Etching Figurative Prints
280
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516
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559
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34
2,777
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1,185
225
74
Overall Height
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1,809
1,280
636
107
89
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3,775
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2,088
1,212
1,116
1,100
730
478
398
300
262
203
177
165
155
120
112
106
105
100
3,190
1,470
5,484
723
96
195
273
337
286
244
496
1,468
453
214
2,822
316
237
132
110
101
9,318
5,484
2,852
2,223
1,931
Period: 20th Century
Medium: Etching
Mechanical Parrots - Aquatint and Etching by Fifo Stricker - 1997
Located in Roma, IT
Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997.
Mixed colored aquatint and etching.
Hand signed and dated by the artist on the lower rig...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Blue Volcan - Aquatint and Etching by Fifo Stricker - 1984
Located in Roma, IT
Blue Volcan is a contemporary artwork realized by the artist Fifo Stricker in 1984.
Mixed colored aquatint and etching. Original title: Der Blaue Vulcan
Hand signed and dated by th...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Tennis - Aquatint and Etching by Fifo Stricker - 1982
Located in Roma, IT
Tennis is a contemporary artwork realized by the artist Fifo Stricker in 1982.
Mixed colored aquatint and etching.
Hand signed and dated by the artist...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Biet Ghiorghis - Etching by Lino Bianchi Barriviera - 1947
Located in Roma, IT
Biet Ghiorghis is a modern artwork realized by Lino Bianchi Barriviera in 1947.
Black and white etching.
Signed and dated on plate.
Plate n.43 (as reported on the higher margin).
...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Mechanical Parrots - Aquatint and Etching by Fifo Stricker - 1997
Located in Roma, IT
Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997.
Mixed colored aquatint and etching.
Hand signed and dated by the artist on the lower rig...
Category
1990s Contemporary Etching Figurative Prints
Materials
Etching
Surrealist Figurative Aquatint Etching California Modernist Sculptor Artist
By Jack Zajac
Located in Surfside, FL
Jack Zajac, American, born 1929
1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned.
Edition Roman Numeral III
Image: 12 9/16 x 8 5/8 in. (31.9 x 2...
Category
1960s Surrealist Etching Figurative Prints
Materials
Etching, Aquatint
Fumeur à la Cigarette Blanche
Located in London, GB
Etching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...
Category
1960s Modern Etching Figurative Prints
Materials
Etching
Mother and Child
Located in London, GB
A beautiful and touching original Peter László Péri etching, 1940s. A beaming mother of gigantic proportions holds her child above her head. At her f...
Category
1940s Modern Etching Figurative Prints
Materials
Paper, Etching
Femme a l'Estampe
By Manuel Robbe
Located in Middletown, NY
Edition of 100.
Color aquatint and etching, 21 x 14 7/8 inches (531 x 376 mm), wide margins (full). Signed in pencil, lower left image area. Light toning, otherwise in very good cond...
Category
Early 20th Century French School Etching Figurative Prints
Materials
Etching, Aquatint
Laudation of the Art
Located in Middletown, NY
Color etching printed in gradient red, orange, yellow, green, blue, and violet ink, 8 3/8 x 15 inches (212 x 380 380 x mm), full margins. Signed, titled and numbered 46/100 in pencil, lower margin.
Arnold Gross...
Category
Mid-20th Century American Modern Etching Figurative Prints
Materials
Color, Etching, Ink
Ymrahanè' Cristos - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Ymrahanè' Cristos is a modern artwork realized by Lino Bianchi Barriviera in 1948.
Black and white etching.
Signed and dated on plate.
Plate n.55 (as reported on the higher margin...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Bilbolà Ghiorghis - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Bilbolà Ghiorghis is a modern artwork realized by Lino Bianchi Barriviera in 1948.
Black and white etching.
Signed and dated on plate.
Plate n.48 (as reported on the higher margin...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
1982 signed etching by Lucien Freud OM CH, numbered 25/25 L.F 'A couple'
Located in Petworth, West Sussex
Lucian Freud OM CH (British, 1922 – 2011)
A couple
Etching, 1982
Signed with initials and numbered ‘25/25 L.F.’ (lower edge)
Plate mark measures 4.1/2 x 4.1/2 in. (11.4 x 11.4 cm.)
P...
Category
20th Century Modern Etching Figurative Prints
Materials
Etching
Surrealist Figurative Aquatint Etching California Modernist Sculptor Artist
By Jack Zajac
Located in Surfside, FL
Jack Zajac, American, born 1929
1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned.
