Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

James Tissot
Querelle d'amoureux. (Quarreling). 1

1881

About the Item

En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge stains on the upper sheet corners, well outside the image. A rich impression with plate tone printed on laid paper. The plate was included in A portfolio of Autograph Etchings, published by James R. Osgood and Co., Boston, 1881. Impressions from this portfolio are signed in pencil and have the artist's red stamp (Lugt 1545). Housed in a 20 x 15-inch archival mat suitable for your choice of frames. Tissot created a composition based on several photographs. Kathleen Newton, in fact, appears twice in the composition; in the foreground, she is sitting by the closed parasol, together with her eldest child Violet (whose father had been Captain Palliser with whom she had her first affair precipitating the divorce from her husband, Dr. Newton). She is seen again in the left background sitting on the low wall with her child Cecil (whose father might have been Tissot). In the middle-ground under the open Japanese parasol lies Lilian Hervey, Kathleen’s sister’s daughter. Tissot learned the rudiments of printmaking in the 1860s, greatly influenced by Whistler, whom he met in 1859, as well as Degas, Legro, and Seymour Haden. Tissot's most productive period as an etcher was during his English period (1871-1882) when he was settled in London as a consequence of being branded a communard after the Franco-Prussian War. The subject-matter of Tissot's eighty-eight etchings often relates closely to that of his paintings, chronicling the elegant, leisured life of his epoch. Unlike the work of Whistler and Degas, for example, Tissot's etchings were always intended as accurate and finished transcriptions of his paintings rather than as experimental works in an alternative medium. As Michael Justin Wentworth, author of the catalogue raisonne of Tissot's prints, has written: "Tissot was conservative and always kept the finish expected at the Salon and the Academy…But in the iconography and the troubled psychology of his pictures he comes into his own". After the death of Tissot's London mistress and muse, Mrs Newton, the artist ceased to etch and returned to France.
  • Creator:
    James Tissot (1836-1902, French)
  • Creation Year:
    1881
  • Dimensions:
    Height: 7.82 in (19.87 cm)Width: 8.5 in (21.59 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Storrs, CT
  • Reference Number:
    1stDibs: LU335214237572

More From This Seller

View All
Barcarolle.
By James McBey
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category

1920s Impressionist Landscape Prints

Materials

Drypoint, Etching

Barcarolle.
$9,000 Sale Price
33% Off
The Fair
By James Abbott McNeill Whistler
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category

Late 19th Century American Modern Figurative Prints

Materials

Drypoint, Etching

Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Storrs, CT
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Category

Early 20th Century American Modern Landscape Prints

Materials

Drypoint, Etching

The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category

Early 20th Century Modern Landscape Prints

Materials

Drypoint, Etching

Stoops in Snow
By Martin Lewis
Located in Storrs, CT
Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Stoops in Snow
$35,000 Sale Price
30% Off

You May Also Like

Billingsgate
By James Abbott McNeill Whistler
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category

Mid-19th Century Impressionist Landscape Prints

Materials

Laid Paper, Drypoint, Etching

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
By Paul Albert BESNARD
Located in Soquel, CA
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...
Category

Early 1900s Impressionist Figurative Prints

Materials

Handmade Paper, Drypoint, Etching

Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist Figurative Prints

Materials

Drypoint, Etching

Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category

1930s Impressionist Figurative Prints

Materials

Paper, Drypoint, Lithograph

Matinée Avenue de Clichy
By Auguste Brouet
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 1/2 x 10 3/4 inches (240 x 271 mm) full margins. Signed in the image, lower left. With the "Musée Louvre Chalcographie" blind stamp in the lowe...
Category

Early 20th Century French School Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

The Acropolis, Athens
By Louis Conrad Rosenberg
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Handmade Paper, Etching

Recently Viewed

View All