Items Similar to 'Food Not Cannon' — rare WPA modernist work of Social Conscience
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Leon Bibel'Food Not Cannon' — rare WPA modernist work of Social Conscience1937
1937
About the Item
Leon Bibel, 'Food Not Cannon', etching, 1937, edition 12 (an early state, probably unique). Signed in pencil. A fine impression, on cream wove paper, with full margins (7/8 to 2 1/8 inches), in very good condition. Very scarce.
Image size 7 7/16 x 5 15/16 inches (189 x 151 mm); sheet size 11 3/8 x 8 inches (289 x 203 mm).
Archivally matted to museum standards, unframed.
ABOUT THE ARTIST
Painter, printmaker, and sculptor Leon Bibel was born in Poland in 1913 but moved to San Francisco with his family as a child. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He collaborated with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School.
In 1936, Bibel moved from California to join the Federal Art Project of the New York City WPA. He was assigned to the Graphic Arts Project and the Easel Project at Harlem Art Center. He also taught at P.S. 94 and Bronx House in New York City.
Bibel’s WPA program ended in 1941, and he moved with his wife to South Brunswick, New Jersey, ceasing his artistic pursuits to support his family. He resumed his artistic work in the early 1960s and continued to explore the mediums of painting and sculpture until his death.
A constant innovator, Bibel experimented with diverse printmaking mediums. His work is distinguished by its boldly conceived, dramatic composition and passionately executed expressionist renderings. Bibel's parents immigrated from Poland, and he remained staunchly pacificist, even throughout WWII. Much of his work during this period focused on the destructiveness of war and the consequent suffering and alienation of humankind. An artist of the people, his work is imbued with a sense of humanity and concern for social justice and the working man's plight.
Bibel’s numerous exhibitions include the Newark Museum (1966, one-person); Jersey City Museum (1967); Hunterdon County Art Center, Clinton, NJ (1978); Monmouth College Art Festival (1978); Rutgers State University (1978); New Jersey State Museum (1978, one-person); Rider College, Lawrenceville, NJ (1983, one-man); Hillel Foundation of Rutgers (1985-86, one-man); Trenton State College (1985); Noyes Museum (1986); National Academy of Design (1987); Rutgers Labor Education Center (1988, one-person); Ellarslie Museum, Trenton, NJ (1990); Mercer County Community College, Trenton, NJ (1990); South Brunswick Public Library (1990-91, one-person); Hillel Foundation of Rutgers (1991); Trenton City Museum (1991); Noyes Museum (1991); Klutznick Museum, Washington, DC (1992); Joseph Gallery, Hebrew Union College (1992, one-person); National Jewish Museum (1992); and Hunterdon Art Center (1993, one-person).
His work is represented in the permanent collections of the Metropolitan Museum of Art, the Museum of Fine Arts in Boston, the Newark Museum, the Zimmerli Art Museum of Rutgers, the Amon Carter Museum, the Dade County Museum, the Klutznick Museum, the Art Collection of the Federal Reserve Board, Rutgers State University, Rider College, Ohio University, George University, and the New Brunswick State Theater, as well as many corporate and private collections.
- Creator:Leon Bibel (1913 - 1995)
- Creation Year:1937
- Dimensions:Height: 7.44 in (18.9 cm)Width: 5.94 in (15.09 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2016
254 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Myrtle Beach, SC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- 'Brooklyn Bridge' — 1920s view of an iconic New York City landmarkBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- 'Mending Nets' — 1930s Rockport, MassachusettsLocated in Myrtle Beach, SCChristian Dull, 'Mending Nets', aquatint, c. 1930, edition 50. Signed and numbered '50/-' in pencil. A fine impression, on cream laid paper, the full sheet with margins (1/2 to 1 1/2...Category
1920s American Modern Figurative Prints
MaterialsAquatint
- 'Coenties Slip' — 1920s Lower Manhattan, Financial DistrictBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- 'Cargo Carriers' — 1930s New York HarborBy Otto KuhlerLocated in Myrtle Beach, SCOtto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Scarce. "On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...Category
1930s American Modern Figurative Prints
MaterialsEtching, Drypoint
- 'The Welder' — 1920s American ExpressionismBy Otto KuhlerLocated in Myrtle Beach, SCOtto Kuhler, 'The Welder', etching, c. 1926, edition unknown but small, Kennedy 9. Signed in pencil. A fine, richly-inked impression, in dark brown ink, with selectively wiped overal...Category
1920s American Modern Figurative Prints
MaterialsEtching
- 'The Gateway to the New World' — 1920s New York CityBy Otto KuhlerLocated in Myrtle Beach, SCOtto Kuhler, 'The Gateway to the New World', etching (artist's proof), edition 16, 1926, Kennedy 25. Signed in pencil and annotated 'Japan Silk Paper - Trial Proof - Ltd. Ed. Del. et...Category
1920s American Modern Figurative Prints
MaterialsEtching
You May Also Like
- (Four Women at Hat Store)Located in New York, NYThis is such an interesting image. Are there 'Four women'? Is the head on the upper right from a hat store or is she another person in the scene. And what a...Category
Mid-20th Century American Modern Figurative Prints
MaterialsEtching
- Bernard Sanders, Boy in the woodsLocated in New York, NYThere's so often a mysterious or evocative atmosphere that permeates Sander's work. Signed in pencil; titled in lower margin in pencil.Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching
- Bernard Sanders, Man at PianoLocated in New York, NYFor a print that's nearly one hundred years old it feels very contemporary. Signed and titled in pencil. Besides the etching I think there is some false biting that adds tone here.Category
Early 20th Century American Modern Interior Prints
MaterialsEtching
- Donald Shaw MacLaughlan, A Tuscan FarmBy Donald Shaw MacLaughlanLocated in New York, NYDonald Shaw MacLaughlan's small, even 'miniaturist' etching, 'A Tuscan Farm,' features an idyllic view of a scene he would have encountered on his European travels. MacLaughlan was a...Category
Early 1900s American Modern Landscape Prints
MaterialsEtching
- Bernard Sanders, (Fantastic City)Located in New York, NYThis extravagant subject is a clear exception in the oeuvre of Bernard Sanders. Signed in pencil; interestingly signed in the plate at the upper right ...Category
Early 20th Century American Modern Interior Prints
MaterialsEtching
- William P. Hicks, CircusLocated in New York, NYWilliam P. Hicks has drawn everything about the circus that will fit in the plate. The main figure is an aerial act with a woman balancing on rope held by a figure on the floor. Ther...Category
1930s American Modern Figurative Prints
MaterialsEtching