Interior Figurative Prints

The Godfather - Original 1972 Lobby Card #1 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

This artwork titled "Shall We Dance" 1988 is an original color lithograph by American artist Robert Hoppe, 1943-1989. It is hand signed and numbered 149/3...

RENOIR, PIERRE AUGUSTE (1841 -1919) "Femme au cep de vigne, 4th variante" Woman by the Grape Vine, 4th variant Delteil 48, Stella 48 Original lithograph in black ink, 1904 -1905 On...

Charlie And The Chocolate Factory - Original 2005 Lobby Card Charlie, a young boy from an impoverished family, and four other kids win a tour of an...

Mezzotint print. Edition of 18, signed, titled and numbered by the artist. Caulfield has exhibited his prints, drawings, installations and artist’s books extensively throughout Cana...

Colony at Dawn, architecture photography by Richard Heeps for his 'Dream in Colour' series, this piece features the mid-century architecture of Ballantines Movie Colony, California, captured at dawn against the Palm Springs mountain landscape...

These two Giovanni Battista Piranesi 18th century etchings of fireplace designs on one sheet is plate 6 from his publication 'Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca, e Greca con un Ragionamento Apologetico in defesa dell'Architettura Egizia, e Toscana, opera del Cavaliere Giambattista Piranesi...

Star Wars 1977 Original Vintage Cinema Lobby Card #6 Size: 10×14″ inches / 25 x 35 cm Star Wars (retroactively titled Star Wars: Episode IV – A New Hope) is a 1977 American epic sp...

From Interior Series. Woodcut and screen print in colors on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles.. Corlett 247...

Graham Fransella Figure on Sand Limited Edition Etching Triptych Edition of 25 Individual Sheet Size: H 90cm x W 46.7cm x D 0.2cm Total Size: H 90cm x W 140cm x D 0.2cm Sold Unframed...

Mary, Mary Quite Contrary I, 1989 Paula Rego Etching with aquatint, on wove Signed and numbered from the edition of 50 From Nursery Rhymes Printed by Culford Press, London Co-publis...

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...

Two Color Offset Lithograph on Wove Paper by photo realist star Robert Cottingham Pencil signed, titled and numbered from the edition of 150 on the front This hand signed, titled and...

Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...

Day Room is a lithograph on paper with an image size of 2.25 x 3.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. ...

Etching on cream laid paper, 3 7/8 x 5 7/8 inches (99 x 150 mm), full margins. Signed, dated, and inscribed "Sketch Grolier Club Library Demonstration Print," and numbered "I" in pen...

Yue Minjun, Lotus Pool Lithograph in color on wove paper “BFK Rives” Edition of 130 120 x 80 cm (47.2 x 31.4 in) Stamped Signature, numbered in Roman numerals In mint condition, as a...

Hand embellished serigraph on canvas. Hand signed and numbered on front by the artist. Stretched. Edition AP of 75. Artwork is in excellen...

I Castelli Romani is a splendid offset poster realized by Neal Slavin, in 1983. Colored photography, in very good conditions. Regione Lazio / Centro Iniziative Culturali Pantheon -...

"Tea Party" (2024) by Sang Lam is an digital painting printed onto metal that depicts a group of three witches having a tea party in a gazebo. About the artist: I am a Vietnamese ...

Edition 2/4. Technique: Lambda print mounted on Aluminium. Hand signed by the Artist in black marker on rear. Conceptual work by Nicolas Grospierre, belonging to the Project "The Ba...

free shipping standard parcel available to be confirmed while submitting the order artist: Anastasia Aureum paper print limited edition hand signed Collective exhibitions: 202...

Woodcut print from the Series "Der vreeselijke avonturen vas Scholastica" (The Terrible Adventures of Scholastica). Edition of 300, published by A. J. van Dishoeck. Unsigned, ass i...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows winter landscape on the foregound with chair standing in front of sligh...

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice" Table no. 17 of the Series. Hand monogrammed in the plate. Very good condition. Ref. Delteil...

