The Angel Departing from the Family of Tobias - Etching
View Similar Items
1 of 8
Rembrandt van RijnThe Angel Departing from the Family of Tobias - EtchingCreated in 1641, printed in circa 1850
Created in 1641, printed in circa 1850
About the Item
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:Created in 1641, printed in circa 1850
- Dimensions:Height: 17.72 in (45 cm)Width: 19.69 in (50 cm)Depth: 0.99 in (2.5 cm)
- More Editions & Sizes:Plate Size: H 10.5 cm x W 15.6 cmPrice: $3,000
- Medium:
- Movement & Style:
- Period:
- Condition:This work is in good condition, it has recently been professionally cleaned and separated from an old mounting board. It has been framed using conservation acid free materials and glazed under UV protective Artglass AR70.
- Gallery Location:Pymble, AU
- Reference Number:1stDibs: LU97717364232
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
You May Also Like
- The Spectacle SellerBy Adriaen Jansz van OstadeLocated in Middletown, NYEtching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...Category
Mid-17th Century Old Masters Figurative Prints
MaterialsDrypoint, Laid Paper, Etching
- The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel ArtBy Michael BurghersLocated in Saint Augustine, FLArtist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...Category
1680s Old Masters Figurative Prints
MaterialsWatercolor, Engraving, Etching, Laid Paper, Intaglio
- Louis XI, Roi de FranceBy Jean MorinLocated in Middletown, NYEtching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...Category
Mid-17th Century Old Masters Portrait Prints
MaterialsLaid Paper, Engraving, Etching
- Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...By Giuseppe VasiLocated in Middletown, NYBy Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...Category
Late 18th Century Old Masters Landscape Prints
MaterialsWatercolor, Laid Paper, Engraving, Etching
- L'automne, by Franz Edmond Weirotter, after van GoyenBy Jan Josefsz Van GoyenLocated in Middletown, NYEtching and engraving on cream laid paper, 11 3/4 x 8 1/8 inches (297 x 205 mm), margins trimmed. Scattered light surface soiling, minor loose handling creases, rubbed edges, and sma...Category
Mid-18th Century Old Masters Landscape Prints
MaterialsEtching, Handmade Paper, Laid Paper, Engraving
- Le Tour de Clermont en Dauphine apartenant a Monsieur de TonnerreBy Israel SilvestreLocated in Middletown, NYEtching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...Category
18th Century Old Masters Landscape Prints
MaterialsHandmade Paper, Laid Paper, Engraving, Etching
Recently Viewed
View AllMore Ways To Browse
Retro Church Stained Glass
Silk Fabric Germany
Vintage Vogue Drawings
Dior Sport
Small Music Box
Original Jazz Poster
Marc Chagall 1957
Vintage 1930s Jazz
Child Antique Portraits
Italian Renaissance Engraving
Haring Pop Shop
Cortina Italy
Sport Sculpture
Moroccan Figure
Merit La
Signed Clemente
Antique Travel Print
Woodblock Beauty