Items Similar to Nude in New Mexico
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Philip PearlsteinNude in New Mexico1984
1984
About the Item
PHILIP PEARLSTEIN
Nude in New Mexico, 1984
Lithograph on art paper
31 3/5 × 40 3/4 inches
Signed, titled, dated and numbered in graphite pencil from the limited edition of only 65. (48/65)
Unframed
Philip Pearlstein was born in Pittsburgh, PA, in 1924. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg, and received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design. In 1950, Pearlstein married Dorothy Cantor, a 1950 graduate of Carnegie, and in the same year he began graduate studies at New York University's Institute of Fine Arts. In 1952, he had his first public showing in a group exhibition at the Tanager Gallery; in 1954, Clement Greenberg selected his work for a show at the Kootz Gallery, New York, titled Emerging Talent; and in 1955, he opened his first one-man exhibition at the Tanager Gallery. In the same year, he received his Master’s degree with his thesis, The Paintings of Francis Picabia 1908-1930.
In 1958, Pearlstein was awarded a Fulbright grant, which supported a year of travel and painting abroad, passed mostly in Italy. In September 1960, a one-man exhibition of his paintings and drawings was held at the Allan Frumkin Gallery in Chicago, followed by another at Frumkin's New York gallery in the spring of 1961.
Pearlstein has been recognized in several museum exhibitions among which are: Philip Pearlstein: a Retrospective at Milwaukee Art Museum, which travelled to The Brooklyn Museum, NY, Pennsylvania Academy of Fine Arts, Philadelphia PA, and Toledo Museum, Toledo, OH, 1983-84; The Abstract Landscapes and Other Early Works on Paper, Butler Institute of American Art, Youngstown, OH, 1992; Philip Pearlstein Retrospective Exhibition: Works on Paper 1959-1994, University of Pittsburgh, Frick Fine Arts Building, 1995-96; Philip Pearlstein: World War II Paintings, Carnegie Museum of Art, Pittsburgh, PA, 1998-99; An Economy of Specific Bodies and Particular Objects: Philip Pearlstein Drawings, Frye Art Museum, Seattle, WA, 2005; Philip Pearlstein, The Dispassionate Body, Tweed Museum of Art, Duluth, MN, which travelled to the Michener Art Museum, Doylestown, PA, 2006-08; Philip Pearlstein: Objectifications, Montclair Art Museum, Montclair, NJ, 2008-9; Philip Pearlstein: Recent Works, Lyme Academy College of Fine Arts, Old Lyme, CT, 2009; Philip Pearlstein’s People, Places, Things, Museum of Fine Arts, St Petersburg, FL, 2013; Philip Pearlstein: Six Paintings, Six Decades, National Academy of Art, New York, NY, 2014; Pearlstein Warhol Cantor : From Pittsburgh to New York ,The Andy Warhol Museum, Pittsburgh, PA, 2015; Philip Pearlstein: Seventy-Five Years of Painting, Susquehanna Art Museum, Harrisburg, PA, 2017 among others.
Pearlstein was a frequent contributor to major art journals of analytical articles on contemporary art. He also was a dedicated teacher throughout his career: at Pratt Institute, Brooklyn, New York, 1959-63; visiting artist and lecturer at the Skowhegan School of Painting and Sculpture in Maine, summers of 1965 and 1967; and member of the resident faculty, Boston University summer program, Tanglewood, Massachusetts, 1969; and his primary teaching affiliation Brooklyn College which he joined in 1963 as an assistant professor, and was appointed a distinguished professor in 1977, retiring in 1988.
Among Pearlstein's honors are a National Endowment for the Arts grant, 1968; a Guggenheim Foundation fellowship, 1969; and election to the American Academy of Arts and Letters, 1982. He served as President of the American Academy of Arts and Letters from 2003 -2006. He received honorary Doctorates at: Carnegie Mellon University, Pittsburgh, 1983; Brooklyn College, in 1996; Center for Creative Studies and College of Art & Design, Detroit in 2000; New York Academy of Arts, New York 2001; Lyme Academy College of Fine Arts, Old Lyme, CT, 2009.
