City Figurative Prints

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of VII/XXX. Excellent condition.

Colleggio Ecclesiastico a Ponte Sisto is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except fo...

Original French travel poster: ROUEN, Chemins de Fer de L'Etat French Railway. For literary enthusiasts, this is where a fair portion of Madame Bovary took place. The poster is in...

Uses and Customs -  a Palace in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of t...

S.Niccolo in Carcere Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (C...

Image dimensions: 17.8 x 22.4 cm. Der Hagenmarkt mit der Catharinenkirche is a beautiful watercolored etching on paper, realized at the middle XIX century by the German landscapist ...

Palace of the Queen Mother in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good ...

Collegio De Neofiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged mar...

Navona Square - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Nu...

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 190 cop...

Scilla is a beautiful hand-colored etching on cardboard, realized in 1971 by the Italian artist Giovanni Omiccioli (Rome, 1901-1975). Hand-signed in pencil on the lower right and d...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From the volume, Vlaminck, 1958; published by Éditions André Saure...

This amazing bird's-eye-view of an ancient European town is a wonder to behold. There is such detail and interesting perspective. Maybe the artist (unknown...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

View of Paris XV-XVI is a lithograph print on paper realized in the Late 19th century Signed on the plate Good conditions. From the suite of "France Pittoresques, including costum...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "L...

This splendid lithograph Porte de la Treille is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi in 1854. Th...

This splendid lithograph L'hopital is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi in 1854. The lithogra...

Seville Cathedral is an Original Etching realized by an unknown artist of 18th century. Good condition on a yellowed paper, except for torn paper on the lower right corner. No sign...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NYC at the Art Students League. Th...

Borgo Pio - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Number...

Chiesa di S.Carlo ed Ambrogio al Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except f...

TECHNIQUE PHOTO-PAINTING The technique used was defined as PHOTO-PAINTING by the art critic Silvia Pegoraro of Ravenna Italy and was an Artist's invention in 1994. In fact, since 196...

Full Title: Piazza di Palestrina costruita sulle rovine del famoso Tempio della Fortuna Prenestina Image dimensions: 41 x 52 cm. From the collection “Le antichità de’ contorni di R...

Old Antwerp Road is an artwork realized by Jan Claessens (Belgian, 1879 - 1963) in 1914. Woodcut print Good condition.

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Paris, houses and walls is a beautiful artwork realized by Orfeo Tamburi during the 1980s. Mixed colored lithograph. Edited and printed by Graphics Arte, Livorno Original title: P...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Porta Antica in Perugia is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Assassinat De Basseville à Rome is an original black and white etching realized by Pierre Gabriel Berthault, after Jacques François Joseph Swebach-Desfontaines in 1793. Title with caption on plate on the lower center: "Assassinat de Basseville, à Rome/ le 13 Janvier 1793, ou 23 Nivose An Ier de la République". Below the image on the lower margin, "Swebach Desfontaines onv. et del. / Berthault sculp." is etched on plate. This modern artwork is numbered "N. 76", because it is from the series Les Tableaux historiques de la Révolution française. As a matter of fact, Pierre-Gabriel Berthault is well-known for having engraved plates from this collection with the collaboration of the engraver Jean Duplessis-Bertaux. A work - hanging in the balance between news and history - with illustrations of salient or minimal events occurred during the French Revolution. As a celebration of the new ideals of brotherhood, justice, and equality, Les Tableaux immediately became a point of reference for journalism at the time. Of traditional cut, namely showing a view with many human figures, the engraving simplified the lines to be immediately readable for the general public. In our specific case, this original print represents the murder of Hugou de Bassville or Basseville (7 February, 1743 – 13 January, 1793), a French journalist and diplomatist, and protector of the radical Jacobins in Rome. In excellent conditions, except for a usual yellowing of the paper on the edges and a light trace of oxidations on the lower and right margins, beyond the marginal line of the matrix. Pierre-Gabriel Berthault (Saint-Maur-des-Fossés, 1737 - Paris, 1831) was a French master who made engravings from drawings by Jean-Claude Richard de Saint-Non (known as the Abbot of Saint-Non) and from paintings by Louis François Cassas. He depicted many views of Italy and created the collections Voyage à Naples and Voyage pittoresque de la Syrie, de la Palestine et de la basse-Egypte. Before the French Revolution, he was famous for being the author of the Vues intérieures de Paris and for tables with architectural elevations.

Chiesa di S.Maria della Traspontina is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Chrysler Building and United Nations By Michael Wallner [2019] limited_edition Brushed aluminium Edition number 25 Image size: H:91 cm x W:69 cm Comple...

Dufza - Paris - Saint Michel - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Casino della Vigna di Papa Giulio III is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giusepp...

Roman Forum is a Modern artwork realized by Orfeo Tamburi (Jesi, 1910 – Paris,1994) in the 1975s. Hand-signed on the lower right. Colored Lithograph o...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

Ancient Views of Kobe is an original vintage albumen print on single cardboard: 26 x 34 cm. They were realized between the 1880s and the early 1...

Uses and Customs - Duomo Square in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Colleggio Nazzareno is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for margins with som...

Ladies of the Islands of Tina is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gover...

Lecce is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Palazzo Pontificio is an original black and white etching of the Late 18th Century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled ...

This splendid lithograph Rue de l'hotel de Ville is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi in 1854...

Ducal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Strada Maggiore in Bologna is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Uses and Customs - Temple of S Maria is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

Uses and Customs - Alberonian College of San Lazzaro out of Piacenza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples ...

Uses and Customs - San Marco Square in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Uses and Customs - Cathedral Square is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Uses and Customs - Piazza di Sant'Antonio in Padova is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

Uses and Customs - New Gallery in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Et...

Uses and Customs - Consular Street in the Entrance of the City of Pompei is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peop...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Uses and Customs - Piazza dei Signori in Vicenza is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Uses and Customs - Pavia Towers is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Uses and Customs - Church of San Giovanni in Pistoja is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

Uses and Customs - La Scala Theatre in Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Histo...

Uses and Customs - Santa Lucia Beach in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " His...