Square group of New York artists, an informal circle of friends including Reginald Marsh, Armin Landeck, Raphael Soyer, and Yasuo Kuniyoshi. Virtually all her prints were figure studies. In the early years her printmaking was focused on etching; later she added aquatint to her repertoire.
- Creator:Isabel Bishop (1902-1988, American)
- Creation Year:1943
- Medium:
- Movement & Style:
- Period:
- Condition:A proof printed by the artist; with slight soiling, uneven margins, characteristic of an early proof (and thus far more desirable and visually appealing than the later re-strikes).
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531750293
Isabel Bishop
Isabel Bishop (March 3, 1902 – February 19, 1988) was an American painter and graphic artist. Bishop studied under Kenneth Hayes Miller at the Art Students League of New York, where she would later become an instructor. She was most notable for her scenes of everyday life in Manhattan, as a member of the loosely-defined ‘Fourteenth Street School’ of artists, grouped in that precinct. Union Square features prominently in her work, which mainly depicts female figures. Bishop’s paintings won the American Academy of Arts and Letters Award, among other distinctions.
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