In 1988 he was elected Distinguished Professor Emeritus, Brooklyn College, Brooklyn, NY. In 2004 he received The Benjamin West Clinedinst Memorial Medal, The Artists Fellowship, Inc., New York, and in 2005 The Adolph & Clara Obrig Prize, The National Academy, New York. In 2008, he received a Lifetime Achievement Award, National Academy, New York, and the Scholastic Distinguished Alumni Achievement Award. In 2010, he was awarded Artist of the Year, American Friends of the Tel Aviv Museum of Art, New York. In 2017, he was awarded the Icon Award in the Arts, Bruce Museum, Connecticut. He passed away in New York City, in December 2022.
Philip Pearlstein was born in Pittsburgh, PA, in 1924. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg, and received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design. In 1950, Pearlstein married Dorothy Cantor, a 1950 graduate of Carnegie, and in the same year he began graduate studies at New York University's Institute of Fine Arts. In 1952, he had his first public showing in a group exhibition at the Tanager Gallery; in 1954, Clement Greenberg selected his work for a show at the Kootz Gallery, New York, titled Emerging Talent; and in 1955, he opened his first one-man exhibition at the Tanager Gallery. In the same year, he received his Master’s degree with his thesis, The Paintings of Francis Picabia 1908-1930.
In 1958, Pearlstein was awarded a Fulbright grant, which supported a year of travel and painting abroad, passed mostly in Italy. In September 1960, a one-man exhibition of his paintings and drawings was held at the Allan Frumkin Gallery in Chicago, followed by another at Frumkin's New York gallery in the spring of 1961.
Pearlstein has been recognized in several museum exhibitions among which are: Philip Pearlstein: a Retrospective at Milwaukee Art Museum, which travelled to The Brooklyn Museum, NY, Pennsylvania Academy of Fine Arts, Philadelphia PA, and Toledo Museum, Toledo, OH, 1983-84; The Abstract Landscapes and Other Early Works on Paper, Butler Institute of American Art, Youngstown, OH, 1992; Philip Pearlstein Retrospective Exhibition: Works on Paper 1959-1994, University of Pittsburgh, Frick Fine Arts Building, 1995-96; Philip Pearlstein: World War II Paintings, Carnegie Museum of Art, Pittsburgh, PA, 1998-99; An Economy of Specific Bodies and Particular Objects: Philip Pearlstein Drawings, Frye Art Museum, Seattle, WA, 2005; Philip Pearlstein, The Dispassionate Body, Tweed Museum of Art, Duluth, MN, which travelled to the Michener Art Museum, Doylestown, PA, 2006-08; Philip Pearlstein: Objectifications, Montclair Art Museum, Montclair, NJ, 2008-9; Philip Pearlstein: Recent Works, Lyme Academy College of Fine Arts, Old Lyme, CT, 2009; Philip Pearlstein’s People, Places, Things, Museum of Fine Arts, St Petersburg, FL, 2013; Philip Pearlstein: Six Paintings, Six Decades, National Academy of Art, New York, NY, 2014; Pearlstein | Warhol | Cantor : From Pittsburgh to New York ,The Andy Warhol Museum, Pittsburgh, PA, 2015; Philip Pearlstein: Seventy-Five Years of Painting, Susquehanna Art Museum, Harrisburg, PA, 2017 among others.
Pearlstein was a frequent contributor to major art journals of analytical articles on contemporary art. He also was a dedicated teacher throughout his career: at Pratt Institute, Brooklyn, New York, 1959-63; visiting artist and lecturer at the Skowhegan School of Painting and Sculpture in Maine, summers of 1965 and 1967; and member of the resident faculty, Boston University summer program, Tanglewood, Massachusetts, 1969; and his primary teaching affiliation Brooklyn College which he joined in 1963 as an assistant professor, and was appointed a distinguished professor in 1977, retiring in 1988.
Among Pearlstein's honors are a National Endowment for the Arts grant, 1968; a Guggenheim Foundation fellowship, 1969; and election to the American Academy of Arts and Letters, 1982. He served as President of the American Academy of Arts and Letters from 2003 -2006. He received honorary Doctorates at: Carnegie Mellon University, Pittsburgh, 1983; Brooklyn College, in 1996; Center for Creative Studies and College of Art & Design, Detroit in 2000; New York Academy of Arts, New York 2001; Lyme Academy College of Fine Arts, Old Lyme, CT, 2009.
