John Sloan

MAN MONKEY.

1905

Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236. Etching, 1928. Edition of 100 (but only 50 were printed, by Platt). Dated and Titled in the plate, and Signed in pencil by Sloan and inscribed "100 Proofs," and also signed by Peter Platt. With tack holes and deckled edges. 5 x 8 inches, 126 x 203 mm. (plate), 8 1/2 x 12 1/4 inches (sheet). In excellent condition. From Morse: " A small chorus singing 'Frankie and Johnnie' crowds the tiny stage of the Provincetown Players Theater in MacDougal Street. An episode from E. E. Cummings' intelligent and entertaining production, HIM." (Sloan writing in 1945). "HIM" is about as thrilling an evening's entertainment as I have ever experienced. I liked it thoroughly -- I do not claim to understand it -- I do not believe that a work of art can be, nor need be understood, even by the maker. It seemed to me to be a glimpse inside the cranium of an artist-poet." (Sloan in a letter to James Light, the director of the play) Though Morse says the stars were Hemsley Williams and Goldye Steiner, it was actually Hemliey Winfield (1907 - 1934), the founder of the New Negro Art Theater Dance Group. This company was very successful and highly regarded. It appeared in the Metropolitan Opera's premier of Louis Gruenberg's setting of Eugene O'Neill's "The Emperor...

Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206. Etching, 1923. Signed, titled and inscribed "100 proofs," and further inscribed "Peter Platt imp." Morse says that 80 were print...

"Man Monkey" is an original etching by John Sloan. The artist signed the piece in the lower right. This is from an edition of 100. It depicts a man banging a drum in the middle of a ...

John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs” by the artist, and also signed “Ernest Roth imp” by the printer. Reference: Morse 155, eighth state (of 8), from the edition of 80. In very good condition, the full sheet, printed in dark brown ink on a brown/tan wove paper, 7 1/2 x 9, the sheet 11 1/8 x 12 3/4 inches. A fine impression. Sloan wrote of this print: “Tom Anshutz, our old teacher at the Pennsylvania Academy, gave anatomical demonstrations of great value to art students. Modelling the muscles in clay, he would then fix them in place on the skeleton. Those present in this etched record of a talk in Henri’s New York class include: Robert and Linda Henri, George Bellows, Walter Pach...