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Maurice AsselinFamily - Original Etching by Maurice Asselin - Early 20th CenturyEarly 20th Century
Early 20th Century
$295.78
£224.84
€250
CA$415.67
A$452.05
CHF 238.15
MX$5,490.22
NOK 2,994.02
SEK 2,806.65
DKK 1,914.47
About the Item
Family is a beautiful etching, realized by the French painter and engraver Maurice Asselin, datable to the first half of the 20th Century.
Hand-signed in pencil on the rear.
Good conditions, with very smal stain on the whitish frame.
Maurice Asselin is famous especially for his female figures, among which numerous nudes, often caught in scenes of maternity, in which he reached rare levels of delicacy, but also for the wonderful landscapes of Brittany, a region of France, to him very dear, where he has often stayed. He also traveled to Italy, in Anticoli-Corrado, a famous town of artists and models in the countryside of the region Lazio, near Rome. After the Italian experience, Asselin also traveled to London, where he exhibited his works in solo shows.
The interior scene represents a family while doing housework, skillfully created, the etching characterized by quick and short strokes defined in a well-balanced composition, expressing the typical style of this French painter.
- Creator:Maurice Asselin (1882 - 1947, French)
- Creation Year:Early 20th Century
- Dimensions:Height: 4.73 in (12 cm)Width: 3.55 in (9 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1139591stDibs: LU65037433212
Maurice Asselin
Maurice Asselin is a painter and engraver, a member of the École de Paris. For the famous art historian, Bernard Dorival, Asselin was with André Dunoyer de Segonzac, Charles Dufresne, Paul-Elie Gernez and Henry de Waroquier, among the painters of the "realistic reaction" which to "idealism and photographic realism" of the academic tradition of the 19th century," prefer the frank realism of the Impressionists and the sincerity with which they questioned the nature. Against the unrealism of cubists, they pose as heirs of the independent masters of the third quarter of the 19th century. And Dorival strongly supports his statement by quoting our artist, "If you like painting, you will not only ask it to be a decoration for the walls of your home but first of all to be food for your life interior," thus professes Asselin who continues, "no brain combination, no theory can give birth to a work of art... Art springs from the marveled love of life."
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