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Ludovico CaraccioloLiber Veritatis - B/W Etching after Claude Lorrain - 18151815
1815
$407.64
£308.80
€350
CA$564.73
A$633.39
CHF 331.69
MX$7,696.26
NOK 4,211.96
SEK 3,993.24
DKK 2,664.82
About the Item
Plate 23 – From Liber Veritatis
Aquatint on Copper, Imag. Dim: cm 33x47.5, Dim: cm 21x27,
Beautiful Artist’s Proof, representing a shepherd with his herd pastouring at the shore of a river, in a site of an antique temple. Aquatint by Ludovico Caracciolo (engraver), is inspired by the production of the French painter Claude Lorrain (draftsman). Signed and Numbered on plate lower “Claudio di Lorena inv., L. Caracciolo F.”. From the collection “Liber Veritatis”, Rome, F. Bourliè, 1815.
In Very Good condition.
Ludovico Caracciolo (Rome, 1761-1841)
Roman landscapist and engraver, specialied in architectural drawings and panoramas of the Eternal City, Caracciolo loved travelling and drawing the most beautiful scenes he met along the way. He became a protégé of Elizabeth Foster, the second wife of the fifth Duke of Devonshire, William Cavendish and had the possibility to publish a set of prints inspired by Claude Lorrain‘s works, collected in Liber Veritatis, Rome, Francesco Bourlié, 1815 (now in the British Museum collection).
- Creator:Ludovico Caracciolo (1761 - 1841)
- Creation Year:1815
- Dimensions:Height: 13 in (33 cm)Width: 18.71 in (47.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-947581stDibs: LU65034710312
Ludovico Caracciolo
Ludovico Caracciolo was a Roman landscapist and engraver, specialized in architectural drawings and panoramas of the Eternal City. Caracciolo loved traveling and drawing the most beautiful scenes he saw along the way. He became a protégé of Elizabeth Foster, the second wife of the fifth Duke of Devonshire, William Cavendish. He published a full set of print reproductions after Claude Lorrain's Liber Veritatis published in Rome in 1815 by Francesco Bourlié.
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