Outdoors Figurative Prints

Raimundo Orozco (Cuba, 1949) 'Untitled', 2004 dry point on paper Guarro Biblos 250g. 29.7 x 12 in. (75.2 x 30.4 cm.) Edition of 30 ID: ORO-306-2 Hand-signed ...

Overall size- H71 x W71 Owl and Pussycat by Rebecca Denton [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:25 cm x W:25 c...

'Farm Yards' Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers...

Low Tide at Hope Cove [2022] limited_edition Linocut Edition number 1-10 Image size: H:21 cm x W:45 cm Complete Size of Unframed Work: H:45cm cm x W:80 cm x D:3cm Sold Unframed Plea...

Eduardo Naranjo (Spain, 1944) 'El poeta llega… (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (78 x...

Eduardo Naranjo (Spain, 1944) 'En la cabaña del Farmer (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 i...

Eduardo Naranjo (Spain, 1944) 'Huida de Nueva York (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (...

Kit Boyd The Sacred Grove Unique hand-coloured etching and aquatint from the standard edition of 60. Imaginary coastal landscape with birds and a figure. hand printed on Hahnemuhle e...

Swimmer is a contemporary artwork  realized by Kim Hyang in 2008 Mixed colored lithograph Hand signed and numbered on the lower margin Realized in occasion of the Olympic Games in...

Ian Phillips Clouds Rest on Aran Fawddwy Limited Edition Linocut Print on Paper Edition of 8 Image Size: H 38cm x W 56cm Sheet Size: H 41cm x W 64cm x D 0.01cm Sold Unframed Free Shi...

Edition 1 of 5, with 2 APs. GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of ...

Swimmer is a contemporary artwork  realized by Kim Hyang in 2008 Mixed colored lithograph Hand signed and numbered on the lower margin Realized in occasion of the Olympic Games in...

Bernardo Navarro Tomas (Cuba, 1977) 'Luna de Tepoztlán 2', 2018 etching, sugar aquatint on paper Feltmark 300 g 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 ID: NAA-102 Unframed

Bernardo Navarro Tomas (Cuba, 1977) 'Luna de Tepoztlán 4', 2018 etching, sugar aquatint on paper Feltmark 300 g 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 ID: NAA-104 Unframed

Bernardo Navarro Tomas (Cuba, 1977) 'Luna de Tepoztlán 3', 2018 etching, sugar aquatint on paper Feltmark 300 g 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 ID: NAA-103 Unframed

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Vlaminck, 1958; published by Éditions André Sauret, Paris, and Universe Books...

Lamorna: Cornish Coastal Path Series by Anna Harley Hand signed by the artist Limited Edition Screen Print Edition of 12 Sheet size H 76 x W 56 x D 0.1cm Sold Unframed Please note that the insitu images are purely an indication of how a piece may look. Discover new works by Anna Harley available to buy online and in our art gallery. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol...

Living the dream By Gordon Hunt [2022] limited_edition Acrylic paint on paper Edition number 18 Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x ...

TSUNAMI is an archival digital print created in 2015. This original print was directly drawn into the computer by Peter Milton and printed digitally. It is signed, titled, and date...

Cambridge Market by Clare Halifax Limited Edition and hand signed by the artist Silkscreen Print on Paper Edition of 75 Image Size: H 12cm x W 25cm Sh...

Above the Sea [2022] limited_edition and hand signed by the artist Linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:45cm cm x W:45cm cm x D:5mmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Reduction linocut limited edition print. Inspired by a walk along the south west coast path from high up on Bolberry Down to Hope Cove. Ann Burnham...

Haring Cube is a archival pigment print on canvas, 36.25 x 28.75," by the award-winning Kolibri Art Studio, signed lower right 'Bertho' and numbered lower...

Swimmer is a contemporary artwork  realized by Kim Hyang in 2008. Mixed colored lithograph Hand signed and numbered on the lower margin Realized in occasion of the Olympic Games i...

Evening at Soar Mill Cove [2022] limited_edition Linocut Edition number 1-10 Image size: H:15cm cm x W:30cm cm Complete Size of Unframed Work: H:20 cm x W:60 cm x D:3mmcm Sold Unfra...

Baie de Kerloche is a black and White etching realized by Auguste Feyen Perrin in the 1860s.  Titled in the lower. Image size: 23x32. Very good impression with wide margins and a ...

Moulins dans le pas de Calais is a black and White etching realized by A. Sogé in the 1860s.  Titled in the lower. Image size: 23x31. Very good impression with wide margins and a ...

The bright colours of the rainbow coloured Lifeguard hut seem a perfect fit for the Venice Beach lifestyle. I love the contrast of the hut's colours against the lightness of the sand...

