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Salvador Dalí­
Heretics Inferno For The Divine Comedy

1951

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    Danse Pantomime 1982 pencil signed, limited edition silkscreen 112/150 Theo Tobiasse was born in Israel in 1927 to Lithuanian parents. Due to financial ...
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  • Perpetuum Mobile LXXX
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    Located in Delray Beach, FL
    Perpetuum Mobile LXXX signed and title size 27"5x39"3 framed 44"5x33"4 Tomasz Winiarski was born in 1982 in Bielsko- Biala, Poland. In the years 2003-2008, he studied at the...
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  • Perpetuum Mobile LV
    By Tomasz Winiarski
    Located in Delray Beach, FL
    Perpetuum Mobile LV Black and White Engraving signed. Size 39"3x27'5 framed 46"x33"5 Tomasz Winiarski was born in 1982 in Bielsko- Biala. In the years 2003-2008, he studie...
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  • The Magicians Message From Cuevas' Comedies
    By José Luis Cuevas
    Located in Delray Beach, FL
    The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...
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    1970s Modern Figurative Prints

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  • Divine Comedy complete set of 6 books
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  • Frère Ogrin, l'hermite (Brother Ogrin, the Hermit) /// Surrealism Salvador Dali
    By Salvador Dalí­
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    Artist: Salvador Dali (Spanish, 1904-1989) Title: "Frère Ogrin, l'hermite (Brother Ogrin, the Hermit)" Portfolio: Tristan et Iseult *Monogram signed by Dali in pencil lower right Year: 1970 Medium: Original Engraving on Mandeure paper Limited edition: 101/125 Printer: Atelier Rigal, Paris, France Publisher: Leon Amiel, New York, NY and Paris, France Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 70-10-K, page 60; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 416, page 183-184 Framing: Recently framed in a gold ornate moulding with matting from Holland, gold filet, and Museum glass. All archival Framed size: 28" x 22.25" Sheet size (folded): 18" x 12.75" Sheet size (unfolded): 18" x 25.5" Image size: 15.75" x 10.5" Condition: One tiny tear upper left. Some faint spots lower left. It is otherwise a strong impression is excellent condition Notes: Provenance: private collection - Indianapolis, IN; acquired from Ferdinand Roten Galleries, Baltimore, MD retaining their original gallery label on verso. Numbered by Dali in pencil lower left. Comes from Dali's 1970 "Tristan et Iseult" portfolio of 21 color engravings. Leon Amiel chop mark/blind stamp lower left. These engravings from the "Tristan et Iseult" portfolio were printed on folded sheets with their respective text descriptions as issued. We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...
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  • Salvador Dalí, The Black Cherub (M/L.1039-1138; F.189-200)
    By Salvador Dalí­
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    Artist: Salvador Dali (1904-1989) Suite: Göttliche Komödie (The Divine Comedy) Year: 1974 Medium: Wood engraving in colors on BFK Rives wove paper tipped to Arches paper mounts Inscr...
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