Edition Roman Numeral III
Image: 12 9/16 x 8 5/8 in. (31.9 x 2...
Category
1960s Surrealist Etching Figurative Prints
Materials
Etching, Aquatint
Surrealist Figurative Aquatint Etching California Modernist Sculptor Artist
By Jack Zajac
Located in Surfside, FL
Jack Zajac, American, born 1929
1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned.
Edition Roman Numeral III
Image: 12 9/16 x 8 5/8 in. (31.9 x 2...
Category
1960s Surrealist Etching Figurative Prints
Materials
Etching, Aquatint
Ghenet Mariam Church - Etching by Lino Bianchi Barriviera - 1947
Located in Roma, IT
Ghenet Mariam Church is a modern artwork realized by Lino Bianchi Barriviera in 1947.
Black and white etching.
Signed and dated on plate.
Plate n.53 (as reported on the higher mar...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Ghietem Mariam - Etching by Lino Bianchi Barriviera - 1947
Located in Roma, IT
Ghietem Mariam is a modern artwork realized by Lino Bianchi Barriviera in 1947.
Black and white etching.
Signed and dated on plate on the lower left margin.
Plate n.52 (as reporte...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Church of Wuqrò Masqalà Kristòs - Etching by Lino Bianchi Barriviera - 1947
Located in Roma, IT
Church of Wuqrò Masqalà Kristòs is a modern artwork realized by Lino Bianchi Barriviera in 1947.
Black and white etching.
Signed and dated on plate on the lower right margin.
Plat...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Bilbola' Kircos - Etching by Lino Bianchi Barriviera - 1947
Located in Roma, IT
Bilbola' Kircos is a modern artwork realized by Lino Bianchi Barriviera in 1947.
Black and white etching.
Signed and dated on plate.
Plate n.46 (as reported on the higher margin)....
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Biet Ghiorghis - Etching by Lino Bianchi Barriviera - 1947
Located in Roma, IT
Biet Ghiorghis is a modern artwork realized by Lino Bianchi Barriviera in 1947.
Black and white etching.
Signed and dated on plate.
Plate n.44 (as reported on the higher margin).
...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Biet Emmanuel - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Biet Emmanuel is a modern artwork realized by Lino Bianchi Barriviera in 1948.
Black and white etching.
Signed and dated on plate.
Plate n.40 (as reported on the higher margin).
...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Biet Emmanuel - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Biet Emmanuel is an modern artwork realized by Lino Bianchi Barriviera in 1948.
Black and white etching.
Signed and dated on plate.
Plate n.39 (as reported on the higher margin).
...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
1 auf 16 - Aquatint and Etching by Fifo Stricker - 1984
Located in Roma, IT
1 auf 16 is a contemporary artwork realized by the artist Fifo Stricker in 1984.
Mixed colored aquatint and etching.
Hand signed and dated by the artist on the lower right margin....
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Winter and Summer
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Winter and Summer
MEDIUM: Etching
SIGNED: Hand Signed
EDITION NUMBER: A/P
MEASUREMENTS: 25" x 35.5"
YEAR: 1973
FRAMED: No
CONDITION: Excellent ...
Category
1970s Surrealist Etching Figurative Prints
Materials
Etching
My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category
Early 20th Century Modern Etching Figurative Prints
Materials
Etching, Drypoint
Taxi: Steering Wheel - Aquatint and Etching by Fifo Stricker - 1982
Located in Roma, IT
Taxi: steering wheel is a contemporary artwork realized by the artist Fifo Stricker in 1982.
Mixed colored aquatint and etching.
Hand signed and dated by the artist on the lower r...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Churches of Lalibelà - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Churches of Lalibelà is a modern artwork realized by Lino Bianchi Barriviera in 1948..
Black and white etching.
Signed and dated on plate.
Plate n.58 (as reported on the higher m...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Bet Medhane Alem - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Bet Medhane Alem is a modern artwork realized by Lino Bianchi Barriviera in 1948.
Black and white etching.
Signed and dated on plate.
Plate n.56 (as reported on the higher margin)...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Ethiopian Churches - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Ethiopian Churches is a modern artwork realized by Lino Bianchi Barriviera in 1948.
Black and white etching.
Signed and dated on plate.
Plate n.59 (as reported in the higher margi...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Surrealist Figurative Aquatint Etching California Modernist Sculptor Artist
By Jack Zajac
Located in Surfside, FL
Jack Zajac, American, born 1929
1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned.