In 1988 he was elected Distinguished Professor Emeritus, Brooklyn College, Brooklyn, NY. In 2004 he received The Benjamin West Clinedinst Memorial Medal, The Artists Fellowship, Inc., New York, and in 2005 The Adolph & Clara Obrig Prize, The National Academy, New York. In 2008, he received a Lifetime Achievement Award, National Academy, New York, and the Scholastic Distinguished Alumni Achievement Award. In 2010, he was awarded Artist of the Year, American Friends of the Tel Aviv Museum of Art, New York. In 2017, he was awarded the Icon Award in the Arts, Bruce Museum, Connecticut. He passed away in New York City, in December 2022.
Philip Pearlstein was born in Pittsburgh, PA, in 1924. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg, and received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design. In 1950, Pearlstein married Dorothy Cantor, a 1950 graduate of Carnegie, and in the same year he began graduate studies at New York University's Institute of Fine Arts. In 1952, he had his first public showing in a group exhibition at the Tanager Gallery; in 1954, Clement Greenberg selected his work for a show at the Kootz Gallery, New York, titled Emerging Talent; and in 1955, he opened his first one-man exhibition at the Tanager Gallery. In the same year, he received his Master’s degree with his thesis, The Paintings of Francis Picabia 1908-1930.
In 1958, Pearlstein was awarded a Fulbright grant, which supported a year of travel and painting abroad, passed mostly in Italy. In September 1960, a one-man exhibition of his paintings and drawings was held at the Allan Frumkin Gallery in Chicago, followed by another at Frumkin's New York gallery in the spring of 1961.
Pearlstein has been recognized in several museum exhibitions among which are: Philip Pearlstein: a Retrospective at Milwaukee Art Museum, which travelled to The Brooklyn Museum, NY, Pennsylvania Academy of Fine Arts, Philadelphia PA, and Toledo Museum, Toledo, OH, 1983-84; The Abstract Landscapes and Other Early Works on Paper, Butler Institute of American Art, Youngstown, OH, 1992; Philip Pearlstein Retrospective Exhibition: Works on Paper 1959-1994, University of Pittsburgh, Frick Fine Arts Building, 1995-96; Philip Pearlstein: World War II Paintings, Carnegie Museum of Art, Pittsburgh, PA, 1998-99; An Economy of Specific Bodies and Particular Objects: Philip Pearlstein Drawings, Frye Art Museum, Seattle, WA, 2005; Philip Pearlstein, The Dispassionate Body, Tweed Museum of Art, Duluth, MN, which travelled to the Michener Art Museum, Doylestown, PA, 2006-08; Philip Pearlstein: Objectifications, Montclair Art Museum, Montclair, NJ, 2008-9; Philip Pearlstein: Recent Works, Lyme Academy College of Fine Arts, Old Lyme, CT, 2009; Philip Pearlstein’s People, Places, Things, Museum of Fine Arts, St Petersburg, FL, 2013; Philip Pearlstein: Six Paintings, Six Decades, National Academy of Art, New York, NY, 2014; Pearlstein | Warhol | Cantor : From Pittsburgh to New York ,The Andy Warhol Museum, Pittsburgh, PA, 2015; Philip Pearlstein: Seventy-Five Years of Painting, Susquehanna Art Museum, Harrisburg, PA, 2017 among others.
Pearlstein was a frequent contributor to major art journals of analytical articles on contemporary art. He also was a dedicated teacher throughout his career: at Pratt Institute, Brooklyn, New York, 1959-63; visiting artist and lecturer at the Skowhegan School of Painting and Sculpture in Maine, summers of 1965 and 1967; and member of the resident faculty, Boston University summer program, Tanglewood, Massachusetts, 1969; and his primary teaching affiliation Brooklyn College which he joined in 1963 as an assistant professor, and was appointed a distinguished professor in 1977, retiring in 1988.
