James Abbott McNeill WhistlerThe Forge1861
1861
About the Item
- Creator:James Abbott McNeill Whistler (1834-1903, American)
- Creation Year:1861
- Dimensions:Height: 7.63 in (19.39 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Printed on fine Japan mince paper. A fine rich atmospheric impression with the start of the false biting of the plate noted for impressions of the final state.
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA88971stDibs: LU14016133622
James Abbott McNeill Whistler
James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. Whistler was born on July 11, 1834, in Lowell. During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the poet and theorist Charles Baudelaire that artists should take subjects from modern life and seek a new beauty in the teeming cities. Whistler's first major suite of prints, his French Set brought critical acclaim but disappointing sales. Seeking more generous patrons, he moved to London in 1859. Initially, under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the etching revival, he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters. In his Thames Set etchings, Whistler often introduced the figures of workmen, boatmen or loungers in the foregrounds. Whistler died on July 17, 1903, in London.
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Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
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