This one depicts lovers embracing
Edition Roman Numeral III
Im...
Category
1960s Surrealist Etching Figurative Prints
Materials
Etching, Aquatint
Radio Caire - Aquatint and Etching by Fifo Stricker - 1982
Located in Roma, IT
Radio Caire is a contemporary artwork realized by the artist Fifo Stricker in 1982.
Mixed colored aquatint and etching.
Hand signed and dated by the artist on the lower right marg...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Bete Golgota-Selassié in Ethiopia - Etching by Lino Bianchi Barriviera - 1948
Located in Roma, IT
Bete Golgota-Selassié in Ethiopia is a modern artwork realized by Lino Bianchi Barriviera in 1948..
Black and white etching.
Signed and dated on plate.
Plate n.55 (as reported on ...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Surrealist Figurative Aquatint Etching California Modernist Sculptor Artist
By Jack Zajac
Located in Surfside, FL
Jack Zajac, American, born 1929
1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned.
Edition Roman Numeral III
Image: 12 9/16 x 8 5/8 in. (31.9 x 2...
Category
1960s Surrealist Etching Figurative Prints
Materials
Etching, Aquatint
Il Tevere e S. Pietro. - Roma - Etching by Nazareno Gattamelata - 1985
Located in Roma, IT
Il Tevere e S.Pietro is a black and white etching realized by Nazareno Gattamelata in the 1985.
Hand signed by the artist on the lower right margin: Gattamelata .
Numbered on ...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Bambus - Aquatint and Etching by Fifo Stricker - 1981
Located in Roma, IT
Bambus is a contemporary artwork realized by the artist Fifo Stricker in 1981.
Mixed colored aquatint and etching.
Hand signed and dated by the artist...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
HMSRIO - Aquatint and Etching by Fifo Stricker - 1985
Located in Roma, IT
HMSRIO is a contemporary artwork realized by the artist Fifo Stricker in 1985.
Mixed colored aquatint and etching.
Hand signed and dated by the artist on the lower right margin.
...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Figure - Etching by Massimo Campigli - 1969
Located in Roma, IT
Hand signed and numbered. Edition of 100 prints.
This original print shows a composition divided into some frames, similar to windows, in which Campigli represents some female figur...
Category
1960s Modern Etching Figurative Prints
Materials
Aquatint, Etching
Blue Volcan - Aquatint and Etching by Fifo Stricker - 1984
Located in Roma, IT
Blue Volcan is a contemporary artwork realized by the artist Fifo Stricker in 1984.
Mixed colored aquatint and etching. Original title: Der Blaue Vulcan
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
God, Time, Space, and the Pope (Plate I), 1974
Located in Greenwich, CT
God, Time, Space, and the Pope – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding.
Cataloging: Micheler-Löpsinger 667; Field 74-8 Plate I
Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...
Category
20th Century Surrealist Etching Figurative Prints
Materials
Stencil, Etching
'Londoners' 1940s Etching
Located in London, GB
A beautiful etching from Péri’s observations of people on the streets of London.
Artist: Peter László Péri
Date: 1940s
Framed size: 26.5cm x 32cm
M...
Category
1940s Modern Etching Figurative Prints
Materials
Etching
Hangar - Aquatint and Etching by Fifo Stricker - 1981
Located in Roma, IT
Hangar is a contemporary artwork realized by the artist Fifo Stricker in 1981.
Mixed colored aquatint and etching.
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Garage Impo - Aquatint and Etching by Fifo Stricker - 1982
Located in Roma, IT
Garage Impo is a contemporary artwork realized by the artist Fifo Stricker in 1982.
Mixed colored aquatint and etching.
Hand signed and dated by the artist on the lower right marg...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Salvador Dali - Girl on Rhinoceros Horn
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Girl on Rhinoceros Horn - Original Etching
Dimensions: 38 x 28 cm
Edition: 390
1967
On Rives Vellum
Signed in the plate
References : Fi...
Category
1960s Surrealist Etching Figurative Prints
Materials
Etching
Sunday Morning
Located in Wilton Manors, FL
Sunday Morning. Title: Sunday Morning
Artist: Dox Thrash (American, Griffin, Georgia 1893–1965 Philadelphia, Pennsylvania)
Printer: Sam J. Brown (1901-1994).
Date: ca. 1939.