Among Pearlstein's honors are a National Endowment for the Arts grant, 1968; a Guggenheim Foundation fellowship, 1969; and election to the American Academy of Arts and Letters, 1982. He served as President of the American Academy of Arts and Letters from 2003 -2006. He received honorary Doctorates at: Carnegie Mellon University, Pittsburgh, 1983; Brooklyn College, in 1996; Center for Creative Studies and College of Art & Design, Detroit in 2000; New York Academy of Arts, New York 2001; Lyme Academy College of Fine Arts, Old Lyme, CT, 2009.
In 1988 he was elected Distinguished Professor Emeritus, Brooklyn College, Brooklyn, NY. In 2004 he received The Benjamin West Clinedinst Memorial Medal, The Artists Fellowship, Inc., New York, and in 2005 The Adolph & Clara Obrig Prize, The National Academy, New York. In 2008, he received a Lifetime Achievement Award, National Academy, New York, and the Scholastic Distinguished Alumni Achievement Award. In 2010, he was awarded Artist of the Year, American Friends of the Tel Aviv Museum of Art, New York. In 2017, he was awarded the Icon Award in the Arts, Bruce Museum, Connecticut. He passed away in New York City, in December 2022.
Philip Pearlstein was born in Pittsburgh, PA, in 1924. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine's 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he studied with Robert Lepper, Balcomb Green and Samuel Rosenberg, and received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design. In 1950, Pearlstein married Dorothy Cantor, a 1950 graduate of Carnegie, and in the same year he began graduate studies at New York University's Institute of Fine Arts. In 1952, he had his first public showing in a group exhibition at the Tanager Gallery; in 1954, Clement Greenberg selected his work for a show at the Kootz Gallery, New York, titled Emerging Talent; and in 1955, he opened his first one-man exhibition at the Tanager Gallery. In the same year, he received his Master’s degree with his thesis, The Paintings of Francis Picabia 1908-1930.
In 1958, Pearlstein was awarded a Fulbright grant, which supported a year of travel and painting abroad, passed mostly in Italy. In September 1960, a one-man exhibition of his paintings and drawings was held at the Allan Frumkin Gallery in Chicago, followed by another at Frumkin's New York gallery in the spring of 1961.
Pearlstein has been recognized in several museum exhibitions among which are: Philip Pearlstein: a Retrospective at Milwaukee Art Museum, which travelled to The Brooklyn Museum, NY, Pennsylvania Academy of Fine Arts, Philadelphia PA, and Toledo Museum, Toledo, OH, 1983-84; The Abstract Landscapes and Other Early Works on Paper, Butler Institute of American Art, Youngstown, OH, 1992; Philip Pearlstein Retrospective Exhibition: Works on Paper 1959-1994, University of Pittsburgh, Frick Fine Arts Building, 1995-96; Philip Pearlstein: World War II Paintings, Carnegie Museum of Art, Pittsburgh, PA, 1998-99; An Economy of Specific Bodies and Particular Objects: Philip Pearlstein Drawings, Frye Art Museum, Seattle, WA, 2005; Philip Pearlstein, The Dispassionate Body, Tweed Museum of Art, Duluth, MN, which travelled to the Michener Art Museum, Doylestown, PA, 2006-08; Philip Pearlstein: Objectifications, Montclair Art Museum, Montclair, NJ, 2008-9; Philip Pearlstein: Recent Works, Lyme Academy College of Fine Arts, Old Lyme, CT, 2009; Philip Pearlstein’s People, Places, Things, Museum of Fine Arts, St Petersburg, FL, 2013; Philip Pearlstein: Six Paintings, Six Decades, National Academy of Art, New York, NY, 2014; Pearlstein | Warhol | Cantor : From Pittsburgh to New York ,The Andy Warhol Museum, Pittsburgh, PA, 2015; Philip Pearlstein: Seventy-Five Years of Painting, Susquehanna Art Museum, Harrisburg, PA, 2017 among others.
