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Katie EleanorBlue grey watercolour Print of Male as Daphne with Flowers as Marble Sculpture2019
2019
$2,052.19
£1,500
€1,764.78
CA$2,818.38
A$3,154.32
CHF 1,647.05
MX$38,482.87
NOK 20,907.10
SEK 19,839.55
DKK 13,178.55
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About the Item
Hand-coloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo's desire.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux's 1947 Le Musee Imaginaire (Museum Without Walls).
Print information:
Original title: DAPHNE, 2019
by Katie Eleanor
Archival Giclée Print on Hahnemühle Photo Rag Fine Art (100% Cotton) paper, Hand coloured by the Artist
27.5 x 40.5 cm
Simple exhibition frame included (hand painted oak wood frame with a white spacer and antireflective Art Glass) - other option also available upon request; can be shipped unframed if preferable
This print is unique print due to artistic process of hand colouring and any future edition would vary
Series: The Sialia Marbles
Signed and dated on verso
- Creator:Katie Eleanor (1993, British)
- Creation Year:2019
- Dimensions:Height: 15.95 in (40.5 cm)Width: 10.83 in (27.5 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1967211828622
Katie Eleanor (b.1993) is a photographic artist living and working in London. She studied Photographic Arts at the University of Westminster, graduating in 2015. Her practice revolves around illustrating enigmatic narratives that bridge the gap between fantasy and reality. Once she has a concept for her stories, she paints the performers, designs and makes the costumes, and creates the sets to photograph them. Using analogue photography and contemporary printing techniques, the resulting black and white prints are then meticulously hand- coloured by the artist. Katie's work has received press by The Royal Photographic Society, and her fashion stories have been published by magazines such as Hunger and Notion. Her latest body of work, The Sialia Marbles, presented at MMX Gallery, was her second exhibition in the gallery and her first solo show. Her work has been recently sold to numerous private art and photography collections.
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Handcoloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo’s desire.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
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"I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
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