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Divine Impenetrability - Woodcut attr. to Salvador Dalì - 19631963
1963
$404
£300.33
€340
CA$555.73
A$619.16
CHF 326.55
MX$7,506.37
NOK 4,154.18
SEK 3,869.88
DKK 2,590.28
About the Item
Divine Impenetrability from the Series "The Divine Comedy" by Dante Alighieri is woodcut print realized in 1963.
Good conditions. Not signed, as issued.
Plate n.22 (as reported on the back of the artwork) that depicts a scene from Paradise.
Includes authenticity certificate form Unione Editoriale. Specimen n. 982 within a limited edition of 2900, as reported on certificate.
Ref. Michler-Lopsinger no. 1039/1138, pp.102/114.
Between 1951 and 1960, Dali was invited by the Italian government to commemorate the birth of Dante Alighieri, Italy’s most famous poet, by producing a series of illustrations for a full-text Deluxe edition of Dante’s masterpiece, the Divine Comedy. Howewar In 1958, a new government was elected in Italy, which objected to the idea of entrusting the illustration of the Divine Comedy to a foreign artist. As a result, he decided to offer the project to the French publisher, Joseph Forêt and the publication was completed the 23rd of November 1963.
Dalí had painted 100 watercolors in preparation for the publication of “The Divine Comedy.” These watercolors explored the many myths and elements of this magnificent work of literature by the great Dante Alighieri. These drawings are then reproduced using a wood engraving technique.
- Attributed to:Salvador Dalí (1904 - 1989, Spanish)
- Creation Year:1963
- Dimensions:Height: 13 in (33 cm)Width: 10.24 in (26 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1202571stDibs: LU65038324712
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Salvador Dali
Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press.
Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him.
In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness.
By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. His great craftsmanship allowed him to execute his paintings in a nearly photo-realistic style. No wonder that the artist was a great admirer of the Italian Renaissance painter Raphael.
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