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Marc Chagall
L'Oiseau Bleu By Marc Chagall

1968

$64,919.36
£49,442.39
€55,000
CA$91,002.34
A$99,558.84
CHF 51,997.68
MX$1,189,752.51
NOK 653,280.01
SEK 614,839.64
DKK 418,946.05

About the Item

L'Oiseau Bleu By Marc Chagall Marc Chagall (1887–1985) was a Russian-French artist celebrated for his vibrant, dreamlike paintings that blend fantasy, folklore, and personal memories. His distinctive use of color and imaginative compositions made him a leading figure in modernist art. 1968 Signed, numbered Color Lithograph on Arches wove paper 100 x 81.5cm Catalogue raisonnae reference Mourlot CS41. Publisher: Mourlot Paris. Edition 7/20
  • Creator:
    Marc Chagall (1887 - 1985, French)
  • Creation Year:
    1968
  • Dimensions:
    Height: 39.38 in (100 cm)Width: 32.09 in (81.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Dubai, AE
  • Reference Number:
    1stDibs: LU1608214617842

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Artwork Details: Artist: Marc Chagall (1887–1985) Title: Le Coq (The Rooster), from Contes de Boccace (Tales of Boccaccio), Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, 1950 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1950 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger Freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VI, No. 24, published by Editions de la revue Verve, Paris, 1950 Notes: Excerpted from the album (translated from French), This Verve issue contains the lavis that Marc Chagall composed to illustrate Tales of Boccaccio's Decameron and the paintings on the same theme of the Manuscript of the Dukes of Burgundy preserved in the Arsenal Library. 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Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. 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