Lithograph on chine-collé mounted to wove paper, 14 1/8 x 8 3/4 inches (355 x 220 mm), full margins. Scattered light foxing throughout, toning, surface soiling and scattered creasing...

This artwork titled "The Corner Drugstore" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and num...

"José Manuel Ballester (Spain, 1960) 'Museo', 1996 lithograph on paper 13 x 19.7 in. (33 x 50 cm.) Edition of 50 ID: BAL1266-005-050 Hand-signed by author in pencil"

Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Iacomino e Nicola Vanni in the 18th Century. Signed on the plate. Good conditions with some folding. ...

This is an extraordinary collection of Linoleum Cuts by master printmaker Tom Huck. The Suite of 13 linocuts is encased in a homemade glory hole cover and also include a protective centerfold cover. This artwork could be framed to hang in a grouping. Contact gallery for details. Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB! of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages. Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017 Huck’s gallery representation is C. G. Boerner in New York. In September 2011 Huck was awarded a Pollock-Krasner Foundation grant. Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism.[1] He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire'".[2] From 1995 to 2005, Huck created two woodcut folios: 2 Weeks in August: 14 Rural Absurdities and The Bloody Bucket. 2 Weeks in August: 14 Rural Absurdities, a thematically unified suite of 14 large woodcut prints, depicted 14 bizarre folk tales that allegedly occurred in Huck's hometown of Potosi, Missouri. The suite was produced in three years from 1995 to 1998. His second body of work, The Bloody Bucket, was based on violent legends surrounding a bar of that name in or around his hometown of Potosi. It comprises 10 large-scale woodcuts, executed between 1999 and 2005. In December 1999, Huck's work represented the United States in an exhibition entitled From Kandinsky To Corneille: Linoleum in the Art of the 20th Century held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled "Attack of the 50ft. Yard Ornament". The piece was commissioned specifically for the exhibition by the linoleum company Forbo-Krommenie in Amsterdam. The Whitney Museum of American Art in September 2003 featured two works by Huck in an exhibition entitled To Be Human. Both the works featured were woodcuts from the series 2 Weeks in August. Huck is currently working on a 14-triptych cycle of woodcut prints entitled Booger Stew. The first installment of the series, a triptych entitled "The Transformation of Brandy Baghead Pts. 1, 2, & 3", was completed in March 2009. An exhibition entitled Tom Huck and the Rebellious Tradition of Printmaking opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, Jose Guadalupe Posada, and Max Beckmann were featured alongside Huck's "The Transformation of Brandy Baghead Pts. 1, 2, & 3". Electric Baloneyland On December 19, 2011, Huck announced the April 1, 2012, release of The Hillbilly Kama Sutra. This new suite of 15 linoleum cut prints is Huck's first portfolio of prints since 1998's 2 Weeks in August: 14 Rural Absurdities. On April 12, 2012, a selection of prints from the new series were released in the St. Louis weekly publication The Riverfront Times. On May 4, 2012, Sherry Leedy Contemporary Art in Kansas City, Missouri, hosted the debut exhibition of The Hillbilly Kama Sutra. In February 2013, Huck illustrated a cover story entitled "The 10 Weirdest Members of Congress" written by Caleb Hannan. The feature article appeared in The Riverfront Times and four other Voice Media Group publications: the Houston Press, Dallas Observer, Broward-Palm Beach New Times, and Minneapolis City Pages. All five had a cover caricature of Michele Bachmann's head on a snake, referencing the "Don't Tread On Me" motif. The story featured 9 politicians in caricature. In early spring of 2014 Huck completed work on his second major woodcut triptych from "Booger Stew" entitled "The Tommy Peeperz". "The Tommy Peeperz" debuted in a show of The Outlaw Printmakers entitled "The Dirty Dozen...

I Castelli Romani is a splendid offset poster realized by Neal Slavin, in 1983. Colored photography, in very good conditions. Regione Lazio / Centro Iniziative Culturali Pantheon -...

