Screen Figurative Prints

"Olivia 1" silkscreen of a woman by artist Alex Katz. Published by Lococo Fine Art Publisher, St. Louis. Printed in colors on Saunders Waterford High White HP 425 gsm paper and frame...

Screenprint in colors on paper. Hand signed, dated and numbered by the artist. Sheet size 31.5 x 26 inches. Image size 28.25 x 23.5 inches. From the edition of 200. Certificate of...

Screenprint on paper. Hand signed, dated and numbered by the artist. Image size 35 x 24 inches. Sheet size 39 x 28 inches. Frame size approx 45 x 35.25 inches. From the EA edition...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

A print by Shepard Fairey. “Alto Arizona” is a contemporary, popular culture screenprint in black, red, and white by American street artist Shepard Fairey. The artwork is signed iin pencil, lower right, "Shepard Fairey 10", lower middle, "EAY 10" (Ernesto Yerena...

Hand signed & numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 275. All reasonable offers will be considered.

In Acts 2:3 of the Bible, flaming tongues lap at the disciples, conferring upon them the ability to speak languages not their own. These fiery tongues have signified the power of speech, persuasion, and the ability to preach to the masses. Ingrid Bachmann’s tongues in Pinocchio’s Dilemma are glossy as if sugarcoated and boiled into hard candies—a crystallization process. They are the only of her works that people have tried to lick. Alternately seductive and repulsive, they wag mechanically at eye-level, emitting a small wind-up machine language of their own. The tongue gives the impression an attempt to tell, a revealing of secrets. On the opposing side of the room, a rod extends slowly from a hole in the wall, inching out, then back in. Pinocchio’s nose is an instantly recognizable stand-in for lies, liars, fakes. Pinocchio originated as the protagonist of a 19th-century children’s book by the Italian writer Carlo Collodi, and was most famously adapted by The Walt Disney Company. The pre-Disney Pinocchio is unruly, violent and mischievous; his story was originally intended to be a tragedy in which the marionette is hung from an oak tree branch by his enemies. Angry Work contains a latent violence—that which is found in childhood games, stories, myths, novels, and in the tools of the everyday. Two 14-foot-long knitting needles—domestic weaponry—lean as dead as stones, cool and silent, against the wall. These weighted objects commune with three bronze tongues, pre-vocalizations, embalmed. Bronze is a silent material. Two drawings invoke Cassandra, who was promised the gift of prophecy by Apollo. When Apollo appeared to her, she refused his sexual advances. In some iterations of the story, Apollo appeared as a wolf surrounded by mice and spat on her tongue. She awoke with a taste on her tongue. Maybe metallic, maybe red. She had been granted the gift of prophecy, with one condition: no one would believe her. This burdened us with one of the earliest models of hysteria—speaking in tongues, speaking marred truths. Bachmann maintains that Angry Work is not limited to women’s anger, or to personal anger. It’s about generalized anger. “The red world And corresponding red breezes.” [1] A cloud of anger, hints of red. An amorphous unknown. “The Airborne Toxic Event” [2] that encapsulates truth, lies, histories repeated, struggle, strife, shock, grappling and anger, anger, anger. I am told that The Angry Machine weighs 400 pounds and emits a mechanized hum. It will be fenced in, for the protection of both viewers and itself. It will not perform on demand, but at scheduled intervals, only occasionally. It has a projectile that is red. Red is the memory of a children’s game, trying to avoid hitting yourself, to avoid the smack of something against your skin. Red is interiority: the tongue, cheeks, throat and kisses. One can “see red” in a fit of rage. Red is blood, and red is romance — “roses being burned alive.” [3] [1] Anne Carson...

The Worshipper 2004/2005 Signed, titled, dated, and numbered in pencil, l.r. Silkscreen 41.625 x 29.125

Created by Donald Sultan in 2024, Seven Silvers is an original screenprint in colors with enamel inks, flocking, and tar-like texture on Rising 4-ply museum board. Measuring 58 x 58 ...

Created by Donald Sultan in 2024, Seven Blues is an original screenprint in colors with enamel inks, flocking, and tar-like texture on Rising 4-ply museum board. Measuring 58 x 58 in...

Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...

Created in 2007, Donald Sultan color screenprint Red Poppies II, 2007 with flocking on museum board is hand-signed by Donald Sultan (North Carolina, 1951 - ) in pencil in the left margin and is numbered from the edition of 75 in pencil in the lower right margin. About the Framing: Framed to museum-grade, conservation standards, Donald Sultan Red Poppies...

Created in 2007, this Donald Sultan color screenprint Black and Red, April 25, 2007 with flocking on museum board is hand-signed by Donald Sultan (North Carolina, 1951 - ) in pencil in the left margin and is numbered from the edition of 75 in pencil in the lower right margin. Published by Lococo Fine Art, MO. About the Framing: Framed to museum-grade, conservation standards, Donald Sultan Black...

"Dancer 1" is from Alex Katz Dancer series. He is obsessed by fashion and the ballet and often works together with models and dancers. His works show ...

"Dancer 1" is from Alex Katz Dancer series. He is obsessed by fashion and the ballet and often works together with models and dancers. His works show ...

"Coca-Cola Girl 8" is a very special one out of Alex Katz's Coca-Cola Girl series. These figures bear witness of his deep engagement with the ideas of advertisment, figurative art an...

"Coca-Cola Girl 3" is one out of Alex Katz's Coca-Cola Girl series. These figures bare witness of his deep engagement with the ideas of advertisment, figurative art and how to come t...

Created in 2007, this screenprint and acrylic paint in Acid Green on somerset paper is hand-signed by Russell Young, British (Northern England, 1959- ) in pencil on verso. This work is from the edition of 6 artist proofs on verso. Provenance 1. Private Collection, United States Catalogue Raisonné & COA: Russell Young Bardot...

Created in 2009, this color etching and aquatint is hand signed by Damien Hirst (Bristol, 1965-) in pencil on verso and is from the edition of 75. Catalogue Raisonné & COA: Damien H...

TECHNICAL INFORMATION: John Baldessari Hero 2017 Screenprint in colors on archival pigment print 30 x 22 in. Edition of 56/65 Pencil signed and numbered Condition: This work is in ...

TECHNICAL INFORMATION: Alex Katz Vivien in White Coat 2021 Silkscreen 54 x 39 in. Edition of 60 Pencil signed and numbered

Mobile (The Inventor) 1953 Signed and numbered Serigraph 15.813 x 21.125 inches (40.2 x 53.7 cm) Contact gallery for price. This work is offered by C...

Technical Information: Alex Katz Straw Hat Vivien 2021 Silkscreen 80 x 44 in. Edition of 60 Pencil signed and numbered

Created as a matching pair of images by Damien Hirst in 2016, Mickey and Minnie are two very fun and highly collectible screenprints, each measuring 34 ½ x 27 ...

Ink and 24-karat gold leaf on Hahnemühle paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachusetts) and Sammy...

40-color silkscreen on Zerkall Litho paper (Edition of 10) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massachu...

Silkscreen on Zerkall Litho paper (Edition of 15 variations) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Anthony Aziz (b. 1961, Massac...

An image of uncommon delicacy, Pamela (Gray) by Alex Katz is an early and stunningly beautiful work of art. Created by the artist in 1976 as a screenprint and lithograph in colors, t...

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).