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Johan Barthold JongkindJetee en Bois dans le Port de Honleur - Etching by Johan Barthold Jongkin- 1860s1860s
1860s
$407.82
£307.57
€350
CA$563.84
A$631.60
CHF 331.74
MX$7,680.04
NOK 4,200.89
SEK 3,987.78
DKK 2,664.43
About the Item
Jetee en Bois dans le POrt de Honleur is a black and White etching realized by Johan Barthold Jongkin in the 1860s.
Titled in the lower.
Image size: 24x32.
Very good impression with wide margins and a very fresh inking.
Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
- Creator:Johan Barthold Jongkind (1819 - 1891, Dutch)
- Creation Year:1860s
- Dimensions:Height: 21.66 in (55 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1503081stDibs: LU650315029522
Johan Barthold Jongkind
Johan Barthold Jongkind (Lattrop, 1819 – 1891, La Côte-Saint-André) was a Dutch painter, watercolorist, draftsman, etcher and lithographer. He lived most of his life in France.
After an aborted notary training, he attended the Haagsche Teeken-Academie, where he had enrolled in 1837. His teachers awarded him a scholarship as he was impotent and apparently very talented. Andreas Schelfhout became his teacher there. When the French painter Eugène Isabey came to The Hague in 1845, Schelfhout recommended his pupil to the French master. He invited Jongkind to Paris to work in his studio. A year later he went there in possession of a royal subsidy, which he had received from the Prince of Orange, later King William III. Jongkind soon enjoyed some success in the French Salons.
Jongkind painted 'after nature', but for him that meant that he made watercolours on the spot and later developed them into a painting in his studio.
After Vincent van Gogh, Johan Barthold Jongkind is considered the Netherlands' most influential 19th-century painter.
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