Pearlstein was a frequent contributor to major art journals of analytical articles on contemporary art. He also was a dedicated teacher throughout his career: at Pratt Institute, Brooklyn, New York, 1959-63; visiting artist and lecturer at the Skowhegan School of Painting and Sculpture in Maine, summers of 1965 and 1967; and member of the resident faculty, Boston University summer program, Tanglewood, Massachusetts, 1969; and his primary teaching affiliation Brooklyn College which he joined in 1963 as an assistant professor, and was appointed a distinguished professor in 1977, retiring in 1988.
Among Pearlstein's honors are a National Endowment for the Arts grant, 1968; a Guggenheim Foundation fellowship, 1969; and election to the American Academy of Arts and Letters, 1982. He served as President of the American Academy of Arts and Letters from 2003 -2006. He received honorary Doctorates at: Carnegie Mellon University, Pittsburgh, 1983; Brooklyn College, in 1996; Center for Creative Studies and College of Art & Design, Detroit in 2000; New York Academy of Arts, New York 2001; Lyme Academy College of Fine Arts, Old Lyme, CT, 2009.
In 1988 he was elected Distinguished Professor Emeritus, Brooklyn College, Brooklyn, NY. In 2004 he received The Benjamin West Clinedinst Memorial Medal, The Artists Fellowship, Inc., New York, and in 2005 The Adolph & Clara Obrig Prize, The National Academy, New York. In 2008, he received a Lifetime Achievement Award, National Academy, New York, and the Scholastic Distinguished Alumni Achievement Award. In 2010, he was awarded Artist of the Year, American Friends of the Tel Aviv Museum of Art, New York. In 2017, he was awarded the Icon Award in the Arts, Bruce Museum, Connecticut. He passed away in New York City, in December 2022.
- Creator:Philip Pearlstein (1924, American)
- Creation Year:1984
- Dimensions:Height: 30.3 in (76.97 cm)Width: 40.75 in (103.51 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Unframed and in very good condition; there is some tape on the verso from having previously been framed, but that that will not be visible when the work is re-framed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213081772
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
289 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Seated Nude (version 1) from the portfolio Maillol: Sculpture and Lithography)By Aristide MaillolLocated in New York, NYAristide Maillol Seated Nude (version 1) from the portfolio Aristide Maillol: Sculpture and Lithography, 1925 Lithograph on watermarked paper 12 1/2 × 19 1/2 inches Edition AP Hand-s...Category
1920s Realist Figurative Prints
MaterialsLithograph
- Untitled Nudes in bathtubBy Philip PearlsteinLocated in New York, NYPhilip Pearlstein Untitled Nudes in bathtub, ca. 1971 Lithograph on paper with Deckled Edges Numbered from the limited edition of only 19. Unframed Hand signed and numbered 19 on the...Category
1970s Realist Nude Prints
MaterialsLithograph
- Untitled Nude, from Atelier International Portfolio by renowned realist artistBy Philip PearlsteinLocated in New York, NYPhilip Pearlstein Untitled Nude, from Atelier International Portfolio, 1985 Etching. on wove paper Hand signed, numbered 78/85, and dated on the lower front with printer's and publisher's blind stamps. 30 × 22 1/2 inches Unframed This vintage (mid 1980s) etching by Philip Pearlstein is hand signed, numbered and dated from the edition of 85. The late Philip Pearlstein is one of the most renowned realist painters in the world, but has become best recognized of late as Andy Warhol's former roommate in Pittsburgh, who traveled together with Warhol to New York. The Warhol museum in fact hosted a show of the two unlikely artists and roommates. Philip Pearlstein Born in 1924 in Pittsburgh, Pennsylvania, USA, Philip Pearlstein died in 2022. He is considered to be one of the masters of new figuration and modernist realism. He has been examining the question of how the model is represented since the 1960s, his complex works straddling the line between naturalism, abstraction and hyperrealism. His still lives in oil feature nudes with mask...Category
1980s Realist Nude Prints
MaterialsEtching