Medium: Drypoint
Dimensions: sheet: 12 5/8 x 10 5/8 in. (32 x 27 cm)
plate: 8 7/8 x 7 7/8 in. (22.5 x 20 cm)
This is the most heavily inked, atmospheric example known to exist. Unique, unsigned example from the collection of artist Samuel J. Brown.
Dox Thrash (1893–1965) was an African-American artist who was famed as a skilled draftsman, master printmaker, and painter and as the co-inventor of the Carborundum printmaking process.[1] The subject of his artwork was African American life. He served as a printmaker with the W.P.A. at the Fine Print Workshop of Philadelphia. The artist spent much of his career living and working in Philadelphia, Pennsylvania.[1]
Early life
Dox Thrash was born on March 22, 1893, in Griffin, Georgia.[2] He was the second of four children in his family. Thrash left home at the age of fifteen in search of work up north. He was part of the Great Migration (African American) looking for industrial work in the North.
The first job that Thrash got was working with a circus and a Vaudeville act. In 1911, at the age of 18, he moved to Chicago, Illinois.[3] He got a job as an elevator operator during the day, and used this source of income to attend school.[3] In 1914 he attended the School of the Art Institute of Chicago.[1]
In 1917, the United States declared war on Germany and entered World War I. In September 1917, at the age of twenty-four, Thrash enlisted in the army.[3] He was placed in the 365th Infantry Regiment, 183rd Brigade, 92nd Division, also known as the Buffalo Soldiers.[1] During combat, Thrash suffered shell shock and a gas attack, but was not permanently injured.
Career as an artist
Front cover of Dox Thrash: An African American Master Printmaker Rediscovered, by John Ittmann.
After having served in the war, Thrash qualified as a war veteran and enrolled in the Art Institute of Chicago with the support of federal funding.[3] After finishing his education, he traveled intermittently from Georgia to Chicago, Boston, New York, and finally Philadelphia, working odd jobs - experiences that provided him with subject matter to later paint. Settling in Philadelphia by 1925, he took a job working as a janitor. In his free time, he continued his art career and used his talent to create emblems, such as the one for the North Philadelphia Businessmen's Association, and posters in exhibitions and festivals, including the 2nd Annual National Negro Music Festival and the Tra Club of Philadelphia.[1] This gained him local recognition and opened doors for new artistic endeavors. By 1929, Thrash was attending nightly classes within these clubs, namely with Earl Horter of the Graphic Sketch Club, now known as the Samuel S. Fleisher Art Memorial.[3]
In 1937 Thrash joined the government-sponsored Works Progress Administration (WPA)'s Federal Art Project.[4] Through the WPA, Thrash began working at the Fine Print Workshop of Philadelphia.[5] At the Fine Print Workshop of Philadelphia, Thrash, along with Michael J. Gallagher and Hugh Mesibov, began experimenting and co-inventing the process of carborundum mezzotint, a printmaking technique.[1] Carborundum printmaking uses a carbon-based abrasive to burnish copper plates creating an image that can produce a print in tones ranging from pale gray to deep black. The method is similar to the more difficult and complicated mezzotint process developed in the 17th century. He used this as his primary medium for much of his career and created his greatest works with it. One of his first pieces employing this nascent technique was his anonymous self-portrait entitled Mr. X.
With this new technique, the three gained increasing recognition as they published more and more graphics within newspapers and featured more and more pieces within exhibitions. Their works often featured subtle commentaries about social and economic exploitation regarding the contemporary politics of the Great Depression and the Second World War. By 1940, Thrash, Gallagher, and Mesibov all began to gain attention in local circles for their carborundum prints, although the role that each artist played in the development of the process was left unclear.[6]
In 1960, Thrash participated in a show at the Pyramid Club, a social organization of Black professional men that held an annual art exhibit starting in 1941. Others on hand were Howard N. Watson, Benjamin Britt, Robert Jefferson and Samuel J. Brown Jr.