"José Manuel Ballester (Spain, 1960) 'Macba', 1996 lithograph on paper 10.3 x 16.2 in. (26 x 41 cm.) Edition of 50 ID: BAL1266-006-050 Hand-signed by author in pencil"

This artwork titled "Conversation" is an original color lithograph on Arches paper by Iranian/Israeli artist Elie (Eliahu) Abrahami, born 1941. It is signed and numbered 42/100 in pe...

"José Manuel Ballester (Spain, 1960) 'Aeropuerto', 1993 lithograph on paper 14.6 x 20.9 in. (37 x 53 cm.) Edition of 50 ID: BAL1266-004-050 Hand-signed by author in pencil"

"Angel Delgado (Cuba, 1965) 'Halar la cadena', 2010 silkscreen on toilet cover 17.6 x 14.8 in. (44.5 x 37.5 cm.) Edition of 10 ID: DEL-101"

Vicente Rojo (Mexico, 1932-2021) 'Cuaderno abierto', 2006 engraving on paper Velin Arches 300 g. 26 x 43.2 in. (66 x 109.5 cm.) Edition of 80 ID: ROJ-111 Unframed

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh enjoying a game of pool. A cat appears next to the pool  with a group of people sat at tables, in a house of burgundy...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NY...

"Mable's Wash" - 1989 Black and White Lithograph on Paper 1989 Black and white lithograph titled "Mable's Wash" depicting a blouse and pants hanging from a clothes line in front of ...

Etching realized by Fritz Schwimbeck in 1918. Edition of 125 realized in Munich on mulberry paper. Hand signed in pencil.

This artwork titled "Ceramics II" 1981 is an original colors screen print by Canadian artist Richard Thomas Davis, b.1947. It is hand signed, titled, date...

Nunzio Galerie Di Meo - Paris Exposition 13 juillet 1989 is a vintage poster realized by Galerie di Meo. Poster made for the exhibition Nunzio in 1989. Text in french. 61x40 cm. ...

Decorative Motifs - Arab Style is a print on ivory-colored paper realized by an A. Alessio in the early 20th Century Vintage Chromolithograph. Very good conditions. The artwork r...

Mysterious Scale is a colored lithograph realized by the artist Roger Chapelain-Midy in 1975. Hand-signed by the artist on the lower right. Numbered on the lower left. Original pri...

Ex Libris is a woodcut print by Michel Fingesten, realized in 1936. Hand signed, included a white cardboard passpartout (24x30 cm). In excellent conditions: As good as new. Michel Fingesten (1884 - 1943) was a Czech painter and engraver of Jewish origin. He is considered one of the greatest Ex Libris artists in history. From an Austrian weaver father and a Jewish mother...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...

Un Bal Public is a black and white etching realized by Edme Penauille (1840-1871) in 1870s. Titled in the lower. Image size: 28.5cmx20cm. Very Good condition. Realized by Cadart ...

EXCALIBUR by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free....

This artwork titled "The Sporting Good Store" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and ...

This artwork titled "Up in the Attic" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...

Olivetti Information Service is an original offset advertising by an anonymous artist of the 20th Century. The state of preservation of the artwork is very good except for some smal...

Deconstructing Seurat (turquoise green), 2004 Michael Craig-Martin A pair of screenprints in colours, on wove Each signed, dated and numbered verso from the edition of 40 Published ...

Etching and aquatint realized by Fifo Stricker in 1982. Edition of 50. Hand signed and numbered in pencil. Excellent condition.

The Lost Ball' is a handmade linocut print by artist Colin Moore, featuring his signature graphic use of line and sophisticated colour palette. This handmade print uses layered tones...

Masterfully executed etching which is signed but is illegible. The contrast of shadows and sunlight in doorway is particularly well done. Background figures could be Dutch. Etching ...

The Great War no. 11 / Treaty of Versailles shows The National Assembly of Paris where delegates are signing the Treaty of Versailles ending World W...

Etching and aquatint realized by Fifo Stricker in 1982. Edition of 50. Hand signed and numbered in pencil. Excellent condition.

Richard William Hamilton CH (British, 1922-2011) Just what is it that makes today's homes so different? Digital print Signed and numbered `1534/5000 R Hamilton’ (lower edge) 8 x 11.3...