This figurative piece by Paul Jauregui is a hand colored etching depicting the silhouette of a father, his daughter and her small dog all walking in the rain. The father holds an umb...

ARTIST: Salvador Dali TITLE: Tauramachi Surrealiste The Piano In The Snow MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet, Paris EDITION NUMBER: L/C MEASUREMEN...

Wild Oats by Rob Barnes [2022] limited_edition and hand signed by the artist Linocut on paper Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm...

Gulls at Sunset [2022] limited_edition and hand signed by the artist Linocut on paper Edition number 1-10 Image size: H:19 cm x W:31 cm Complete Size of Unframed Work: H:40 cm x W:80 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Reduction linocut This print was based on some pictures I took back in the hot summer at sunset overlooking the calm...

Swimmer is a contemporary artwork  realized by Kim Hyang in 2008. Mixed colored lithograph. Hand signed and numbered on the lower margin. Realized in occasion of the Olympic Games...

Cliff Edge by Ann Burnham [2022] limited_edition and hand signed by the artist Linocut on paper Edition number 4 Image size: H:56cm cm x W:42cm cm Comple...

US World Cup Skiing Jim Jonson, American (1928–1999) Date: 1977 Lithograph, signed and numbered in pencil Edition of 300, AP Image Size: 18 x 25 inches Size: 22 in. x 30 in. (55.88 c...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extol...

Jan Dingle Morning Pastures, Limited Edition print Image size: 5.5″ x 6.5″ (133 x 165mm) Paper size: 10″ x 11.5″ (272 x 285mm) Edition size: 150 + 10% A/P Size: H:27.2 cm x ...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...

Torii Sea View by Alexandra Buckle Limited Edition Linocut on Paper Edition of 12 Image size: 30 cm x 40 cm x 0 cm Sheet Size: 37 cm x 47 cm x 0.1 cm Sold Unframed Please note than i...

Swimmer is a contemporary artwork  realized by Kim Hyang in 2008. Mixed colored lithograph. Hand signed and numbered on the lower margin. Realized in occasion of the Olympic Games...

Between full and last quarter moon, late at night or in the early morning, you may see the moon in its waning gibbous phase: less than full but more than half-lighted. A full moon ri...

Le Pere Malice is a black and White etching realized by Jules Jacques Veyrassat in the 1860s.  Titled in the lower Image Size: 24x32 Very good impression. Realized for the "Socié...

Souvenir de Normandie is a black and White etching realized by Otto Weber in the 1860s.  Titled in the lower Image Size: 23x30 Very good impression. Realized for the "Société des...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

An original diptych monotype by American contemporary artist Kathleen Sherin from the artist's Knot Series. Each monoprint is 40" x 30".

Artist: Bill Beckley, American (1946 - ) Title: Three Quarter Moon - Two Evening Stars Year: circa 1980 Medium: Lithograph, signed and numbered in pencil...

Powder Ride (large) by Robyn Forbes [2021] limited_edition Screen print Edition number 2 Image size: H:27 cm x W:39 cm Complete Size of Unframed Work: H:...

Ian Phillips Catching the Light Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 83cm x W 122cm x D 0.01cm Sold Unframed Free Ship...

Swimmer is a contemporary artwork  realized by Kim Hyang in 2008 Mixed colored lithograph. Hand signed and numbered on the lower margin Realized in occasion of the Olympic Games i...

National Theatre [2021] limited_edition Brushed aluminium Edition number 25 Image size: H:62 cm x W:145 cm Complete Size of Unframed Work: H:62 cm...

Fiona Carver A Cornish Village Limited Edition Linocut Print Edition of 50 Image size: 13.5 x 13.5cm Mounted size: 26.5 x 27cm (approx) Sold Unframed, mounted in pale cream Free Shipping Please note that in situ images are purely an indication of how a piece may look. A Cornish Village is an original limited edition linocut by Fiona Carver. Hand printed using a victorian cast iron press...

Manhattan Skyline By Michael Wallner [2019] limited_edition Brushed aluminium Edition number 25 Image size: H:43 cm x W:135 cm Complete Size of Unfr...

Misty Morning Trees by Ann Burnham [2021] limited_edition linocut Edition number 1 -10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:40cm cm x W:40cm cm x D:2m...

Reflections, New York [2021] limited_edition Etching on Paper Edition number 75 Image size: H:16 cm x W:20 cm Complete Size of Unframed Work: H:16 cm x W:20 cm x D:0.1cm Sold Unfram...

House by the Sea [2020] limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed P...

Waning by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold...

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awful Scenes." This still depicts a ...

Moongazers [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Ple...

This framed still is part of an animated video project titled "Gold Rush," from McLean Fahnestock's solo show at Channel to Channel, "Beautifully Awful Scenes." This still depicts a ...