Thrash spent the later years of his life mentoring young African American artists. He died on April 19, 1965, in Philadelphia, Pennsylvania.[2] He was posthumously honored almost 40 years later in 2001 with a major retrospective, titled Dox Thrash: An African-American Master Printmaker Rediscovered, at the Philadelphia Museum of Art.[7]
Thrash's work was included in the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum.[8]
Relation to Alain Locke and the New Negro Movement
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Alain LeRoy Locke (1885-1954) was an intellectual, professor and author who espoused that African Americans, specifically artists, to capture the personality, lives, and essence of their people in The New Negro. He explained “The Negro physiognomy must be freshly and objectively conceived on its own patterns if it is ever to be seriously and importantly interpreted. Art must discover and reveal the beauty which prejudice and caricature have overlaid.”[9] What Locke is expressing here is not only the call for black artists to overcome racial prejudices via positive artistic representations of blacks, but that the actual African American individual like Thrash portrayed the lives of fellow blacks, and had the power to propagate this idea of the New Negro, as Locke explains, “There is the possibility that the sensitive artistic mind of the American Negro, stimulated by a cultural pride and interest, will receive…a profound and galvanizing influence.”[10]
In his shadowy carborundum mezzotint Cabin Days, Thrash depicts a southern black family on the porch of their shack-like home in a rural landscape. The man, woman, and child, clutched tenderly to the female figure's breast, create an intimate scene highlighted by the bright cleanliness of the laundry hanging behind them. Placed in front of the drying laundry, they are framed by one aspect of the hard work accomplished during the day. Close to one another, staring collectively outward at the Southern landscape, they, and their laudable priorities of cleanliness and family, are made the bright focal point in the poor, unstable atmosphere. Such inner warmth is seemingly incompatible with the family's crooked and disheveled surroundings, and their fuzzy appearance with a lack of facial detail makes the scene into a general archetype for rural southern blacks living conditions and qualities. Thrash was referencing an experience common to thousands of black families in rural occupations at the turn of the 20th century, often forced into slavery-like tenant farming as their only means of livelihood in the racist South. The “uneven clapboards, leaning porch, broken shutter, and uprooted fence” are rife with instability, much like the post-slavery economic and social systems of the South, making it clear that for African Americans, “the house is not the home; rather, the figures on the porch represent family unity and continuity”.[10] In this way, Thrash is able to not only champion the positive qualities of blacks in the family setting but underscore this with a symbolic look at their disadvantaged situation, making it all the more impressive that they persevere. Thrash symbolically depicted harsh realities for the African American at this transitional point in history while conferring a sensitive rendering of their humanity, akin to any other race, despite its utter denial by American society.
Through softer tempera washes like A New Day, he literally and figuratively paints a picture of a black family transitioning from the South to the North during the Great Migration, making a hopeful, daring leap to attempt to be equal members of the society that has historically oppressed them. On the left side of the canvas lie muddled farm houses and plow handles, embodiments of their rural life of tedious hard labor behind them, fading to gray. Their hopeful gazes “…convey the optimism of the scores of African Americans who left the countryside to pursue better job opportunities, health care, and education in urban centers”.[6] The stance of the figures, with their chins raised in a dignified gesture towards cityscape ahead suggest a confidence and ambitiousness in their collective futures in this new northern industrial terrain. Even the child, clutched securely in the arm of the mother figure against her breast is not only serenely grinning, but calm enough to appear to gently doze, confident in that the journey ahead will result positively, poses no threat. The exposed arm of the woman is notable as well, being unusually thick and muscular, along with the general proportions of the kneeling father, who position on the ground appears not pleading but rather in a slightly exhausted, but upright gratefulness for the promise ahead. Thrash makes it clear that this family has traveled a long way, but is not depleted; rather they are strong and preparing for further hard work and hopeful success ahead. They are the quintessence of the New Negro, in that they are not only journeying forward to seize previously unobtainable opportunities that will enhance their lives, but the manner with which they hold themselves provokes a certain level of warranted respect for their humanity, from the viewer.
In fact it was the strength of his fellow African Americans that Thrash often emphasized, amongst other positive characteristics in the face of adversity in personal portraits. Through his carborundum print Life, he depicts a neatly dressed black girl reading...
Category
1930s American Realist Etching Figurative Prints
Materials
Etching
Palm Trees in Ischia Island - Etching by Eduard Bargheer - 1977
Located in Roma, IT
Palm Trees in Ischia Island is an artwork realized in 1977 by the artist Eduard Bargheer.
Hand signed, dated on the lower right margin.
Numbered by artist in pencil on the lower l...
Category
1970s Contemporary Etching Figurative Prints
Materials
Etching
Nude with Guitar (Poèmes Secrets d'Apollinaire), 1967
Located in Greenwich, CT
Nude with Guitar – signed and dated ‘Dalí 67’ lower right and framed in an ornate, gold-tone frame. On japon, unnumbered from the 1967 edition of 235 portf...
