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Salvator RosaThe Academy of Plato Plato and His Disciplesc. 1662, printed c. 1710
c. 1662, printed c. 1710
About the Item
The Academy of Plato
Plato and His Disciples
Etching and drypoint
c. 1662, printed c. 1710
Signed in the plate lower left
Inscribed lower left: 'In villa ab Academo attributa sua[m] Plato condit Academia Salvator Rosa Inv. Scul.' (Translation: 'In the villa given by Academus Plato founds his academy.')
Depicts a seminal moment in the evolution of learning and thought.
Condition: Very good
Horizontal crease from paper manufacture
Reference: Bartsch XX.269.3
Illustrated Bartsch XX.3 ii/II
Reference: Theodoli 1992, no. 109
Salvator Rosa (1615-1673) was born in Arenella near Naples and soon absorbed the energy and violence informing Neapolitan art, characteristics which would be apparent throughout his career. Rosa was a prolific etcher but he also produced drawings and paintings. He particularly favoured subjects taken from the classical Antiquity, such as in the present case. The print shows here the ancient Greek philosopher Plato, disciple of Socrates, founding his school of philosophy called the Academy.
“Salvator Rosa (born June 20, 1615, Arenella, Sicily, Spanish Habsburg domain [now in Italy]—died March 15, 1673, Rome, Papal States [Italy]) was an Italian Baroque painter and etcher of the Neapolitan school remembered for his wildly romantic or “sublime” landscapes, marine paintings, and battle pictures. He was also an accomplished poet, satirist, actor, and musician.
Rosa studied painting in Naples, coming under the influence of the Spanish painter and engraver José de Ribera. Rosa went to Rome in 1635 to study, but he soon c ntracted malaria. He returned to Naples, where he painted numerous battle and marine pictures and developed his peculiar style of landscape—picturesquely wild scenes of nature with shepherds, seamen, soldiers, or bandits—the whole infused with a romantic poetic quality.
His reputation as a painter preceded his return to Rome in 1639. Already famous as an artist, he also became a popular comic actor. During the Carnival of 1639 he rashly satirized the famous architect and sculptor Gian Lorenzo Bernini, thereby making a powerful enemy. For some years thereafter the environment of Florence was more comfortable for him than that of Rome. In Florence he enjoyed the patronage of Cardinal Giovanni Carlo de’ Medici. Rosa’s own house became the centre of a literary, musical, and artistic circle called the Accademia dei Percossi; here also Rosa’s flamboyant personality found expression in acting. In 1649 he returned and finally settled in Rome. Rosa, who had regarded his landscapes more as recreation than as serious art, now turned largely to religious and historical painting. In 1660 he began etching and completed a number of successful prints. His satires were posthumously published in 1710.” Courtesy Britannica
- Creator:Salvator Rosa (1615 - 1673, Italian)
- Creation Year:c. 1662, printed c. 1710
- Dimensions:Height: 18.19 in (46.21 cm)Width: 10.75 in (27.31 cm)
- Medium:
- Movement & Style:
- Period:1660-1669
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA126231stDibs: LU14015513222
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