La Resussuscité - Original Etching attr. to Salvador Dalì - 1972
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Auction endedBrowse Current Auctions
La Resussuscité - Original Etching attr. to Salvador Dalì - 19721972
1972
About the Item
- Attributed to:Salvador Dalí (1904 - 1989, Spanish)
- Creation Year:1972
- Dimensions:Height: 17.92 in (45.5 cm)Width: 12.41 in (31.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1210411stDibs: LU65038391402
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,713 sales on 1stDibs
Typical response time: 2 hours
More From This SellerView All
- Trajan - Drypoint Etching attr. to Salvador Dalì - 1973By Salvador DalíLocated in Roma, ITTrajan is an original contemporary artwork realized in 1973. Black and white drypoin etching. Hand signed on the lower margin. Numbered on the lower left. Edition of 216/261. Ref...Category
1970s Surrealist Figurative Prints
MaterialsDrypoint, Etching
- Pirueta de Plátano - Drypoint and Collotype by S.Dalì - 1977By Salvador DalíLocated in Roma, ITPirueta de Plátano is an original contemporary artwork realized in 1977. Dry point and collotype, Hand signed by the artist on the lower margin. Numbered on the lower left margin....Category
1970s Surrealist Figurative Prints
MaterialsEtching, Drypoint
- Le Testament de Tristan - Drypoint Etching attr. to S. Dalì - 1969By Salvador DalíLocated in Roma, ITLe Testament de Tristan - From "Tristan et Iseult" is a modern artwork realized in 1969 Colour-printed drypoint etching, from the series of 21 etchings of “ Tristan et Iseult”. Han...Category
1960s Surrealist Figurative Prints
MaterialsEtching, Paper, Drypoint
- Les Trois Barons Félons - Drypoint Etching attr. to S. Dalì - 1969By Salvador DalíLocated in Roma, ITLes Trois Barons Félons- From "Tristan et Iseult" is a modern artwork realized in 1969. Colour-printed drypoint etching, from the series of 21 etchings of “ Tristan et Iseult”. Han...Category
1960s Surrealist Figurative Prints
MaterialsDrypoint, Paper, Etching
- Principio de Incertidumbre de Heisenberg - Etching, Drypoint and Pochoir - 1977Located in Roma, ITEtching, Drypoint and Pochoir, 1977. Sheet 19 from the series Les Caprices de Goya de Dalì. Printed by J.J.J. Rigal after Goya with drypoint revisions by Dalí in his own hand between 1973 and 1977. Edition 85/200. Red. Michler-Löpsinger 866a (from b). Inscribed Dalì and Goya in pencil and with the artist's signature, title and number on the plate. On bold chamois-colored BFK Rives The Spanish master Francisco Goya created the work “Los Caprichos...Category
1970s Surrealist Figurative Prints
MaterialsDrypoint, Etching
- Femmes Poules (Hen Woman) - Etching - 1960sBy Salvador DalíLocated in Roma, ITFemmes Poules (Hen Woman) is an artwork realized in 1968/69, from the Series "Faust" (La Nuit de Walpurgis). Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed ...Category
1960s Surrealist Figurative Prints
MaterialsDrypoint, Etching, Paper, Watercolor
You May Also Like
- 'Fantasia Americana - 1880' — Mid-Century American SurrealismBy Lawrence KupfermanLocated in Myrtle Beach, SCLawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Archivally matted to museum standards, unframed. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...Category
1940s Surrealist Figurative Prints
MaterialsDrypoint, Etching
- La Ressuscitée, 1972 (Le Decameron, Plate J)By Salvador DalíLocated in Greenwich, CTLa Ressuscitée from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 A...Category
20th Century Surrealist Prints and Multiples
MaterialsEtching, Drypoint
- Le Jument de Compère Pierre, 1972 (Le Decameron, Plate I)By Salvador DalíLocated in Greenwich, CTLe Jument de Compère Pierre from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edi...Category
20th Century Surrealist Prints and Multiples
MaterialsEtching, Drypoint
- Blanchefleur, 1972 (Le Decameron, Plate H)By Salvador DalíLocated in Greenwich, CTBlanchefleur from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 Ara...Category
20th Century Surrealist Prints and Multiples
MaterialsDrypoint, Etching
- Le Diable en Enfer, 1972 (Le Decameron, Plate C)By Salvador DalíLocated in Greenwich, CTLe Diable en Enfer from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 1...Category
20th Century Surrealist Prints and Multiples
MaterialsDrypoint, Etching
- Mr. Thirteen (the insignificance of the significant)By Seyed M. S. EdalatpourLocated in New Orleans, LA"Mr. Thirteen" is an etching, engraving and drypoint created in 1995, edition: 12 signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circl...Category
1990s Surrealist Portrait Prints
MaterialsEtching, Engraving, Drypoint
$697 Sale Price41% Off
Recently Viewed
View AllMore Ways To Browse
Freud Etchings
Giovanni Vintage Jewelry
Giovanni Jewelry Vintage
Decameron Dali
Vintage French Opera Posters
Vintage Posters Chicago
Keith Haring Subway Drawings
Large Wall Sculpture Sun
Unique Formal Dresses
Dali And Chanel
Cat Vintage Illustration
Circus Retro Poster
Fruit Jewel
Vintage Cat Illustration
Picasso Woodcut
Helena Rubinstein Vintage
Platic Jesus
Henri Matisse Lithograph Signed Framed