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Luigi RossiniVeduta degli Avanzi della Villa... - Etching by L. Rossini - 18251825
1825
About the Item
Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno
Image dimensions: 46x60 cm.
From the collection “Le antichità de’ contorni di Roma (...)” an artist's proof with sharp details, representing the Ruins of Domiziano's Villa, also called Pompeo's thermal baths. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”. In good conditions, except some slight ripples.
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments. Among which “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano, Castel Gandolfo, Palestrina, Tuscolo, Cora e Ferentino”, a collection of 72 plates published in Rome, 1826.
- Creator:Luigi Rossini (1790-1857, Italian)
- Creation Year:1825
- Dimensions:Height: 20.87 in (53 cm)Width: 27.96 in (71 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Luigi Rossini
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory of ancient Rome reflected by its architecture, but were accurate enough to be used by practicing architects, as well as other serious students of classical antiquity. His art continues to influence and inspire architects, artists and those who love Rome. Rossini was born in Rome and trained at the Academy of Bologna. Upon graduation, he moved to Rome and attempted a career as an architect. As he was not economically successful as an architect, he became a full-time artist, initially producing souvenirs for local collectors, wealthy and aristocratic European tourists on the Grand Tour, as well as for architectural students and practitioners all over Europe. Many of his prints were published in several imperial folio sized collections, including Le Anchita Romane (The Rome of Antiquity).
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