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Sandro Chia
Lithograph Italian Post Modernist Figurative Pop Art

About the Item

Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After graduation, he has travelled extensively in India, Turkey and throughout Europe before settling in Rome in 1970. During the 1970’s he began to exhibit in Rome and Europe, gradually moving away from conceptual works towards a more Pop Art, figurative style of painting. Between September 1980 and August 1981 he received a scholarship from the city of Monchengladbach in Germany where he moved to work for a year. The following year he moved to New York City, where he will remain for over two decades, with frequent trips back to Montalcino, near Siena in Italy. He has been part of the Italian “Transavanguardia” movement, exhibiting in many of the most important museums and galleries of the world. He has exhibited at the Biennale of Paris and San Paolo and three times at the Venice Biennale. His work has been part of internationally acclaimed museum group shows. Amongst his most important personal shows are exhibitions at the Stedelijk Museum of Amsterdam (1983), the Metropolitan Museum of New York (1984), the National Gallery of Berlin (1984, 1992), the Museum of Modern Art of Paris (1984); the Museums of Dusseldorf (1984), Antwerp (1989), Mexico City (1989); Palazzo Medici Riccardi in Florence (1991); the Museums of Karlsruhe (1992), Palm Springs (1993), Villa Medici in Rome (1995); Palazzo Reale in Milan (1997), the Boca Raton Museum of Art, Florida (1997), the Galleria Civica of Siena (1997), the Galleria Civica in Trento (2000), the Museo d’Arte of Ravenna (2000); Palazzo Pitti and the Museo Archeologico Nazionale of Florence (2002); and most recently the Duomo of St. Agostino in Pietrasanta (2005) and Galleria Nazionale d'Arte Moderna of Rome (GNAM) (2010). In 2003, the Italian State acquired three important works of his for the permanent collection of the Italian Senate at Palazzo Madama, and in 2005 two monumental sculptures were acquired by the Province of Rome and placed in front of its headquarters in Via IV Novembre, Rome. Today he lives between Miami, Rome and his Castello Romitorio wine-making estate in Montalcino, where he also follows the production of prestigious wines, amongst which the world-famous Brunello wine which has won the 'International Wine Challenge' for best red wine in 2010.
  • Creator:
    Sandro Chia (1946, Italian)
  • Dimensions:
    Height: 25.5 in (64.77 cm)Width: 20.5 in (52.07 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    good. minor wear. Please see photos.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38215310682

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Lithograph Italian Post Modernist Figurative Pop Art
By Sandro Chia
Located in Surfside, FL
Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After graduation, he h...
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By Sandro Chia
Located in Surfside, FL
Sandro Chia (Italian, 1946) Children Holiday, 1984 Lithograph in colors on six sheets of Somerset soft white, 71 x 77 inches (180.3 x 195.6 cm) Numbered A.P. 13/15 (aside from an edi...
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Huge 6X6 Lithograph Italian Post Modernist Figurative Pop Art Children's Holiday
By Sandro Chia
Located in Surfside, FL
Sandro Chia (Italian, 1946) Children Holiday, 1984 Lithograph in colors on six sheets of Somerset soft white, 71 x 77 inches (180.3 x 195.6 cm) Numbered A.P. 13/15 (aside from an edi...
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By Tom Slaughter
Located in Surfside, FL
5-color silkscreen on 2-ply museum board. edition of 60 hand signed and numbered. American, 1955-2014 Born in 1955, Tom Slaughter’s career began in 1983 with his first exhibition at the Drawing Center in New York City. Since, he has had more than 20 solo shows in cities including San Francisco, Miami, London, Vancouver, Cologne and Fukuoka, Japan. Slaughter had worked extensively with master printer, Jean Russell at Durham Press, creating numerous limited edition prints using his signature bold primary colors. He worked as a printmaker in collaboration with Durham Press for 25 years, and his editions are included in the permanent collections of MoMA and the Whitney Museum of American Art. He illustrated twelve children’s books, including “Boat Works,” “Do You Know Which Ones will Grow? ” – a 2011 Notable American Library Association book of the year – and collaborations with Marthe Jocelyn such as “ABC x 3,” “Same Same,” and “123.” These books have been translated into six languages. Slaughter also worked for the last ten seasons as the Art Director for the New Victory Theater. As a designer, he created everything from t-shirts to skateboard decks, beach towels as well as a line of wallpaper for Cavern Home. Tom Slaughter, an artist, designer, and illustrator, passed away on October 24, 2014. In his Pop-inflected prints, drawings, illustrations, paintings, and design work Tom Slaughter exudes a love of life. He makes few distinctions between his various artistic endeavors; “I paint, draw, cut paper, use a computer, and even an iPhone—it’s all the same hand,” he says. In a 2001 print...
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1936 Lithograph Soldiers in battle World War I small edition
By George Grosz
Located in Surfside, FL
According to the frontis these were produced by Hand Lithography. According to the Museum of Modern Art (MOMA NY) website "Edition:300 announced; only approx. 42 issued (including regular edition of 30, deluxe edition of approx. 10, and 2 artist's proofs)" I believe these are from the deluxe edition as they are on Mould made BFK Rives French paper and the dimensions are larger than stated in the MOMA website. the sheet size here is 40X29 cm. Date 1936. Publisher:Black Sun Press, New York. Printer:George C. Miller & Son, New York. most of them are plate signed. George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his Satire and Caricature drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. He studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, and Oskar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik. Grosz left the Communist Party KPD in 1922 after having spent five months in Russia and meeting Lenin and Trotsky, because of his antagonism to any form of dictatorial authority. Along with Otto Dix, he is widely considered one of the most important artists of the Neue Sachlichkeit. Bitterly anti Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York. In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America. In 1946 he published his autobiography, A Little Yes and a Big No. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Grosz worked in a style influenced by Expressionism and Futurism, as well as by popular illustration, graffiti, and children's drawings.The City (1916–17) was the first of his many paintings of the modern urban scene. Other examples include the apocalyptic Explosion (1917), Metropolis (1917), and The Funeral, a 1918 painting depicting a mad funeral procession. In his drawings, usually in pen and ink which he sometimes developed further with watercolor, Grosz did much to create the image most have of Berlin and the Weimar Republic in the 1920s. Corpulent businessmen, wounded soldiers, prostitutes, sex crimes and orgies were his great subjects His draftsmanship was excellent although the works for which he is best known adopt a deliberately crude form of caricature. His oeuvre includes a few absurdist works, and also includes a number of erotic artworks. ("Ecce Homo" which saw him accused of pornography) My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon. ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton...
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