Mr. Brainwash

Balloon Girl

2022

Mr. Brainwash Einstein, 2023 is a vibrant and stimulating work featuring Albert Einstein, a pillar of history and modern physics, amid the color and cacophony of modern life. Einstei...

Pablo Picasso L’étreinte (The Embrace), 1966 depicts the influence art nouveau and impressionism has on Picasso’s early works, a precursor to the artists rapidly approaching arrival ...

Pablo Picasso Le Peintre, 1963 is an after Picasso that captures the inquisitive nature of an artist. It is common to use the term 'after' when referring to...

Utilizing a combination of layered shapes which appear as though taken from sections of familiar forms, this piece entices the viewer to create his or her own interpretation of the w...

Created in 2008, this woodcut is hand-signed by Jim Dine (Cincinnati, Ohio, 1935 –) on verso and is numbered from the edition of 118 on verso. Published by Lincoln Center List Poster & Print Program, New York. About the Framing: Framed to museum-grade, conservation standards, Jim Dine Pinocchio...

James Rosenquist Untitled, 1975 is an enthralling work created by the artist as a study for a lithograph of the same title. Rosenquist, alongside artists like Andy Warhol and Roy Lic...

Mary Bauermeister Rainbow, 1973 Lithograph and silkscreen on creamy white paper Hand signed, dated and numbered 56/250 by the artist on the front 19 x 25.5 inches Unframed This work is on the permanent collection of various institutions like: Rice University, Samuel Dorksy Museum of Art, Rutgers Zimmerli Museum and Wheaton College Massachusetts. While studying the fringe sciences the 1970s, Bauermeister created Rainbow (1973), a lithograph and silkscreen. She uses a creamy white background as the base. Two intersecting diagonal bands of color transcend across the page, and black cursive lettering dances over the surface serving as a mind map of interweaving ideas. Through the central band, Bauermeister shifts through the color spectrum; she begins with red and finishes with violet. Inspired by music, she uses strokes of color that are rhythmically smeared across the lithograph. The surface lettering, a kind of visual poetry, explores her interest in human emotion and science. The viewer can see Bauermeister’s thoughts as they flow into one another through the use of words such as bliss, love, and healing. Bauermeister also includes a repetition of words such as cancer, sickness, and cure. The word cancer emerges from a cell-like shape. A careful study of the words shows that they may seem dark in nature; however, she juxtaposes these words against the cheerful title and colors. Perhaps the rainbow symbolizes a new hope, an inspiration for an optimistic future. -Courtesy to the Samuel Dorsky Museum of Art About Mary Bauermeister: A multidisciplinary artist known for her intricate and enigmatic assemblages, Mary Bauermeister (1934-2023) continues to defy categorization with layered works in a range of media. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of defining artists of the avant-garde—her work plays an integral role in the discussion of art, both European and American, that emerged from the 1960s. Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own “spiritual-metaphysical experiences.” Maturing amidst the currents of Minimalism and Pop Art, Bauermeister’s art has resisted labels due to the singular expression of her interests and concerns, among them the simultaneous transience and permanence of the natural world with experimentations in transparency and magnification, multiplication and variation, structure and order, chance and ephemerality, introversion and extroversion. Her three-dimensional receptacles of thoughts, ideas, and notes contain visual, conceptual, and philosophical paradoxes that challenge perceptions and that offer literal and metaphorical windows into which one can glimpse the inner workings of the artist’s mind. - Courtesy of Michael Rosenfeld...

Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...

Enrico Baj - American Ballet - Polymaterial Screen, 1973 Additional Information: Material: Mixed media polymaterial color screen printing on paper with applications and glitter, col...

Rosie Emerson returns to her elongated trademark style for the release of a brand new Audrey Hepburn print. Emerson has developed her very own technique to make these to prints using charcoal powder instead of ink, these print have a soft look and light texture to them, the powder is fixed with layers of fixative and also a UV varnish so they are protected for the years to come. Elevating the iconic Audrey Hepburn these prints unite hand painted elements, collaged found wire, diamonds and star constellations all in her monochrome style. A small edition of just 20, each print will vary slightly due to her unique technique, they come signed and edition in pencil and embossed with an artists stamp. Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

Enrico Baj - Particolare di Guernica - polymaterial screen , 1973 Additional Information: Material: Mixed media polymaterial color screen printing on paper with applications and gli...

Rosie Emerson Brigitte Bardot Large Edition Silkscreen Print on Paper Edition of 10 Charcoal powder and Black glitter Screen print on Paper Sheet: H 150cm x W 60cm x D 0.1cm Sold unf...