Category
20th Century Surrealist Etching Figurative Prints
Materials
Engraving, Etching
Shell and Lantern - Etching by Armando Buratti - 1966
Located in Roma, IT
Hand signed and numbered. Edition of 33 prints.
Reference: Catalogue Battisti n.25.
Armando Buratti (Rome, 1924), is an italian artist and painter. His first exhibition was held in...
Category
1960s Modern Etching Figurative Prints
Materials
Etching
Eurybia and Eros
Located in Fairlawn, OH
Eurybia and Eros
Etching, 1932
Printed on BFK Rives paper
Unsigned (as issued by Vollard)
Published by Ambrose Vollard, Paris
From the suite of 16 illustrations for Hesiod's Theogony...
Category
1930s French School Etching Figurative Prints
Materials
Etching
Combat pour Andromède entre Persée et Phinée - From "Les Métamorphoses d'Ovide"
Located in Roma, IT
Original etching from the portfolio "Les Métamorphoses d'Ovide"publised by Skira in 1930.
Catalogue Bloch Vol. I n. 108.
Includes passepartout: cm. 49x34.
Category
20th Century Modern Etching Figurative Prints
Materials
Etching
Picasso: A Ticket to Glory (Plate C), 1974
Located in Greenwich, CT
Picasso: A Ticket to Glory (Plate C) – signed ‘Dalí’ lower right and numbered A 11/195 lower left. Framed in an ornate gold-tone moulding.
Cataloging: Micheler-Löpsinger 670; Field 74-8 Plate C
Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...
Category
20th Century Surrealist Etching Figurative Prints
Materials
Etching, Stencil
Basilisk - Aquatint and Etching by Fifo Stricker - 1981
Located in Roma, IT
Basilisk is a contemporary artwork realized by the artist Fifo Stricker in 1985.
Mixed colored aquatint and etching.
Hand signed and dated by the arti...
Category
1980s Contemporary Etching Figurative Prints
Materials
Etching
Atom mit Lampen III - Aquatint and Etching by Fifo Stricker - 1982
Located in Roma, IT
Atom mit Lampen III is a contemporary artwork realized by the artist Fifo Stricker in 1982.
Mixed colored aquatint and etching.
Category
1980s Surrealist Etching Figurative Prints
Materials
Etching
Salvador Dali - The Beach
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Beach - Original Etching
Dimensions: 38 x 28 cm
Edition: 235
1967
embossed signature
On Arches Vellum
References : Field 67-10 (p. 34-35)
Category
1960s Surrealist Etching Figurative Prints
Materials
Etching
Lescure, Une Tour Des Remparts
Located in Middletown, NY
Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition of 1459. Non-archival tape residue along the top and bottom sheet edges, recto, well outside of image area. Scattered handling creases and general scattered soiling in the margins, minor and unobtrusive.
[Fletcher 217].
This work was commissioned by The Architectural Forum...
Category
Mid-20th Century American Modern Etching Figurative Prints
Materials
Laid Paper, Handmade Paper, Etching
Mechanical Parrots - Aquatint and Etching by Fifo Stricker - 1997
Located in Roma, IT
Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997.
Mixed colored aquatint and etching.
Hand signed and dated by the artist on the lower rig...
Category
1990s Contemporary Etching Figurative Prints
Materials
Etching
Ex Libris Irene Subrové - Etching - 1980
Located in Roma, IT
Ex Libris Irene Subrové is a Contemporary Artwork realized in 1980.
Colored Etching on ivory-colored paper. Numbered in pencil on the lower left corner: 1/100. Hand-signed and dat...
Category
1980s Modern Etching Figurative Prints
Materials
Etching
Gala's Castle (Plate K) , 1974
Located in Greenwich, CT
Gala's Castle – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding.
Cataloging: Micheler-Löpsinger 675; Field 74-8 Plate K
Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...
Category
20th Century Surrealist Etching Figurative Prints
Materials
Stencil, Etching
Daphne - II - Etching by Markus Vallazza - 1974
Located in Roma, IT
Hand Signed. Edition of 150 pieces.
Very good condition.
Category
1970s Contemporary Etching Figurative Prints
Materials
Etching
Etching figurative prints for sale on 1stDibs.
Find a wide variety of authentic Etching figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, orange, blue, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Thomas Holloway, Salvador Dalí, and Giuseppe Vasi. Frequently made by artists working in the Modern, Old Masters, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching figurative prints, so small editions measuring 0.04 inches across are also available
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