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Sir Francis Seymour Haden, R.A.Vue de La Tamise - Etching by Francis Seymour Haden - Late 19th CenturyLate 19th Century
Late 19th Century
$349.41
£264.68
€300
CA$484.06
A$542.90
CHF 284.31
MX$6,596.79
NOK 3,610.25
SEK 3,422.78
DKK 2,284.13
About the Item
Vue de La Tamise is a black and White etching realized by Francis Seymour Haden in the Late 19th Century.
Titled in the lower
Image Size: 12x28
Very good impression.
Realized by Cadart for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
- Creator:Sir Francis Seymour Haden, R.A. (1818 - 1910, British)
- Creation Year:Late 19th Century
- Dimensions:Height: 20.87 in (53 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1500301stDibs: LU650314891352
Sir Francis Seymour Haden, R.A.
Sir Francis Seymour Haden CMG FRCS PPRE (16 September 1818 – 1 June 1910), was an English surgeon, best known as an original etcher who championed original printmaking. He was at the heart of the Etching Revival in Britain, and one of the founders of the Society of Painter-Etchers, now the Royal Society of Painter-Printmakers, as its first president. He was also a collector and scholar of Rembrandt's prints.
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