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John Thomas Biggers
"...At Risk, " Original Black & White Lithograph Portrait signed by John Biggers

1996

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    "Five Dutchmen with Hats" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (EA 15/30) in the lower left. This piece ...
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  • "La Compagne Ed: ETAT, " Original Color Lithograph signed by Claude Weisbuch
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    "La Lecon Du Professor Tulp" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition (ETAT) in the lower left. This piece depicts ...
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    1970s Modern Figurative Prints

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  • Original Lithograph Native American Female Figure Portrait Bold Stoic Signed
    By Leonard Baskin
    Located in Milwaukee, WI
    "Helen Goes Ahead- Crow" is an original lithograph proof signed by the artist Leonard Baskin. It depicts a Crow woman named Helen Goes Ahead in front of a red background. 19" x 12 ...
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    1990s Expressionist Portrait Prints

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  • Original Lithograph Native American Figure Portrait Male Tribe Bold Stoic Signed
    By Leonard Baskin
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    "Red Cloud-Oglala" is an original color lithograph by Leonard Baskin. It is an artists proof, and signed in the lower right under the image. It is a portrait of one of the most well ...
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  • Original Lithograph Native American Figure Portrait Male Tribe Bold Stoic Signed
    By Leonard Baskin
    Located in Milwaukee, WI
    "Magpie Eagle Feathers" is an original lithograph proof for Fox Graphics signed by the artist Leonard Baskin. It depicts a Cheyenne man named Magpie Eagle Feathers in a black hat against a blue background. Artwork Size: 38 1/2" x 26 3/4" Frame Size: 49 3/4" x 37 1/2" Artist Bio: Leonard Baskin (1922-2000) was an american artist born in New Jersey and taught art classes in Massachusetts. He has received many public commissions (including a bas relief for the FDR Memorial), honors, and his work is owned by many major museums around the world. Additionally, Baskin was a teacher at Smith College in Northampton, Massachusetts. As a champion for human rights, Baskin created many pieces celebrating those who were seldom recognized. Baskin’s interest in nineteenth century Native Americans was roused into acute attendance from ignorant indifference, when the National Park Service asked him to provide illustrations for the handbook that described the then called “Custer National Park”, now called “Little Big...
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  • Original Lithograph Native American Female Figure Mystery Secret Society Signed
    By Leonard Baskin
    Located in Milwaukee, WI
    "Cheyenne Woman in the Robes of a Secret Society" is an original lithograph by Leonard Baskin. It depicts a Native American woman in pale green robes. The title is written on the lef...
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    Chelsea Rags. Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations. "And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...
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