- Untitled from Doctors of the World Portfolio, hand signed & numbered Pop realismBy Chuck CloseLocated in New York, NYChuck Close Untitled Daguerreotypes, 2001 Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper 22 × 29 1/4 inches Signed in pencil, dated and numbered on the front from the edition of 100 Unframed The present work is a pencil signed and numbered daguerreotype that is part of the 2001 “Doctors of the World” series. Close has said “I’m not interested in daguerreotypes because it’s an antiquarian process, I like them because from my point of view, photography never got any better than it was in 1840… Photographs are often so big now that twenty or thirty people can view one at the same time, but a daguerreotype is the most intimate image made with a camera, because it is small and only one person can look at it.” Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY Literature: "The Art of Healing" which catalogues the works from the portfolio. Chuck Close Prints...Category
Early 2000s Pop Art Nude Prints
MaterialsPigment, Lithograph, Pencil
- Theresa Russell "Nude" poster (Hand signed, inscribed & dated by David Hockney)By David HockneyLocated in New York, NYDavid Hockney XVI RIP ARLES (Hand signed, inscribed and dated by David Hockney), 1985 Offset lithograph poster Hand signed and inscribed with dateline London, 1985 by David Hockney o...Category
1980s Pop Art Nude Prints
MaterialsLithograph, Offset, Ink
- Hav-a-Havana Mel Ramos at Kantor Gallery (Hand Signed by Mel Ramos)By Mel RamosLocated in New York, NYMel Ramos at Kantor Gallery (Hand Signed), 1997 Limited Edition Offset Lithograph (hand signed by Mel Ramos) Pencil signed and dated on lower front Frame Included: framed in dark woo...Category
1990s Pop Art Nude Prints
MaterialsLithograph, Offset
You May Also Like
- Desnudo de Frida Kahlo, Signed Lithograph by Diego RiveraBy Diego RiveraLocated in Long Island City, NYThis portrait depicts Rivera's second wife, the artist Frida Kahlo (1907-54), sitting on a bed wearing stockings and shoes and fastening rows of beads around her neck. An accident wh...Category
1930s Realist Nude Prints
MaterialsLithograph
- Nude Model with Banner and Fish Weathervanes, by Philip PearlsteinBy Philip PearlsteinLocated in Long Island City, NYArtist: Philip Pearlstein Title: Nude Model with Banner and Fish Weathervanes Year: 2010 Medium: Lithograph, Signed and Numbered in Pencil Edition: 40 Size: 34.5 x 25 in. (87.63 x ...Category
21st Century and Contemporary Realist Figurative Prints
MaterialsLithograph
- UntitledBy Théophile Alexandre SteinlenLocated in San Francisco, CAArtist: Theophile Alexandre Steinlen (Swiss, 1859-1923) Title: Untitled Year: c.1915 Medium: Lithograph Edition: Unknown, probably 400 Paper: Thin vellum Image size: 1...Category
Early 20th Century Realist Figurative Prints
MaterialsLithograph
- STANDING NUDE Signed Lithograph, Realist Portrait Young Woman, Figure DrawingBy Raphael SoyerLocated in Union City, NJSTANDING NUDE an original hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival Arches paper 100%...Category
1970s Realist Nude Prints
MaterialsLithograph
- 1940s Lithograph of Pin Up Girl -- "The Enchantress" - GiftBy Rolf ArmstrongLocated in Soquel, CAWonderful example of iconic Pin Up girls of early 20th Century titled "The Enchantress" by famed Pin Up artist Rolf Armstrong (American, 1889-1960) Circa 1...Category
1940s Realist Nude Prints
MaterialsInk, Lithograph, Paper
- At the sauna. 1960s, paper, lithography, 38x49 cmLocated in Riga, LVAt the sauna 1960s, paper, lithography, 38x49 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive watercolors artists, in first post-war generation - the number of jobs estimated in the thousands. Especially popular paintings with floral motifs. The artist about herself says: "I was born in Jelgava in 1930 in family of teachers. As a child, together with brother we loved to draw and made figures of clay or plasticine. In Riga elementary school №8 was a great art teacher, artist Alphonse Mihaylovskis, he also gave the first direction in art. Father let us buy a good brushes, watercolors, art books and publications related to the Latvian art. We also visited the exhibition. Enthusiastically I absorb all that read, studied the basic concepts...Category
1960s Realist Nude Prints
MaterialsLithograph, Paper
