Bride of Frankenstein
View Similar Items
Kerry James MarshallBride of Frankenstein2010
2010
About the Item
- Creator:Kerry James Marshall (1955, American)
- Creation Year:2010
- Dimensions:Height: 22.5 in (57.15 cm)Width: 19 in (48.26 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU461369183
Kerry James Marshall
In his multifaceted work, Kerry James Marshall strives to address “the lack in the image bank” by elevating Black figures who have been excluded from Western art. Using a variety of black pigments, the artist heightens the skin tones of his subjects to honor their identities rather than ignore them. Best known for his large-scale paintings, Marshall also works in collage, photography, video and other media.
Born in Birmingham, Alabama, Marshall later grew up in the Watts neighborhood of Los Angeles, where his family relocated in 1963. As he studied art, including at the Otis Art Institute (now Otis College of Art and Design) in Los Angeles, he was struck by the absence of Black bodies in art history and museums. At the age of 25, he painted A Portrait of the Artist as a Shadow of His Former Self (1980). Its central figure, whose features almost merge with the background in their varying shades of black, references Ralph Ellison’s Invisible Man, the protagonist of which cannot be seen as a human being by other members of society because he is Black. For Marshall, A Portrait marked the start of an ongoing examination of the simultaneous visibility and invisibility of Black Americans.
Marshall’s practice has continued to concentrate on confronting stereotypes in the Black experience by celebrating joy and commemorating moments of Black history. His paintings frequently engage with the white-dominated traditions of the art historical canon by borrowing elements of style ranging from the Renaissance to the abstract movements of the 20th century. While he has said that he is driven by a sense of social responsibility for what he witnessed growing up in the South before the Civil Rights Act and in Los Angeles during the Watts riots of 1965, Marshall doesn’t focus on trauma in his works’ narrative scenes. Instead, they regularly depict people involved in everyday activities yet portrayed with the monumentality of a tableau painting.
Now based in Chicago, Marshall is recognized as one of the country’s leading contemporary painters, with a 2016 retrospective, "Mastry," touring the MCA Chicago, MOCA and the Metropolitan Museum of Art. In 2018, his painting Marshall’s Past Times (1997) sold for $21.1 million, the highest ever auction price for a work by a living Black artist.
Browse a collection of Kerry James Marshall’s art on 1stDibs.
- Portraits: AnneBy Alex KatzLocated in New York, NYAlex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...Category
Early 2000s Portrait Prints
MaterialsEtching
- Blue CoatBy Alex KatzLocated in New York, NYImage size: 24 x 12 inches Edition of 30Category
1990s Figurative Prints
MaterialsAquatint
$10,000 - Tommy and the BallBy Isca Greenfield-SandersLocated in New York, NY2008, direct to plate photogravure, 30 3/4 x 35 inches, edition of 50Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsPhotogravure
- Portraits: JessicaBy Alex KatzLocated in New York, NYAlex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...Category
Early 2000s Portrait Prints
MaterialsEtching
- The Wildwood EtchingsBy Isca Greenfield-SandersLocated in New York, NY2014, set of 3 photogravures with aquatint, 18 3/4 x 18 inches each, edition of 35. Signed and numbered by the artist.Category
21st Century and Contemporary Figurative Prints
MaterialsAquatint, Etching, Photogravure
- Tommy and StinkyBy Isca Greenfield-SandersLocated in New York, NY2008, direct to plate photogravure and aquatint, 23 1/2 x 22 inches, edition of 50Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsPhotogravure
- "Two Women" Pair EtchingsBy Marie LaurencinLocated in Rio Vista, CAElegant pair of etchings by Marie Laurencin (French 1883-1956) from the "Poemes de Sapho" published in 1950 ref. 273. Each beautifully mounted in fram...Category
20th Century Modern Portrait Prints
MaterialsEtching
$2,000 Sale Price20% Off - Balaclava - The target in sight -Located in Berlin, DEHeinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...Category
Early 19th Century Realist Figurative Prints
MaterialsEtching
$210 Sale Price20% Off - After ChardinBy Lucian FreudLocated in New York, NYLucian Freud After Chardin 2000 Etching on White Somerset Textured Paper 30 3/4 x 37 3/4 inches; 78 x 96 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...Category
Early 2000s Contemporary Portrait Prints
MaterialsEtching
- Argentinian Modern Art by Antonio Seguí - La Maîtresse et son ChienBy Antonio SeguíLocated in Paris, IDFLa Maîtresse et son Chien 2018 Carborundum printmaking on papier Mâché, ed. 11/30 45,5 x 31,5 cm & image with the scene 32 x 25 cm Sold with a white frame Carborundum mezzotint is a printmaking technique in which the image is created by adding light passages to a dark field. It is a relatively new process invented in the US during the 1930s by Hubert Mesibov, Michael J. Gallagher, and Dox Thrash...Category
2010s Contemporary Portrait Prints
MaterialsPapier Mâché, Mezzotint, Etching
- Girl with Long Hair, Colin Self british Pop Art portrait of woman in black whiteBy Colin SelfLocated in New York, NYA contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...Category
Early 2000s Pop Art Portrait Prints
MaterialsEtching
- Figure Looking through Legs Claes Oldenburg nude etching of woman in skirtBy Claes OldenburgLocated in New York, NYImage 12.5 x 9.3 in. / 31.7 x 23 cm Paper 25.3 x 19.75 in./ 65 x 50 cm Soft-ground etching and aquatint in two colors “à la poupée” on cream, thick, moderately textured Velin Arches...Category
1970s Pop Art Figurative Prints
MaterialsEtching, Aquatint