Paint Figurative Prints

Chéri tu es vraiment mon homme! is an amusing lithograph made by the French painter, illustrator and writer Amandine Doré in the second half of the 20th ...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...

Genre Scenes Compositions is an original artwork realized in 1780s After Angelika Kauffmann. The artwork consist in a pair of mixed colored hand wa...

The lithograph, "Blava taula Mexicana" pays homage to the beautiful country of Mexico which Alvar lived for a time in his life. The subject is a poetic mixture of elements drawn from the Mexican folk imagination and others from the natural environment of that country displayed...

This radiant purple pink poster was designed by Jim Dine for a production of Gilbert and Sullivan at New York City Center in 1968. The stripe down...

Amicalement is a hand-colored etching and drypoint, signed by Chas Laborde on the lower right margin. Hand-titled on the lower left margin. This original print is hand-colored with t...

Les Métamorphoses du Jour is an original modern rare book written by Various Authors and illustrated by Jean Jacques Grandville (Nancy, 1803 – ...

Women is an original artwork by Carlotta Costantini realized with watercolor and china ink on ivory paper, signed on lower central margin. Perfect conditions. Passepartout included ...

This lithograph is in excellent condition. The photos shown are of one of the pieces in the edition. The piece you purchase will have a unique edition number and is new- never preowned. "Concert of the Night" is part of the 4-piece "Concert of the Hours of the Day Lithograph Suite. In this lithograph, Alvar shows a figure playing Chopin’s Nocturne No.1 at the piano. Next to the pianist there appears a figure eluding to George Sand who is holding laurel leaves symbolizing the inspiration of the artist whose portrait (extracted from a portrait of Chopin by the French painter Delacroix) appears in the lithograph. Being a nocturne, the chromatic range in the work consists predominately of blue tones, dominated by the brilliance of the lunar light in an atmosphere of seclusion and intimacy. This lithograph is hand-embellished with a watercolor over a lithograph drawing at the bottom of the main image. This piece was created, signed, and numbered by the artist. More about Alvar: Alvar Suñol Munoz-Ramos, commonly known as Alvar, was born in 1935 in Montgat, Spain, a Catalan fishing village on the Mediterranean coast near Barcelona. By the age of 17, he was accepted into the Escuela Superior de Bellas Artes de San Jorge in Barcelona. In 1960, he moved to Paris and exhibited with other major Spanish artists including Picasso, Miró, and Dalí. Today, Alvar is recognized on an international platform for his exploration of the psychological and historical complexities of art-making and creation in relation to one’s environment and experiences. The examination of both interiors and exterior spaces place a significant role in all of Alvar’s works. Alvar strengthens his artistic vision through the use of various mediums including oil paintings, lithographs, watercolors, drawings, bronzes, and ceramic bas relief sculptures. His works can be found in the permanent collection of over fourteen museums worldwide and he has several public commissions around the world, including his most recent bronze sculpture created in honor of Catalan cellist Pablo Casals that is located in Paris, France. Additionally, Alvar has had three consecutive retrospectives since 2014. His first was hosted at Las Casa...

I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The artwork is unsigned, but it is part of the 20 plates engraved in...