Canvas Figurative Prints

"John Belushi Mugshot" Print 39 x 36 inch Ed. of 75 by Gerard Marti Digital print on paper. Ships rolled in a tube. Signed and numbered by the artist. John Belushi poses for the ...

Starry Night is a lithograph based on a watercolour by Charlie Mackesy. The edition is limited to 150 and each piece has been signed by Charlie Mackesy...

Sonia Delaunay - Composition Original Lithograph 1972 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Pierre Tal Coat - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San ...

This print is part of my private collection. They were published in a numbered unsigned edition of 1000, and a signed edition of 200, printed by Serifraphie Fernand Leger, Paris and ...

This color lithograph is part of my private collection since the 1970's. Marie Raymond was a pioneer post WWII painter of her generation. She was a lyrical abstractionist of her time...

This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...

Simon Bull, British (Born 1958) Hand Embellished Giclee on Canvas "Whisper" (white flower) Hand signed Lower Left, Numbered 283/350 on Obverse side. Measures 16" x 16" image, frame measures 24-1/8" x 24-1/8" Simon Bull (born in March 1958) is an English-born artist living in America. Early years and education. Simon Bull was born in Bedfordshire, England. The second of four children. His father, Ian Bull served as an officer in the Royal Army Chaplains’ Department of the British Army. Ian’s extensive military postings stationed the family around the world in Guyana, Hong Kong, Germany, and Northern Ireland. Simon went to boarding school in Yorkshire, attending Ripon Cathedral Choir School from 1965 to 1969 and in Surrey, at the Royal Russell School from 1969 to 1976. In 1976 he took a one-year Foundation course at Gloucestershire College of Art and Design and went on to graduate in 1980 from Leeds Polytechnic with a BA (Hons) degree in Fine Art. He studied printmaking and Fine Art under Norman Webster and Norman Ackroyd RA. His time at Leeds was marked by his interest in and study of the masters, such as Henri Fantin-Latour, Jean-Baptiste-Simeon Chardin, and Rembrandt; he wrote his dissertation on watercolorist John Sell Cotman. In his graduating year he exhibited his etching Jackie at the Royal Academy Summer Exhibition and his works were acquired by Leeds City Art Gallery. His art is currently represented exclusively, by his own company Simon Bull Studios of Carmel CA and MEUSE gallery on Carmel’s Ocean Avenue. Simon Bull Studios contracts with and supplies a network of fine art galleries around the world including Cutter & Cutter Fine Art, Park West Gallery and others. He has been represented in the UK by, London Contemporary Art and DeMontfort Fine Art; as well as in the USA with Media Arts Group. His worldwide licensing agent is Art Brands Group. In 2007 he was invited to create a series of paintings that celebrated the life of Muhammad Ali. Many of these works are now on permanent display in the Muhammad Ali Center in Louisville, Kentucky. He has spoken on behalf of the Muhammad Ali Center at the Vancouver Film Festival for the premiere of the movie Facing Ali. In 2009 he was commissioned to paint US President Barack Obama by boxing legend Muhammad Ali. His two joint portraits of Barack Obama and Muhammad Ali were unveiled at the Kentucky Bluegrass...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Sonia Delaunay - Composition Original Lithograph 1969 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes, cushions, waistcoats and lampshades, led to one of her first large-scale works, the painting of the Bal Bullier (1912–1913), a popular Parisian dance-hall. Sonia’s first “simultaneous dresses,” a mix of squares and triangles of taffeta, tulle, flannelette, moiré, and corded silk, date from this period. Friendship with the poet Blaise Cendrars...